Arthur Jafa: ‘America has always been a demonic state. And we love it’

The article covers the exhibition "Helter Skelter: Richard Prince and Arthur Jafa" at the Prada Foundation’s Ca’ Corner della Regina in Venice, curated by Nancy Spector. It brings together over 50 works by Prince and Jafa in a call-and-response format, exploring themes of appropriation, race, violence, and American identity. The show pairs Prince’s iconic rephotographed images and Jafa’s video work "Love Is The Message, The Message is Death" (2016) with new and existing pieces, including Jafa’s "Big Wheel II" and Prince’s "Blasting Mats."

Chloë Sevigny, Hari Nef, and Mickalene Thomas Just Partied at the Brooklyn Artists Ball

The Brooklyn Museum hosted its annual Brooklyn Artists Ball on Tuesday evening, serving as the opening celebration for the "Iris van Herpen: Sculpting the Senses" exhibition. The event drew a crowd of artists, patrons, designers, and downtown figures, including event hosts Fabiola Beracasa Beckman, Sylvana Durrett, Jordan Roth, Lizzie Tisch, and Amanda Waldron; co-chairs Regina Aldisert, Megan Brodsky, Victoria Rogers, and Carla Shen; CULTURED Editor-in-Chief Sarah Harrelson; designers Iris van Herpen and Wes Gordon; musicians Peggy Gou and Swizz Beatz; artists Mickalene Thomas, Keisha Scarville, Paul Arnhold, and Miles Greenberg; writer Derek Blasberg; and gallerist Saam Niami. Highlights included a special performance by dancers from the New York City Ballet in winged costumes, an afterparty with DJs Swizz Beatz and Runna, and a site-specific photo booth by artist Keisha Scarville.

A mapping of all the intersections between the 2026 Venice Biennale and the fashion world

Una mappatura di tutti gli intrecci tra la Biennale di Venezia 2026 e il mondo della moda

The article maps the growing intersection between fashion brands and the 61st Venice Biennale in 2026, detailing specific collaborations. Zegna is the main sponsor of the Italian Pavilion, supporting Chiara Camoni's project "Con te con tutto" curated by Cecilia Canziani, using materials from Zegna's Oasi Zegna and Lanificio. Bottega Veneta renews its partnership with Pinault Collection to support Lorna Simpson's exhibition "Third Person" at Punta della Dogana, curated by Emma Lavigne, and also presents a public intervention at Campo Manin. Swatch celebrates 15 years of the Swatch Art Peace Hotel with the exhibition "Flora Fantastica" at the Giardini Reali, featuring artist Elisa Insu. The newly opened Fondazione Dries Van Noten at Palazzo Pisani Moretta debuts with "The Only True Protest Is Beauty," curated by Dries Van Noten and Geert Bruloot.

Creative Currents: East End Art Exhibits

The article surveys the 2026 summer art season in the Hamptons, highlighting new outdoor sculptures at LongHouse Reserve—including Renée Cox's 'Soul Culture Statue,' Sean Scully's '48,' and William Kentridge's 'Tap'—and a slate of solo exhibitions at venues such as Guild Hall, the Parrish Art Museum, the Arts Center at Duck Creek, and the Peter Marino Art Foundation. Featured artists include Arcmanoro Niles (whose show 'Forgotten Words I Never Got to Say' marks a decade since his Guild Hall residency), Sanford Biggers (presenting 'Drift' at the Parrish), Claire Watson, Brent Richardson, Robert Nava, Betty Parsons, Carla Accardi, and Y.Z. Kami. The Church in Sag Harbor will open 'This Land: Considering the American Landscape,' borrowing works from the Parrish and Dan Flavin's collection.

Meet four artists behind the public art you'll see at L.A. Metro's new D Line stations

L.A. Metro opened the first phase of its D Line extension on Friday, May 1, 2026, adding three new underground stations connecting downtown Los Angeles to Beverly Hills: Wilshire/La Brea, Wilshire/Fairfax, and Wilshire/La Cienega. The stations feature nine site-specific public artworks by artists including Mariana Castillo Deball, Eamon Ore-Giron, Ken Gonzales-Day, Todd Gray, Karl Haendel, Soo Kim, Fran Siegel, Susan Silton, and Mark Dean Veca. The competitive selection process began a decade ago, drawing over 1,200 applicants, with finalists judged by a panel of art professionals including curators from Miracle Mile museums. Metro deputy executive officer Zipporah Yamamoto leads the agency's public art program, which is funded by a 0.5% construction budget set-aside.

Arte contemporanea, fiabe e favole nel racconto di Artbox su Sky Arte

The article previews an upcoming episode of the Italian television program "Artbox" airing on Sky Arte on Tuesday, May 12. The episode visits Castello di Miradolo in Piedmont, where the exhibition "C'è oggi una fiaba" (There Is a Fairy Tale Today) runs until June 21, blending art, literature, and music around childhood themes. Curator Roberto Galimberti and Fondazione Cosso director Paola Eynard discuss the show. The episode also features art historian Maria Vittoria Baravelli's segment "Invito al viaggio," reinterpreting fairy tales as dynamic spaces for growth, referencing artists Luigi Serafini and Luigi Ontani. Additionally, curator Gražina Subelytė discusses the exhibition "Peggy Guggenheim a Londra. Nascita di una collezionista" in Venice, and curators Stefania Bossi, Michele Tavola, and Valentina Cane present the show "Regina. Sperimentatrice geniale" about a prolific sculptor. The program includes a book segment on Orsina Simona Pierini's "I colori delle case. Milan Interiors 1923-1978."

The best and worst we saw at the Venice Art Biennale 2026. Artribune's hits and flops

Il meglio e il peggio che abbiamo visto alla Biennale d’Arte di Venezia 2026. Top e flop di Artribune

The 61st Venice Biennale, titled "In Minor Keys" and directed by Koyo Kouoh, opened amid significant turmoil: the death of a newly appointed curator, diplomatic tensions over the presence of Russia and Israel, political protests, and the unprecedented collective resignation of the jury, which led to the Golden Lions being awarded by public vote for the first time. Despite this chaotic backdrop, the exhibition—featuring a record 100 national pavilions—has been widely praised for avoiding moralistic pedagogy and instead embracing visual seduction, formal quality, and sensory joy while addressing themes of identity, memory, colonialism, ecological crisis, and violence. The article highlights top and flop moments from the opening week, including strong showings by Biennale president Pietrangelo Buttafuoco and a standout exhibition at Fondazione Prada.

Toronto Biennial of Art announces 2026 artists and theme

The Toronto Biennial of Art has unveiled the artist list and thematic framework for its 2026 edition, titled "Things Fall Apart." Curated by Allison Glenn, the exhibition will feature over 30 artists and collectives, including 17 new commissions that explore themes of syncopation, rupture, and the connective power of global waterways. For the first time, the biennial will expand its physical footprint beyond the Greater Toronto Area to include site-responsive projects in Detroit, New York, and Anchorage.

LA LECHUZA DE MINERVA

The Círculo de Bellas Artes in Madrid, founded in 1926 by a small group of artists, has launched a centenary exhibition titled "La lechuza de Minerva" (The Owl of Minerva). Curated by Isabella Lenzi, the project revisits the institution's most disruptive exhibition, "El sueño imperativo" (1991), curated by Mar Villaespesa, which invited twelve artists to intervene in both exhibition spaces and transit areas, challenging traditional display logic. The new exhibition features works by artists including Dagoberto Rodríguez, Elo Vega, Rogelio López Cuenca, Isidoro Valcárcel Medina, Itziar Okariz, Los Carpinteros, María Salgado, Pedro G. Romero, Regina Silveira, Silbatriz Pons, and Tino Sehgal, who activate hidden and unexpected corners of the building through visual and sound actions. The project also restores Nancy Spero's 1991 intervention "Minerva, Sky Goddess," which had largely disappeared, through archaeological research led by restorer Rocío Casasus.

Spring brings two new exhibits to Banff's Whyte Museum

Two new exhibitions have opened at the Whyte Museum of the Canadian Rockies in Banff: "Thick as Thieves," a touring show from the MacKenzie Art Gallery in Regina, and "When our eyes touch," drawn from the museum's own collection. "Thick as Thieves" explores themes of power, secrecy, and trust through works spanning from Auguste Rodin sculptures to contemporary pieces by August Klintberg and Amanda Strong, curated by Crystal Mowry. "When our eyes touch" focuses on portraiture by museum founders Peter Whyte and Catharine Robb Whyte, featuring paintings from their time at art school in Boston and later portraits of Stoney Nakoda community members, curated by Dagny Dubois and Christina Cuthbertson. Both exhibitions run until November 8.

The Fantasy of the Femme Fatale

Le fantasme de la femme fatale

A documentary titled "Le fantasme de la femme fatale" (The Fantasy of the Femme Fatale), directed by Susanne Brand, is available on Arte.tv. The film traces the visual history of the femme fatale, a seductive and dangerous figure prevalent in centuries of figurative painting by male artists like Gustave Moreau and Franz Von Stuck, often depicted as Salome or languid nymphs.

75 Years of Making Art in Ardsley

The Ardsley Art Commission is presenting a unique exhibition featuring the works of mother-and-son artists Valda Hancock Wagner and Rich Wagner, spanning 75 years of artistic creation. The show includes oil and acrylic paintings, watercolors, drawings, etchings, and wood block prints, ranging from traditional realism to abstraction. Valda studied with notable artists such as Reginald Marsh, Robert Rauschenberg, and Robert Beverly Hale, and later taught art in inner-city New York. Rich studied at the Art Students League, the Royal Academy of Arts, and the Royal Drawing School, and has participated in over 80 exhibitions. The exhibition is on view at Ardsley Village Hall through October 1.

NYC Transit Museum Turns MetroCards Into Art

The New York Transit Museum's Grand Central Gallery is presenting "Inspired by MetroCard," a free exhibition running through October 2026 that transforms the city's iconic fare card into works of art. The show features paintings, collages, mosaics, and wearable pieces created from thousands of MetroCards by artists including VH McKenzie, Nina Boesch, Juan Carlos Pinto, Barbara Kruger, Nina Vishneva, and Thomas McKean. Curator Jodi Shapiro organized the exhibition, which is located in the museum's gallery and store within Grand Central Terminal's Shuttle Passage.

Total Museum's 'Somebody Has to Collect It' examines collecting as a responsibility

The Total Museum of Contemporary Art in Seoul has opened "Somebody Has to Collect It," an exhibition featuring works from the collection of French art collectors Catherine and Renato Casciani. Running from April 30 to May 31, the show marks the couple's first major presentation in Korea and inaugurates the museum's new "Collector/tion" project, which reframes collectors not as buyers but as actors at the intersection of capital, memory, and value-making. The exhibition includes 22 artists and collectives, with a focus on video art addressing themes such as precarious labor, state violence, colonial inheritance, climate crisis, and queer intimacy. It is also an official program of the 140th anniversary of diplomatic relations between Korea and France.

FAD News: Brooklyn Museum to Stage Art of Manga, the First Major Americas Survey of Manga as Fine Art

Brooklyn Museum will present 'Art of Manga' on October 3, 2026, the first large-scale exhibition in the Americas dedicated to manga as a fine art form. Organized by the Fine Arts Museums of San Francisco, the show features over 600 original hand-drawn manga artworks (genga) by influential Japanese artists including Araki Hirohiko, Oda Eiichiro, Takahashi Rumiko, and Tagame Gengoroh, spanning foundational figures to eight contemporary masters.

Ville Aperte in Brianza. Tornano i weekend di visita nel patrimonio lombardo tra storia e verde

The 24th edition of Ville Aperte in Brianza returns in 2026 with the theme "Storie che restano" (Stories That Remain), highlighting the ability of Lombardy's historic villas and gardens to preserve centuries of memories. The spring edition runs from May 9–17, and the autumn edition from September 19–October 4, featuring 48 cultural sites across 35 municipalities in the provinces of Monza and Brianza, Milan, Lecco, and Como. The symbol of this year is Villa Tittoni (Villa Cusani Traversi Antona Tittoni) in Desio, designed by architect Giuseppe Piermarini and later expanded by Pelagio Palagi. Special programs include guided tours by three associations of licensed guides, children's activities, and a school contest exhibition on the 80th anniversary of the Liberation.

Uri Aran “Untitled (I love you)” at Museo d’Arte Contemporanea Donnaregina – MADRE, Naples

The Fondazione Donnaregina per le arti contemporanee – museo Madre in Naples presents "Untitled (I love you)," the first retrospective in an Italian museum dedicated to American artist Uri Aran (born Jerusalem, 1977). Curated by museum director Eva Fabbris, the exhibition opens on Thursday, February 12, at 6 pm, with President Angela Tecce and the director in attendance.

Art House Productions Unveils "In The Wind" Public Art Installation

Art House Productions has unveiled "In The Wind," a large-scale public art installation in Lincoln Park, Jersey City, featuring artist-designed flags with original works by Hudson County artists. Curated by Tina Maneca, the exhibition celebrates the organization's 25th anniversary and includes over 80 artists who live, work, or maintain studios in Hudson County. The flags are installed around Edgewood Lake, moving with the wind to create a dynamic, ever-changing exhibition. All flags are priced at $500 and available for purchase. The installation runs from June through November 2026, with an opening reception on June 5, 2026, during ACCESS JC Fridays.

Alphabet of bread and love for animals. Uri Aran's exhibition at the Museo Madre in Naples

Alfabeto di pane e amore per gli animali. La mostra di Uri Aran al Museo Madre di Napoli

Uri Aran's solo exhibition at the Museo Madre in Naples, curated by director Eva Fabbris, explores language, communication, and connection through a range of works including video, sculpture, and an edible alphabet made of bread. The show, titled "Untitled (I love love)" after a video work, invites viewers into a space where meaning is fluid and inclusive, challenging rigid linguistic structures. Key pieces include the video "Untitled (I love you)" (2012), where Aran addresses plastic animals, and "Untitled (Bread Library)" (2025), a bread alphabet that visitors can rearrange to create new messages.

"Dispossessions in the Americas" Confronts the Colonialism That Invades All Territory

The article reviews "Dispossessions in the Americas," a group exhibition at Wrightwood 659 in Chicago curated by Jonathan D. Katz and Eduardo Carrera. Featuring works from 1960 to 2025, the show examines colonial legacies in the Americas, focusing on the forced dispossession of land, culture, and language from indigenous, Afro-descendant, queer, and trans communities. The review critically questions how a polished, architecturally prestigious venue can coherently display art about socially voiceless communities without falling into voyeurism or fetishization of pain.

A new art exhibit is set to open at the Cooperative Gallery 213

Local artist Regina Losinger, a retired SUNY Broome administrator, opens her exhibition "Follow the Water" at Cooperative Gallery 213 in Binghamton, New York, on First Friday. The show features 50 works of painting and photography inspired by her kayaking and canoeing trips in the Adirondacks, Florida, and Canada, alongside her boat and paddling maps. Losinger, who returned to art after retiring a decade ago, will greet visitors during the opening reception from 6:30 to 8 p.m.

Reginald Sylvester II: Until Then

The article is about Reginald Sylvester II's exhibition titled "Until Then." The text is heavily corrupted and unreadable, but the title and source indicate it covers a show by this artist.

‘Farm & Fields’ exhibit features local artists

The Carnegie Arts Center in Turlock, California, opens its annual juried exhibition “Farms & Fields” in the Lobby Gallery, featuring 52 works by 37 regional artists selected from over 150 submissions. Juror Susan Stephenson, a landscape painter and Stanislaus State professor, chose pieces across media including painting, photography, printmaking, ceramics, and fabric arts, all celebrating agriculture. Awards totaling $1,100 were given, with Rhett Regina Owings winning Best of Show for her gouache “Farm Near Tracy.” The exhibition runs through July 25, with a free public reception on May 7 as part of the downtown Turlock art walk.