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100 Masterpieces to See at the Art Institute of Chicago

The Art Institute of Chicago has released a curated guide to 100 essential masterpieces within its massive one-million-square-foot campus. The selection spans global art history, ranging from ancient Egyptian mummies and Greek statues to iconic American sculptures like Edward Kemeys’s bronze lions and Narcissa Niblack Thorne’s intricate miniature rooms. The list is designed to help visitors navigate the museum's vast collection by grouping works by their physical location within the galleries.

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The FOG Design and Art Fair celebrated its 10th anniversary with a buoyant 2024 edition at San Francisco's Fort Mason Center, opening January 18. The fair saw brisk sales, including a Jim Hodges canvas sold for $115,000 at Gladstone Gallery and multiple works by Anicka Yi, Yayoi Kusama, Wolfgang Tillmans, and Ruth Asawa at David Zwirner. Tina Kim Gallery sold works by South Korean artists Kim Tschang-Yeul and Ha Chong-Hyun, as well as two Pacita Abad pieces, with one fetching $200,000 to $250,000. The San Francisco Museum of Modern Art (SFMOMA) acquired several works for its permanent collection via the FOG Forum Fund, including pieces by Maria Pergay, Duyi Han, and Katie Stout.

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Jenna Burlingham Gallery, founded in 2010, moved in 2021 to a historic compound called Rope Yard in Hampshire, England. Instead of a traditional white cube, the gallery's interiors are designed to feel like a beloved home, with furnished rooms displaying modern British and contemporary art alongside antiques. The gallery recently celebrated its 15th anniversary, attracting collectors from London and worldwide to its village location.

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The article examines the seductive and often corrupting influence of extreme wealth in the art world, detailing how high-end dealers, advisors, and collectors indulge in lavish lifestyles involving private jets, couture, and exclusive parties. It highlights recent scandals, including the imprisonment of art dealer Inigo Philbrick and advisor Lisa Schiff for defrauding clients, and a new legal battle between prominent art advisors Barbara Guggenheim and Abigail Asher, who accuse each other of misappropriating millions to fund luxury expenses.

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Adrien Brody, fresh off his second Best Actor Oscar for *The Brutalist*, opened his first art exhibition in nearly a decade at Eden Gallery in New York. Titled "Made in America," the show features large-scale mixed-media paintings, a sound installation, and an interactive gum wall. The event drew a Hollywood-style crowd, with Brody mingling with guests and discussing his lifelong art practice, which he says preceded his acting career.

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A new exhibition titled "Presence in Absence: The Art of BTS Chapter 2" opens at Taxa Seoul on June 21, featuring 20 fan artists from around the world whose works celebrate the K-pop group BTS. Curated by Jieun Seo and Yvette Wohn of 25th Hour Collective, the show includes artworks created between 2022 and 2025, a period when BTS members were fulfilling mandatory military service, leading fans to channel their devotion into creative expression. The exhibition highlights diverse styles and media, from solo portraits to surreal scenes, reflecting the global reach of BTS fandom.

10 Practical Reasons We Need to Defend the National Endowment for the Arts

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President Donald Trump's administration has renewed efforts to defund the National Endowment for the Arts (NEA), proposing for the fourth consecutive year a budget that would zero out the agency. The Heritage Foundation, a conservative think tank that has staffed the current administration, continues to promote its 1997 report 'Ten Good Reasons to Eliminate Funding for the National Endowment for the Arts' as a key reference in debates. This article, originally published in 2020 and republished in response to these developments, systematically rebuts each of the Heritage Foundation's arguments against the NEA, beginning with the claim that private support alone is sufficient.

the very quotable larry gagosian turns 80 and more juicy art world gossip 2627761

Larry Gagosian turned 80 on Saturday, and the art world marked the occasion with two blockbuster exhibitions: a de Kooning show in Chelsea and a Picasso exhibition uptown, curated by Paloma Picasso. This edition of Wet Paint, an Artnet News gossip column by Annie Armstrong, celebrates Gagosian's lesser-known talent for delivering memorable quotes to journalists, despite his legendary elusiveness. The article catalogs some of his most striking lines, including a menacing comment to an employee after the 2008 crash, a Bond-villain-style text to artist Issy Wood, and a six-word response to Jeff Koons leaving for Pace Gallery.

work of the week david hockney english garden 2748979

David Hockney’s 1965 painting 'English Garden' is returning to the auction block at Sotheby’s London with an estimate of £2.5 million to £3.5 million ($3.4 million to $4.7 million). Painted while Hockney was teaching at the University of Colorado, Boulder, the work is recognized as his first English landscape and has been held in a private collection for nearly thirty years. It was last sold at auction in 1997 for just £89,500.

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An ancient bronze artifact at China's Luoyang Museum has gone viral for its striking resemblance to Labubu, a wildly popular collectible toy created by Hong Kong artist Kasing Lung in 2015. The artifact, an Eastern Zhou Dynasty ceremonial danglu used as horse armor, dates to the Spring and Autumn period (770–476 B.C.E.) and is on display until August. Meanwhile, some internet users have drawn comparisons between Labubu and the Mesopotamian demon Pazuzu, sparking baseless conspiracy theories and TikTok warnings from overly devout Christians.

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The article explores the distinction between Modern and contemporary art, explaining that Modern art emerged in the late 19th century as a reaction to classical art and the Industrial Revolution, with movements like Impressionism, Cubism, Futurism, and Surrealism redefining painting in response to photography. Contemporary art, by contrast, is a reaction to Modern art, with its start debated between World War II and the 1960s-70s consumerist era, encompassing diverse mediums such as sculpture, street art, and performance art, exemplified by artists like Jeff Koons, Banksy, and Yoko Ono.

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The 2025 Met Gala, officially the Costume Institute Benefit, was held at the Metropolitan Museum of Art, launching the exhibition “Superfine: Tailoring Black Style.” The event drew a star-studded guest list, with celebrities channeling the theme of Black dandyism through tailored silhouettes, bold patterns, and luxurious fabrics. Several attendees, including Cardi B, Alicia Keys and Swizz Beatz, Colman Domingo, and Janelle Monáe, wore outfits that directly referenced specific artworks, such as Dante Gabriel Rossetti’s *Veronica Veronese*, Frank Stella’s *Rectangular Orange Painting with Diagonal Pattern*, and Hyacinthe Rigaud’s portrait of Louis XIV.

Megamurals, Guerrilla Girls and something rotten in the Oval Office – the week in art

The Guardian's weekly art roundup highlights several exhibitions, including Wilhelm Sasnal's politically charged paintings at Sadie Coles HQ in London, a Joan Eardley retrospective in Edinburgh, and a Guerrilla Girls show in East Sussex. It also reports on Art UK's digitization of over 6,700 UK murals, the theft of Impressionist paintings from an Italian museum, and the discovery of a stolen ancient gold helmet.

Remembering Pat Steir, one of the 20th century’s late-blooming great artists

Pat Steir, the acclaimed American painter known for her Waterfall series, died in Manhattan on 25 March at age 87. The article traces her career from early struggles as a freelance illustrator and art director, through her transformative encounter with Sol LeWitt in the early 1970s, to her eventual emergence as a major figure in contemporary painting. It highlights her teaching at CalArts and Parsons, her involvement with feminist and artist-run institutions like Heresies and Printed Matter, and the pivotal moment in the early 1980s when she cut up a reproduction of a Jan Brueghel the Elder flower painting into 64 panels, repainting each in a different historical style.

“Primary Structures,” Turns 60

On April 28, 1966, The New York Times published a review by conservative critic Hilton Kramer of the Jewish Museum's exhibition “Primary Structures,” organized by curator Kynaston McShine. Kramer, disdainful of contemporary art, described the 42 American and British artists as rejecting personal expression and subjective inflection, yet he acknowledged the show as the first comprehensive glimpse of a style that would define the 1960s. The exhibition featured then-little-known artists including Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Walter De Maria, Robert Morris, Anne Truitt, John McCracken, Larry Bell, Robert Smithson, Judy Chicago, Philip King, Michael Bolus, and David Annesley, and is now recognized as the ur-survey of Minimalism—a term McShine deliberately avoided.

The village where Van Gogh spent his final days celebrates its most distinguished visitor

An exhibition titled "Van Gogh, Influencer: Legacies in Motion" has opened at the Château of Auvers-sur-Oise, the village near Paris where Vincent van Gogh spent his final 70 days and died by suicide in July 1890. The show, running until 3 January 2027, features nearly a hundred works by artists influenced by Van Gogh, including Léonide Bourges, Charles-François Daubigny, and Léo Gausson, though no original Van Gogh paintings are included. Curated by Wouter van der Veen, the exhibition explores visual parallels and stylistic contrasts between Van Gogh’s iconic works—such as *Church at Auvers* and *Wheatfield with Crows*—and those of his contemporaries and followers.

A Dutch museum has just put its fake Van Gogh on show

The Kröller-Müller Museum in Otterlo has broken traditional museum protocol by placing a known forgery, "Seascape at Saintes-Maries-de-la-Mer," on public display. Acquired in 1928 by museum founder Helene Kröller-Müller from the notorious Berlin dealer Otto Wacker, the painting was eventually exposed as a fake created by Wacker’s brother, Leonhard. The exhibition, which runs until June 21, coincides with a new podcast detailing the history of the acquisition and the subsequent fraud trial that rocked the art world in the 1930s.

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Marc Restellini’s Institut Restellini is set to release a definitive six-volume catalogue raisonné for Amedeo Modigliani after four decades of research. The publication, which includes 100 newly authenticated works, utilizes a rigorous methodology combining advanced scientific analysis—such as spectrometry and carbon-14 dating—with traditional stylistic evaluation and archival documentation. To mark the launch, Pace Gallery will host events in London and New York in April.

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Rana Begum’s solo exhibition, "Reflection," is currently on view at the Gallery at Windsor in Vero Beach, Florida, following its debut at the SCAD Museum of Art. The exhibition showcases Begum’s signature style, which utilizes industrial materials like metal bars and reflectors to create elegant abstractions influenced by American Minimalism and Islamic architecture. The show traces her journey from a young immigrant in the UK to a Royal Academician, highlighting her ability to manipulate light and color through geometric forms.

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Auction house Bonhams has opened a new 42,000-square-foot flagship headquarters in New York's Steinway Hall, launching a month of exhibitions and sales. The Philadelphia Museum of Art appointed Katherine Anne Paul as its new curator of Indian and Himalayan Art, while the Pérez Art Museum Miami (PAMM) awarded its Fund for Black Art Acquisition Prize to Turner Prize-winning artist Lubaina Himid, acquiring her painting "Horn Seller." Several galleries announced new artist representations, including Bortolami with Nathlie Provosty and Deborah Schamoni with Mariann Metsis, and auction house Freeman's appointed two senior executives.

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Claire Oliver Gallery is expanding its Harlem townhouse location in New York, adding the upper floors to its existing street-level space. The new areas will be dedicated to a more intimate, salon-style presentation, moving away from the traditional white cube model. The expansion will be inaugurated on September 5 with a solo exhibition by BK Adams on the ground floor and a group show upstairs featuring represented artists including Barbara Earl Thomas, Carolyn Mazloomi, Gio Swaby, and others.

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Raymond Saunders, a multimedia artist known for his enigmatic, sociopolitical paintings and assemblage style, has died at age 90. His passing was announced jointly by his representing galleries—Casemore, Andrew Kreps, and David Zwirner—on Instagram. Saunders's work often explored the Black American experience through extensive use of black paint and complex narratives, as articulated in his influential 1967 essay "Black Is a Color." His first career-spanning retrospective, "Flowers from a Black Garden," recently closed at the Carnegie Museum of Art in Pittsburgh, his hometown. Saunders had a long teaching career in the Bay Area and received numerous honors, including a Rome Prize Fellowship and a Guggenheim Fellowship.

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Michael Armitage's solo exhibition "Crucible" at David Zwirner's new Annabelle Selldorf-designed gallery in New York features paintings centered on migration, including the work *Path* (2024), inspired by a 2015 Vice News story about an Eritrean teenager's harrowing journey to Europe. The show also includes *Raft (ii)* (2024), a blurry homage to Théodore Géricault's *Raft of the Medusa*, and new sculptures that resemble wood carvings. The gallery itself, a single-story 18,000-square-foot space, opened after a larger planned venue fell through due to financial headwinds during Covid.

A $15M De Kooning Leads Lévy Gorvy Dayan’s New Auction-Style Sales Experiment

Lévy Gorvy Dayan is launching LGD Hammer, a new live-bidding platform that blends private sales with auction dynamics. The inaugural sale on May 16 will feature a 1984 Willem de Kooning painting estimated at $10–15 million, led by co-founder Brett Gorvy, a former auction veteran. The article also reports on gallery closures (Stephen Friedman Gallery, Galerie Philipp Zollinger, Astor Gallery), artist moves (Zoe Leonard to Maxwell Graham, Kehinde Wiley among creditors), and Sotheby’s upcoming single-owner sale of Joe Lewis’s collection expected to exceed $200 million.

Hiba Schahbaz: The Garden

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Hiba Schahbaz is the subject of her first major museum retrospective, "The Garden," at the Museum of Contemporary Art, North Miami. Curated by Jasmine Wahi, the exhibition features 80 works spanning 15 years, tracing the artist's evolution from traditional Indo-Persian miniature painting in Lahore to her current large-scale practice in Brooklyn. The show highlights her recurring use of the female nude—often a stylized self-portrait—navigating mystical landscapes filled with Sufi poetry, mythical creatures, and art historical references.

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Art Basel Qatar has launched its inaugural edition in Doha, marking a significant expansion of the Swiss fair brand into the Middle East. The event features 87 exhibitors in a unique, booth-less format spread across the M7 and Doha Design District, departing from traditional trade fair aesthetics in favor of a curated, biennial-style presentation. While the opening VIP day saw strong attendance from regional collectors and major international galleries like Hauser & Wirth, the atmosphere was tempered by light initial sales and significant regional geopolitical tensions.

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Artnet News published an alphabetical in memoriam list commemorating art world figures who died in 2024, including printmaker Norman Ackroyd, museum director Hope Alswang, sculptor Carl Andre, curator and writer David Anfam, painter Frank Auerbach, and gallerist Patti Astor. Each entry includes a brief tribute highlighting their key achievements and contributions, such as Ackroyd's meticulous printmaking techniques, Alswang's diversification of the Norton Museum of Art's collection, Andre's foundational role in Minimalism, Anfam's influential scholarship on Abstract Expressionism, Auerbach's distinctive painterly style, and Astor's pioneering East Village gallery.

joan miro constellations 3 things to know 2027830

Spanish Surrealist Joan Miró created the "Constellations" series of 23 paintings on paper between January 1940 and September 1941, during the turmoil of the Spanish Civil War and World War II. Fleeing to Normandy and later Palma de Mallorca, Miró used oil and tempera on small sheets, producing joyful, abstract works filled with floating forms reminiscent of music and the cosmos. The series was shipped to New York in 1944 and exhibited in 1945 at Pierre Matisse's gallery, where it captivated exiled European artists and may have influenced Jackson Pollock's all-over drip painting style.

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British artist Jenny Saville has received her first major solo exhibition at a London museum, titled "Jenny Saville: The Anatomy of Painting" at the National Portrait Gallery. The show spans three decades of her practice across some 50 paintings and drawings, tracing her evolution from a Young British Artist (YBA) known for vast, sensitive paintings of women's bodies to her recent digital-era heads. The exhibition will travel to the Modern Art Museum of Fort Worth in Texas in October. The article also highlights Saville's record-breaking 2018 sale of *Propped* for $12.4 million at Sotheby's London, which made her the highest-selling living female painter at the time, and notes recent auction results including *Juncture* selling for $7.3 million.

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The article examines the resurgence of ceramics as a fine art medium, tracing its history from ancient Chinese and Greek pottery to the record-breaking $36 million sale of a Ming Dynasty chicken cup in 2014. It highlights influential figures like Peter Voulkos, who established ceramics departments at major institutions, and artists such as Ken Price, Ron Nagle, and Betty Woodman. Recent major museum exhibitions—including 'Strange Clay' at London’s Hayward Gallery, 'Funk You Too!' at New York’s Museum of Arts and Design, and 'Ceramics in the Expanded Field' at MASS MoCA—showcase a new generation of artists pushing the medium beyond traditional craft.