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The Sky Lives in Us Still, Resistance and Imagination Take Flight.

Vanessa German has unveiled a major new installation at the Speed Art Museum titled '…do you remember when you were the sky?', marking the inaugural project of the Sam Gilliam Visiting Artist Program. The exhibition features German’s signature assemblage sculptures, which utilize diverse materials like cowrie shells, quilts, and skateboards to create hybrid figures representing young girls in states of transformation. The body of work is the result of months of community engagement and research into local histories, specifically focusing on the narratives of the Colored Girls Dormitory in Louisville.

Valerie Mercer and the Long Work of Putting African American Art Where It Belongs

Valerie Mercer, the lead curator of African American art at the Detroit Institute of Arts (DIA), has spent over two decades building a collection that now includes more than 700 works. Last fall, the museum unveiled a major reinstallation titled "Reimagine African American Art," moving African American art from scattered locations to the heart of the institution, near Diego Rivera's Detroit Industry Murals. The rehang traces a lineage from 19th-century painters like Robert S. Duncanson to modern innovators like Sam Gilliam, covering key cultural movements such as the Harlem Renaissance and the Black Arts Movement.

Everywhere you need to be during Frieze L.A.

The Los Angeles art scene is preparing for a major surge of activity anchored by the return of Frieze Los Angeles to the Santa Monica Airport from February 26 to March 1. The week features a dense schedule of satellite fairs including the inaugural West Coast edition of Indianapolis’s Butter Fine Art Fair, the boutique Post-Fair in a historic Art Deco post office, and the poolside Felix Art Fair at the Hollywood Roosevelt. Major gallery presentations include James Turrell at Pace, Sam Gilliam at David Kordansky, and a high-profile opening for Christina Quarles at Hauser & Wirth.

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Thaddeus Mosley, the acclaimed American sculptor known for his monumental wood abstractions, has died at the age of 99 in Pittsburgh. Throughout a career spanning seven decades, Mosley transformed salvaged walnut, sycamore, and cherry wood into curvaceous, gravity-defying forms that balanced immense weight with a sense of lightness. Though he was a long-standing pillar of the Pittsburgh creative community, he achieved widespread national recognition and major museum representation only in his 90s.

Hopkins Bloomberg Center exhibition to explore American art as cultural diplomacy

The Johns Hopkins University Bloomberg Center is set to launch a new exhibition titled 'Artistic Generosity and the American Artist Abroad,' showcasing four decades of American art commissioned for U.S. embassies. Opening April 7 at the Irene and Richard Frary Gallery, the show features works from the Foundation for Art and Preservation in Embassies (FAPE) by renowned artists including Sam Gilliam, Ellsworth Kelly, Julie Mehretu, and Martin Puryear. Highlights include never-before-seen maquettes by Don Gummer and the late Frank Stella, alongside a replica of the Declaration of Independence donated by David M. Rubenstein.

New York Galleries: Openings and Closings (03/09-03/15)

New York City’s gallery scene is set for a major wave of activity between March 10 and March 15, 2026, with dozens of new exhibitions opening across Manhattan. High-profile showcases include Sam Gilliam and Chuck Close at Pace Gallery, Maria Lassnig at Petzel, and Paul Chan at Greene Naftali. The week features a diverse range of media, from David Armstrong’s portraiture at Artists Space to Bat-Ami Rivlin’s industrial installations at Management.

‘I rely heavily on instinct’: entertainment mogul Hassan Smith on the art he collects and why

Entertainment executive and art collector Hassan Smith, manager to John Legend and advisory board member for the Atlanta Art Fair, shared insights into his collecting philosophy ahead of Frieze Los Angeles. His extensive collection spans art history from Rembrandt and Picasso to contemporary Black masters like Sam Gilliam, Rashid Johnson, and Deborah Roberts. Smith recently added a large-scale painting by Patrick Eugène to his holdings, noting that he relies on a mix of instinct and professional networking to make quick acquisition decisions.

Expert Eye: curator Cornelia Stokes’s Frieze LA favourites

Cornelia Stokes, the newly appointed assistant curator of the art of the African Diaspora at SFMoMA and MoAD, shares her top selections from Frieze Los Angeles. Her picks highlight a diverse range of artists including Narsiso Martinez, Ebony G. Patterson, Hugh Hayden, and Kenturah Davis, focusing on themes of migrant labor, the African Diaspora, and the intersection of personal history with material culture.

herzog & de meuron-designed memphis art museum takes shape ahead of 2026 opening

The Memphis Art Museum, designed by Herzog & de Meuron in collaboration with archimania and OLIN, is taking shape ahead of its December 2026 opening. The 11,475-square-meter building along the Mississippi River features a glass facade, a public plaza shared with the historic Cossitt Library, a shaded courtyard, flexible gallery spaces, and a rooftop sculpture garden. The museum is among the first major US museums to use laminated timber construction. Updated renderings and construction images by Houston Cofield have been released, along with details of a curatorial shift that will organize the collection into 18 exhibitions focused on lived experience rather than traditional art historical chronologies.

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The Columbia Museum of Art in Columbia, South Carolina, is unveiling newly reconfigured collection galleries to cap its 75th anniversary and culminate a yearlong renovation. The museum will reopen its collection galleries following a gala on January 16, presenting a newly conceived display across 20 galleries. The reinstalled galleries draw from the museum’s American, Asian, European, and modern and contemporary holdings, including Italian Renaissance works from the Kress Collection, an Asian gallery anchored by Chinese art from the Tang dynasty, and thematic galleries focused on landscape, still life, and art and architecture. The renovation, which began in January 2025, included new lighting and ceilings, reinforced walls, and conservation work on pieces by Sam Gilliam, Teiji Takai, and Benjamin Wilson.

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A new exhibition titled “Drop, Cloth,” co-curated by Glenn Adamson and Severin Delfs, explores how contemporary artists have reimagined drapery over the past 50 years. The show features 30 works by 25 artists, spanning two Chelsea galleries—Hollis Taggart (through January 10, 2026) and Susan Inglett Gallery (through January 30, 2026). Works range from Sam Gilliam’s seminal *Little Dude* (circa 1972) to recent pieces by Kennedy Yanko, Jenny Morgan, and Chellis Baird, alongside historical pieces by Nina Yankowitz, Lynda Benglis, and Rosemary Mayer. The exhibition traces a lineage of drapery as both subject and material, including shaped canvas, paint skin, ceramic, metal, embroidery, and weaving.

Robert Mnuchin, the blue-chip gallerist who loved the drama of the auction saleroom, has died aged 92

Robert Mnuchin, the prominent New York gallerist who transitioned from a 33-year career on Wall Street to become a major force in the art world, has died at age 92. After heading the trading desk at Goldman Sachs, he co-founded C&M Arts in 1992 with James Corcoran, later establishing L&M Arts with Dominique Lévy in 2005, which was renamed Mnuchin Gallery in 2013. Known for his aggressive bidding at auction, Mnuchin made headlines with high-profile purchases including Roy Lichtenstein's *Sinking Sun* (1964) for $15.6 million in 2006 and Jeff Koons's *Rabbit* (1986) for $91.1 million in 2019, the latter a record for a living artist at the time.

New tech and old names drive sales at Art Basel Miami Beach

Art Basel Miami Beach (ABMB) saw strong sales and a cautiously optimistic mood, with Pace gallery reporting nearly $5 million in sales including a $1.1 million Sam Gilliam painting. The fair debuted a new digital art section, Zero 10, where a Beeple installation of robotic dogs excreting NFTs sold out within five hours for $1 million total, and generative art from Larva Labs sold for up to $45,000 each. However, the opening day crowd was thinner than in past years, and about 20 galleries did not return, replaced by a record 48 new exhibitors. Dealers noted a slower, quieter pace, with buyers more cautious than during the indulgent pre-pandemic era.

‘Christmas came early’: Art Basel Miami Beach opens with avalanche of blue-chip sales

Art Basel Miami Beach opened its 23rd edition with a surge of blue-chip sales, signaling renewed market confidence. Major galleries reported strong early results: David Zwirner sold a Gerhard Richter painting for $5.5m and an Alice Neel for $3.3m; Hauser & Wirth saw sales 40% higher than last year, including a George Condo for nearly $4m and a Louise Bourgeois for $3.2m. Other notable sales included works by Alex Katz, Pablo Picasso, Sam Gilliam, and Robert Rauschenberg, with 283 galleries participating at the Miami Beach Convention Center.