Collection in Focus | Beatriz Milhazes: Rigor and Beauty

The Guggenheim Museums and Foundation has published a feature titled 'Collection in Focus | Beatriz Milhazes: Rigor and Beauty,' highlighting the Brazilian artist's vibrant, geometric abstract works held in the Guggenheim collection. The piece examines Milhazes's distinctive visual language, which blends modernist abstraction with Brazilian cultural references, and underscores the rigorous compositional structure underlying her seemingly exuberant patterns.

Sculptor Sahar Khoury, Collection Exhibition at the Manetti Shrem Museum Offer New Views of California Art

Two exhibitions opening in January at the Jan Shrem and Maria Manetti Shrem Museum of Art at UC Davis explore themes of cultural origins, legacy, and preservation in California art. "Sahar Khoury: Weights & Measures" (Jan. 7–June 20) is the Bay Area sculptor's largest solo show to date, featuring works in ceramics, metal, papier-mâché, and found objects that interrogate value systems, personal and political symbols, and site sensitivity. The emotional centerpiece, "The Elephant in the Room," evokes ruins and marketplaces of North Africa and Southwest Asia. Concurrently, "Backstory: Digitizing the Museum Collection" (Jan. 21–May 2) turns the museum into a working digitization lab, displaying signature works from UC Davis’ Fine Art Collection while revealing the process of preserving art for posterity.

Trustees of Renowned West Coast Artist Residency Visited Epstein’s Island

Two trustees of the prestigious Djerassi Resident Artists Program, Alexander Maxwell Djerassi and Michael Molesky, were identified in recently released Department of Justice files as visitors to Jeffrey Epstein’s private island in 2011. The pair attended the "Mindshift Conference," a gathering of academics and professionals held two years after Epstein’s first conviction. The residency program, located in California's Santa Cruz Mountains, clarified that the visit occurred years before either individual joined the board and emphasized that neither Epstein nor Ghislaine Maxwell ever had any formal ties or donor history with the institution.

“Magnanrama. Portraits, Networks, and News of Nathalie Magnan” at Villa Arson, Nice

Mousse Magazine reports on the exhibition “Magnanrama. Portraits, Networks, and News of Nathalie Magnan” at Villa Arson in Nice, which celebrates the life and work of Nathalie Magnan (1956-2016). Magnan was a media theorist, filmmaker, cyberfeminist, educator, webmistress, hacktivist, and interdisciplinary figure who navigated the internet and the high seas, contributing to the history of thought, technology, feminism, and LGBTQI+ struggles. The show presents portraits, networks, and news related to her legacy, positioning her as a mediator and artist despite her reluctance to use that term.

Architecture as Microcosm: Interview with Architects Barclay & Crousse Coming to an Exhibition in Milan

Architettura come microcosmo. Intervista agli architetti Barclay & Crousse che arrivano in mostra a Milano

Architects Sandra Barclay and Jean Pierre Crousse, founders of Barclay & Crousse Architecture, are the subject of a feature interview and exhibition in Milan. The studio, established in Paris in 1994 and now based in Peru, is known for projects that deeply engage with the Peruvian landscape, particularly the coastal desert between the Pacific Ocean and the Andes. Their notable works include the Lugar de la Memoria (Lima, 2015), the Museo de Paracas (2016), and the Franco-Peruvian School in Lima (2025), which recently won the Grand International Prize at the X Bienal Internacional de Arquitectura de Santa Cruz (Bolivia) in 2026. The article traces their education across Peru, France, and Italy, and their return to Peru in 2006, where they continue to run a French branch called Atelier Nord Sud.

Whales and the stories they carry about climate change are the subject of new art and science exhibition at the IAS - UC Santa Cruz

The Institute of the Arts and Sciences (IAS) at UC Santa Cruz will present "Weather and the Whale," a major art and science exhibition running from May 29, 2025, to March 8, 2026. The show features immersive displays of original scientific research from the Friedlaender Lab, alongside newly commissioned contemporary artworks by ten artists and collectives, including Carolina Caycedo. The exhibition explores how climate change affects whales and marine mammals, using video, painting, photography, sculpture, and installations to communicate ecological threats such as environmental toxins and sea ice retreat.

Art, research, and Night at the Museum: The flourishing partnership between UC Santa Cruz Humanities and the Museum of Art and History - UC Santa Cruz

UC Santa Cruz Humanities and the Santa Cruz Museum of Art & History (MAH) have deepened their decade-long partnership, marked by the MAH's 30th anniversary in April 2025. The collaboration includes co-sponsored exhibitions like "This is Thirty" and the ongoing "Night at the Museum" public event series, which brings scholars, artists, and community members together for free panel discussions and exhibits. Notable past projects include the 2016 Kinsey African American Art & History Collection exhibition and the 2023 California premiere of "Resettlement: Chicago Story."

Exhibits celebrate 30 years of Santa Cruz Museum of Art & History

The Santa Cruz Museum of Art & History (MAH) is celebrating its 30th anniversary with two concurrent exhibitions: “This is Thirty: Celebrating the MAH and Our Creative Community,” which mixes permanent collection works with new acquisitions, and “The Things We Did and Didn’t Do,” an archival installation by local artist Joshua Moreno. The museum originated from a merger of the Santa Cruz Historical Society and the Art Museum of Santa Cruz County, delayed by the 1989 Loma Prieta earthquake, and opened in 1996. The exhibits feature earthquake-related artworks, pieces by founding director Charles Hilger, and contributions from the family of Executive Director Ginger Shulick Porcella, including wearable art by her late mother-in-law Yvonne Porcella.

‘A nuclear explosion of happiness’: Graphic artist Jim Phillips opens first solo gallery in Santa Cruz

Graphic artist Jim Phillips, the 81-year-old creator of the iconic "Screaming Hand" logo for Santa Cruz Skateboards, has opened his first solo gallery in his hometown of Santa Cruz, California. The exhibition, titled "Jim Phillips: New Fine Art Prints and Classic ’70s and ’80s Pen and Ink Drawings," runs at the R. Blitzer Gallery and features 15 new large-scale art prints and 30 hand-drawn pen-and-ink works from 1971 to 2026. The show includes his famous "Screaming Hand" and "Hand Wave" pieces, alongside surf, skate, and rock poster art from his career, which includes work for The Doors, James Brown, and Neil Young.

Deep space photography on view at the Santa Cruz Museum of Art & History

The Santa Cruz Museum of Art & History (MAH) is opening a pop-up exhibition titled "Beautiful Universe" featuring deep space astrophotography. The exhibit, a collaboration between the MAH and UC Santa Cruz's Department of Astronomy and Astrophysics, showcases celestial images captured by astrophotographer Steve Mandel and collaborator Bob Fera using remotely operated telescopes in the Sierra Nevada mountains and Chile. The photos, printed on large metal sheets, depict galaxies, nebulae, and supernova remnants using color filters similar to those on the Hubble Telescope.

About Hunger & Resilience: Cowell’s art exhibitions focus on hunger, resilience, and campus food systems - UC Santa Cruz

The Eloise Pickard Smith Gallery at Cowell College, UC Santa Cruz, is presenting "About Hunger & Resilience," an exhibition by photographer Michael Nye featuring portraits and oral histories on hunger in America, collected over four and a half years. The show is paired with "Circuit," a student-led photographic installation by Morgan Yacullo that maps campus food systems, including the UCSC Farm, Chadwick Garden, Redwood Free Market, and Cowell Coffee Shop. The exhibitions are part of a yearlong campus focus on food systems and food justice, curated with support from the Basic Needs team and curatorial intern Sloane Harris.

Ripple Effect Art Festival to Spread Across County

The inaugural Ripple Effect Arts Festival will take place April 16–26 across Santa Cruz County, featuring 11 days of performances, exhibitions, workshops, and interactive events spanning visual art, music, dance, theater, film, fashion, and spoken word. The festival includes two concurrent exhibitions at M.K. Contemporary Art in downtown Santa Cruz: 'The Anatomy of Wonder: Photo Sculptures' by Michael Garlington and 'Rochambeau' featuring eight local and Bay Area artists. Major hubs include Santa Cruz and Watsonville, with a grand finale near the Santa Cruz Beach Boardwalk featuring musician Helado Negro.

The annual Deck Art exhibition in stores throughout downtown Rochester

The 16th annual Rochester Deck Art exhibition opened on May 19, 2026, in downtown Rochester, Michigan, displaying skateboard artworks created by artists ranging from elementary school students to adults. The exhibition features multiple categories and is hosted in storefronts and windows throughout the city, with works such as Michelle Villette's first-place winner and Claire LaMontagne's "Phoenix Rising" on view.

Cabrillo Gallery Hosts Student Art Exhibition as Part of Ripple Effect Festival

Cabrillo Gallery is set to launch its Student Exhibition 2026 on April 20, featuring a diverse range of media including painting, sculpture, and photography created by Cabrillo College students. The exhibition kicks off with a special reception on April 19, integrated into the countywide Ripple Effect arts festival, which will include live music, interactive art activities, and a student art sale.

Photos | Santa Cruz County’s Community of Digital Artists set to open exhibition

The Community of Digital Artists (CODA) is launching its juried exhibition, "Color Stories: 2026," at the R. Blitzer Gallery in Santa Cruz. Featuring works from 54 local photographers, the show was curated by Shelby Graham, the former longtime director of the Sesnon Gallery at UC Santa Cruz. The exhibition includes a series of public programs, including a juror’s talk and artist presentations, running through early May.