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Spouses of PIF leaders visit Art Gallery

Spouses of Pacific Islands Forum (PIF) leaders visited the National Art Gallery in Honiara on Monday as part of the official program for the 54th Pacific Islands Forum Leaders Meeting. Hosted by Madam Jocelyn Manele, spouse of the Solomon Islands Prime Minister, the delegation toured exhibitions featuring shell money, wood carving, and lava-lava textiles, and engaged with local artisans demonstrating traditional crafts. Acting Curator Julie Fakaia noted that the exhibition showcased gallery collections and live demonstrations, including shell money making and weaving from Rennell and Bellona. The spouses also purchased handmade items from the Solomon Islands Artisans, with traditional gifts exchanged during the visit.

'Ocean of Peace' Micronesian art exhibition opens at Honolulu Hale

The Mayor’s Office of Culture and the Arts, in collaboration with the East-West Center Arts Program, will present 'Ocean of Peace,' a group exhibition featuring seven artists of Micronesian heritage at Honolulu Hale from May 8 to June 11, 2026. The exhibition centers on the 'Ocean of Peace' declaration, a political and cultural framework endorsed at the Pacific Islands Forum Leaders’ meeting in the Solomon Islands in September 2025, which envisions Pacific Island nations as sovereign and free from geopolitical conflict and coercion. Participating artists include James Bamba, Carol Ann Carl, Gillian Duenas, Kalany Omengkar, Anthony Watson, Lissette Yamase, and Manny Crisostomo, exploring themes of Indigenous Pacific knowledge, identity, and storytelling.

Arts of Oceania

The article explores the rich artistic traditions of Oceania, emphasizing how the vast network of islands and ocean passageways fostered a dynamic exchange of cultures, materials, and ideas over millennia. It describes Oceanic art as vessels for metaphysical journeys, with objects like fishhooks, stick charts, and carved figures serving as tangible expressions of ancestral power and cultural knowledge. The text highlights the role of artists as chiefs and orators who manipulate local materials to manifest spirits, and traces the region's entanglements with European colonial powers from the sixteenth century onward.