Der schmale Korridor der Normalität
Artist Beate Gütschow reflects on Pieter Bruegel the Elder’s 16th-century engraving "Spes" (Hope), which she encountered during a visit to the Kunstmuseum Basel. The artwork depicts a personified figure of Hope standing amidst a chaotic scene of shipwrecks and flooding, symbolizing the necessity of maintaining focus and action even in the face of overwhelming disaster.
In una chiesa di Piacenza la luce del designer Davide Groppi diventa un sussurro sospeso nel tempo
Renowned lighting designer Davide Groppi has unveiled a major anthological exhibition titled "Un’ora di luce" (An Hour of Light) at Volumnia, a gallery housed within the deconsecrated Church of Sant’Agostino in Piacenza. Curated by Marco Sammicheli, the retrospective spans forty years of Groppi’s career, featuring iconic works like Sampei and Moon alongside new site-specific debuts. The exhibition is structured in two parts: a series of enclosed "utopias" that create intimate light environments, followed by a dialogue between his minimalist fixtures and the soaring, historic architecture of the church.