Museum acquisitions round-up: Andy Warhol in an apron, a solid-silver relief and Christo's luggage rack

Major international institutions have secured significant new acquisitions, ranging from intimate photographic archives to monumental silver reliefs. The Smithsonian’s Archives of American Art received over 400 stereoscopic slides by Ronnie Cutrone documenting Andy Warhol’s Factory, while the Germanisches Nationalmuseum acquired Luigi Valadier’s final silver masterpiece, 'Lamentation of Christ'. Additionally, the Christo and Jeanne-Claude Foundation donated 14 works to the City of Paris, including the early sculpture 'Package on a Luggage Rack' for the Musée d’Art Moderne de Paris.

Exhibition of Emirati art in Seoul becomes a relic of pre-war UAE life

An exhibition titled 'Proximities,' featuring over 110 works by 47 UAE-based artists, opened at the Seoul Museum of Art (SeMA) in December and closed on March 29. The show, co-curated by Maya El Khalil and SeMA's Eunju Kim, aimed to present nuanced, everyday perspectives of life in the UAE through sections organized by artist-curators like Farah Al Qasimi and Mohammed Kazem, moving beyond stereotypes of gilded excess.

Painted Up: This vibrant exhibition challenges colonial perceptions of Aboriginal art

Artist and cultural practitioner Dean Biŋkin Tyson presents "CREATE EXCHANGE: Painted Up," a dual-venue exhibition at Redland Art Gallery that showcases his multidisciplinary approach to Quandamooka and Gurang traditions. Moving beyond stereotypical "dot art," Tyson utilizes canvas, animal skins, and carved artifacts to translate his background as a dancer and songman into visual form. The exhibition features large-scale murals, traditional tools like boomerangs, and "shadow boxes"—a unique craft form developed in Aboriginal missions during the 1970s.

Butler Art exhibit empowers disabled artist community

The Butler Institute of American Art in Youngstown, Ohio, recently hosted the opening reception for the 31st annual Accessible Expressions Ohio (AEO) exhibition. Featuring over 50 works by artists with disabilities from across the state, the event included live music from The Feral Cats and workshops for the Remember Love Recovery Project. The exhibition, which runs through June 7, showcases winners across various categories including youth, professional, and emerging artists.

Art Historian Paolo Baldacci Has Died; His Studies on Giorgio de Chirico and Metaphysical Art Were Fundamental

È morto lo storico dell’arte Paolo Baldacci. Fondamentali i suoi studi su Giorgio de Chirico e sulla Metafisica

Renowned art historian, critic, and professor Paolo Baldacci has passed away in Milan at the age of 81. Originally a scholar of ancient history and Roman epigraphy, Baldacci transitioned into a leading authority on 20th-century Italian art, specifically focusing on Futurism and Metaphysical painting. He was widely recognized for his monumental 1997 monograph and catalogue raisonné on Giorgio de Chirico, as well as his extensive research into the work of Alberto Savinio.

QUISQUEYA HENRÍQUEZ: THE CENTER CAN BE EVERYWHERE

QUISQUEYA HENRÍQUEZ: EL CENTRO PUEDE ESTAR EN TODAS PARTES

A major retrospective exhibition titled "El centro puede estar en todas partes" (The Center Can Be Everywhere) for artist Quisqueya Henríquez has opened at the Centro de Arte Complutense in Madrid. Curated by René Morales with Isabella Lenzi and Alfonsina Martínez, the show presents the most comprehensive European review of Henríquez's multidisciplinary work, spanning photography, video, collage, and installation, and is organized thematically rather than chronologically.

Daniel Sackheim Traverses Los Angeles’ Noir Side in ‘The City Unseen’

Emmy Award-winning director and photographer Daniel Sackheim is set to release a new photography book titled 'The City Unseen,' which explores the noir aesthetic of Los Angeles. Moving away from the city's sunny stereotypes, Sackheim utilizes high-contrast black-and-white photography to capture a gritty, cinematic underbelly inspired by hardboiled detective novels and historic urban architecture. The project features dramatic silhouettes and deep shadows that create a sense of timeless mystery across iconic L.A. locales.

Seeing the world through the eyes of twenty-somethings: IED students' photos recount the urgencies of our time at Gallerie d’Italia in Turin

Vedere il mondo con gli occhi dei ventenni. Alle Gallerie d’Italia di Torino le foto degli studenti IED raccontano le urgenze del nostro tempo

The Gallerie d’Italia in Turin is hosting "The Searchlights," a public portfolio review and exhibition featuring the work of 18 photography students from the Istituto Europeo di Design (IED). Part of the EXPOSED Torino Photo Festival, the event showcases photographic projects that tackle urgent contemporary issues including the climate crisis, mental health, and digital memory. Each student presents their work in custom-designed boxes on communal tables, facilitating direct dialogue between the young artists and the public.

Emeritus Student Photography Exhibition 2026 Now Open to the Public

The Emeritus Student Photography Exhibition 2026 has opened to the public, showcasing the work of older adult students from the Emeritus College photography program. The exhibition features a diverse range of photographic subjects and techniques, highlighting the creative output of non-traditional, lifelong learners.

What does it really mean to ‘age well’?

The article explores the concept of 'aging well' through the lens of art and creativity, examining how artists and cultural figures approach their later years. It discusses various perspectives on maintaining vitality, purpose, and artistic practice as one ages.

Helena Samarasinghe at Camberwell Space

British-South Asian artist Helena Samarasinghe is presenting her debut solo exhibition, "Reaching, Touching, Shedding," at Camberwell Space in London. The show features a series of vibrant drawings and sculptural cut-out installations that explore the intersections of sport, power, and identity. Developed during her residency as the 2024 Vanguard Prize winner, the works utilize oil, soft pastels, and charcoal to depict brown women engaged in activities like football, wrestling, and athletics, drawing stylistic inspiration from 19th-century Bengali Kalighat painting.