rembrandt print drawer auction 2718031

A rare Rembrandt counterproof print, "The Goldweigher" (1639), was discovered in a Victorian chest in the Norfolk studio of the late theater designer Alan Barlow. His son, Edward Barlow, found the print while sorting through the studio and initially assumed it was a common reproduction. After examination by Cheffins auction house, it was identified as an original preparatory print, with reversed orientation, a Strasbourg lily watermark, and black chalk lines indicating Rembrandt's hand. It will be auctioned on December 3 with an estimate of £10,000–£20,000.

Pussy Riot and FEMEN Join Forces in Punk Protest in Venice: ‘Russia Kills! Biennale Exhibits!’

On Wednesday morning, Pussy Riot and FEMEN led a protest outside the Russian Pavilion at the 2026 Venice Biennale, chanting slogans like “Russia kills! Biennale exhibits!” and “Blood is Russia’s art!” Dozens of protesters, some in pink balaclavas and others bare-chested with floral crowns, gathered in the Giardini under light rain, carrying guitars and blasting punk rock and hip-hop. The action was organized by Nadya Tolokonnikova and other Pussy Riot members alongside FEMEN, a Ukrainian-founded women’s movement. They released pink, yellow, and blue smoke, and Tolokonnikova criticized the Biennale for allowing Russian participation while artists who oppose the war in Ukraine are imprisoned. She proposed an alternative exhibition, “Resistance Imprisoned,” currently on view in Strasbourg, featuring incarcerated artists.

Pussy Riot Shows Art by Russia’s Prisoners in New Protest Exhibition

Pussy Riot founder Nadya Tolokonnikova co-curated "Resistance Imprisoned," a protest exhibition at Ritsch-Fisch Galerie in Strasbourg, France, featuring artwork created by people currently or formerly imprisoned in Russia, including Ukrainian civilians. The show opened April 19 and runs through May 31, timed to coincide with the first month of the Venice Biennale, which opens May 9. Works include a pen sketch by Lyudmila Razumova, a photojournalist arrested for anti-war graffiti in 2022 and serving a seven-year sentence, alongside pieces by other political prisoners and Ukrainian POWs. The exhibition aims to highlight the human cost of Russia's war and its participation in international cultural events.

What Future for Art Centers?

Quel avenir pour les centres d’art ?

The article examines the uncertain future of contemporary art centers in France, a category that encompasses vastly different institutions from major venues like the Palais de Tokyo to smaller regional spaces. These non-collecting institutions, dedicated to exhibiting emerging artists and experimentation, face fragility due to heavy reliance on local government funding and difficulty proving their utility to elected officials. Their core mission is further challenged by more robust regional contemporary art funds (Fracs), which have greater resources for similar goals of exhibiting ultra-contemporary art and cultural democratization.

Explore Luxembourg’s open-air urban galleries

The article explores the street art scene in Luxembourg, highlighting cities and towns like Esch-sur-Alzette, Leudelange, Koler, and Ettelbruck where murals and graffiti adorn buildings, schools, and even waste bins. It traces the movement's origins to the 1980s hip-hop-inspired rebellion, when graffiti was illegal and artists like Sumo, Spike, Stick, Dan Sinnes, and Alain Tshinza emerged. Today, urban art is embraced as a tool for social cohesion and expression, with projects like Kufa's Urban Art Esch in Esch-sur-Alzette featuring over fifty murals by international artists. The article also notes techniques such as grid systems, projections, and reverse graffiti, exemplified by Klaus Dauven's 2023 tribute on the Vianden dam.

Cultural Cities at the Heart of New Municipal Conquests

Villes culturelles, au cœur des nouvelles conquêtes municipales

Municipal elections across France have resulted in a wave of new and re-elected mayors, many of whom campaigned on strong cultural platforms. Key victories include Emmanuel Grégoire in Paris, Catherine Trautmann in Strasbourg, Grégory Doucet in Lyon, Yann Galut in Bourges, and Arnaud Deslandes in Lille, each outlining specific cultural visions ranging from continuity and private-public partnerships to fostering urban and street culture.