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Maike Cruse, the new director of Art Basel's flagship fair in Basel, is preparing for the 2025 edition opening to VIPs next week. The fair will feature 285 galleries from around the world, including the Unlimited section for large-scale works and a conceptual wheat field by Agnes Denes originally planted at the World Trade Center in 1982, now growing at the Messeplatz. In an interview, Cruse discusses her transition from leading Gallery Weekend Berlin for a decade, the evolution of Basel as an art market hub, and her vision for rejuvenating the fair while maintaining its regional identity.

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Sotheby’s Hong Kong concluded its fall auction series with a robust $426 million total, headlined by a record-breaking $25 million sale for Yoshitomo Nara. Amidst this market momentum, Nara’s upcoming LACMA retrospective was announced to travel to Shanghai’s Yuz Museum. Meanwhile, the New York art scene is bracing for major institutional milestones, including the Metropolitan Museum of Art’s 150th-anniversary plans and the imminent public opening of MoMA’s $450 million expansion.

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A significant number of New York art galleries, including major players like Pace Gallery, David Zwirner, and Marian Goodman, will close on January 30 to join a nationwide general strike protesting expanded Immigration and Customs Enforcement (ICE) operations. The strike is a response to allegations of federal overreach, including the use of deadly force against protestors and the detention of Native Americans, which have fueled widespread outrage.

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Artnet News asked four curators and four art advisors from around the world to each select one artist they believe is poised to break out in 2026. The article profiles the first two of eight artists: Indonesian artist Bagus Pandega, known for kinetic plant-based installations, who has had solo shows at Kunsthalle Basel and Swiss Institute New York; and Max Hooper Schneider, a Los Angeles-based artist creating aquarium-like works blending organic and artificial materials, recently exhibited at 125 Newbury gallery in New York.

11 Must-See Shows During New York Art Week 2026

New York Art Week 2026 is set to be a packed event, with major art fairs including Frieze, TEFAF, and Independent all scheduled within a single week this May. The art world will arrive directly from the Venice Biennale, and New York galleries are opening their major spring exhibitions to coincide with the influx of curators and collectors.

Ripple: Furniture Sculpture and Painting after 1982

David Kordansky Gallery is presenting "Ripple: Furniture Sculpture and Painting after 1982," an exhibition of historic works by Swiss artist John Armleder, on view from May 7 to June 13, 2026. The show focuses on Armleder's Furniture Sculpture series from the 1980s, which incorporates functional or decorative objects alongside paintings, exploring the intersection of art, design, and everyday life. Works like FS 156 (1987) and Untitled (FS) (1987) exemplify his interest in collectivity, chance, and the viewer's role in assigning meaning, influenced by experiences such as a prison stint for refusing conscription and his time on a rowing team, as well as the experimental compositions of Erik Satie and John Cage's writings on chance.

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Lebanese-born artist Ali Cherri discusses his latest exhibition, "Last Watch Before Dawn," currently on view at Almine Rech in New York. The show centers on his new film, *The Sentinel* (2025), which explores the psychological and physical toll of military service through the figure of a French soldier. This exhibition marks a shift in Cherri’s practice, as he integrated the creation of sculptures and watercolors directly into the filmmaking process, allowing the gallery space to function as an extension of the cinematic set.

On Paranoid Time

Film Notes has published Qingyuan Deng's essay exploring the intersection of Lacan's concept of retroactive meaning and Eve Kosofsky Sedgwick's distinction between paranoid and reparative reading, as applied to recent artists' films and moving-image installations. The essay examines how works like Alison Nguyen's installation "Perforation, Ellipse" at New York's Storefront for Art and Architecture use cinematic techniques—such as perforations, splices, and missing scenes—to hold the temporal gap between an event and its belated political comprehension, focusing on the censorship of Vietnamese bolero songs after the American War.

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Art Basel has unveiled the exhibitor list for its 2026 flagship Swiss edition, featuring 290 galleries from 43 countries. The fair, scheduled for June 18–21, will include 21 first-time participants and an expanded 'Premiere' sector for recent works. Notable shifts include four galleries debuting directly in the main sector and the introduction of public commissions by Nairy Baghramian and Ibrahim Mahama as part of the inaugural Art Basel Awards.

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Clément Delépine, the director of Art Basel Paris, has been appointed as the next director of Lafayette Anticipations, a prominent Parisian exhibition space. He will succeed Rebecca Lamarche-Vadel, who is leaving after six years to pursue new challenges. Delépine will assume the role on November 17, shortly after the upcoming edition of Art Basel Paris, which opens to VIPs on October 22. A search for a new director for the Paris fair is underway.

12 things not to miss at Art Basel's bigger and better 2025 event

Art Basel's 2025 edition in Basel features a packed program across the city, including a new Shop with exclusive drops like a limited-edition porcelain Labubu by Kasing Lung, an FC Basel jersey designed by an artist, and rare prints by Daniel Arsham and Amoako Boafo. Highlights include Jordan Wolfson at Fondation Beyeler, Dala Nasser at Kunsthalle Basel, a ghost train by Rebecca Moss and Augustin Rebetez at Museum Tinguely, and the group show Maison Clearing organized by C L E A R I N G. Joyce Joumaa presents a light-based installation at Art Basel Statements, Thomas Bayrle's 1960s installation Coats appears in Parcours, and Alia Farid shows at Unlimited.

In Geneva, John M Armleder’s Stunning Lesson in Art History

À Genève, la renversante leçon d’histoire de l’art de John M Armleder

The Musée d’Art et d’Histoire (MAH) in Geneva has unveiled its sixth "carte blanche" exhibition, curated by the influential Swiss artist John M Armleder. Following in the footsteps of figures like Ugo Rondinone and Wim Delvoye, Armleder was invited by museum director Marc-Olivier Wahler to mine the institution's vast collection of 800,000 objects. The resulting show defies traditional museum hierarchies by juxtaposing fine art with decorative objects, such as silver-topped corks and musical instruments, alongside Armleder's own prolific output of multiples.

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Louise Bonnet, a Los Angeles-based painter known for her cartoonish yet sophisticated depictions of the female nude, discusses her latest work ahead of two major exhibitions. Her two-person show with Elizabeth King, titled "De Anima," opens at the Swiss Institute in New York, focusing on shared approaches to figuration that balance objecthood and liveliness. Bonnet also created a new series for the next edition of the SITE Santa Fe International biennial, opening in June. In an interview with ARTnews editor Emily Watlington, Bonnet explains her shift to tighter cropped compositions emphasizing routine gestures like tying shoelaces or fastening bras, inspired by World War II British spies and films like Rosemary's Baby.

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The Keith Haring Foundation has appointed Simon Castets, a French American curator formerly of Luma Arles and the Swiss Institute, as its next executive director, effective January 12. Castets will oversee the foundation's collection of Haring's work, its archives, and its grant-making program, which disbursed $7.7 million in 2025, including major gifts to the Studio Museum in Harlem and Bard College's Center for Curatorial Studies. Upcoming exhibitions include a Brant Foundation show on Haring's early work and Crystal Bridges Museum's "Keith Haring in 3D."

stefanie hessler parcours section art basel

Stefanie Hessler, director of New York's Swiss Institute, has curated the Parcours section of Art Basel for its second year, choosing the theme "Second Nature." The program, now in its 15th year, integrates site-responsive artworks into Basel's urban fabric, activating local businesses, infrastructure, and public spaces along the left bank of the Rhine. Works include Martha Atienza's three-channel video installation at a shop called Tropical Zone, Sturtevant's "Finite Infinite" (2010) under the Mittlere Brücke bridge, and a 1960s piece by Thomas Bayrle recreating a functional artist shop in a department store. Hessler selected artists whose work engages with patterns and habitual behavior, exploring how repeated gestures become ingrained customs.

art shen xin young artist

Shen Xin, a 35-year-old artist based in Saint Paul, Minnesota and Portree, Isle of Skye, is featured in Cultured's 2025 Young Artists list. Born in Chengdu, China, Shen earned an MFA from the Slade School of Fine Art in 2014 and centers their practice on language, personal history, myth, and scientific research through moving image, performance, and writing. Their work has been exhibited at the Swiss Institute, Walker Art Center, and through December 21 at Edinburgh's Collective. The profile highlights their recent 16mm black-and-white film "Bearing Fruit of Fondness," developed using leaves from a cotoneaster plant on the Isle of Skye, which explores mother-child patterns and belonging.

elizabeth king louise bonnet swiss institute show interview

The Swiss Institute in New York has opened a new exhibition titled “De Anima,” pairing sculptor Elizabeth King and painter Louise Bonnet. Curated by director Stefanie Hessler, the show explores the boundaries between the living and the lifelike, featuring King's intricate automata and stop-motion films alongside Bonnet's large-scale oil paintings of fleshy, gestural figures. The artists, introduced by Hessler at an opening last year, discovered a shared fascination with involuntary bodily movements—twitching eyes, clenched jaws—and the invisible labor of artistic craftsmanship.

parties art swiss institute 2025 gala

The Swiss Institute held its 2025 Benefit Gala at the Rainbow Room in Rockefeller Center, honoring artists Theaster Gates and Andro Wekua, patron Yan Du, Printed Matter (under Executive Director Lesley A. Martin), and the late curator Koyo Kouoh. The evening featured an a cappella performance by Tonewall, a paddle raise, a seated dinner, and an art auction led by Simon de Pury, with works by Chloe Wise and Michèle Sandoz. Attendees included collectors Maja Hoffmann, Eva Dichand, and Carola Jain; artists Chloe Wise, Tschabalala Self, and Sarah Morris; and other cultural figures.

Serakai Studio unveils dreamedcore, a multi-sensorial exhibition exploring digital nostalgia in Hong Kong

Serakai Studio presents 'dreamedcore', its second exhibition at GOLD in Hong Kong's Wong Chuk Hang district, running from June 6 to August 1. Curated by Shirley Lau and Tobias Berge, the show blends an art exhibition, concept store, and runway format to explore digital-age nostalgia through the lens of 'dreamcore' aesthetics—drawing on 1990s and early 2000s visual textures. Featuring 22 emerging multi-disciplinary artists and creative practitioners from across Asia, including Li Shuang, Wong Ping, and Peng Ke, the exhibition is divided into two chapters: 'The Lure' and 'The Twist', with a central runway stage, ambient lighting, and a mini cinema screening a video by Wong Ping.

art shakers movement ica philadelphia religion

The article reviews "A World in the Making: The Shakers," an exhibition at the Institute of Contemporary Art, Philadelphia, running through August 9, 2026. It pairs Shaker material culture with works by seven contemporary artists, including Kameelah Janan Rasheed, who responds to the archive of Rebecca Cox Jackson, a Black Shaker leader. The exhibition explores how Shaker communal practices, craft traditions, and devotional art resonate in today's digital age, where handmade aesthetics often become lifestyle signals rather than shared experiences.

An Artist Honors Extinct Plants and Animals at New York’s Swiss Institute

The New York Times reports on an exhibition at New York's Swiss Institute where an artist pays tribute to extinct plants and animals through their work. The show features installations and artworks that memorialize species lost to extinction, blending scientific documentation with artistic expression to create a poignant reflection on biodiversity loss.