The Business of KAWS: What Data and a Museum Show Reveal About His Market

The San Francisco Museum of Modern Art (SFMOMA) is currently hosting a major survey of KAWS, marking the final stop of a three-city tour that highlights the artist's unique blend of commercial savvy and institutional ambition. The exhibition features a range of works from diamond-encrusted sculptures for Kid Cudi to a 'genius' membership drive that sold 1,000 KAWS-branded museum memberships at $300 each. Despite a significant cooling in his auction results—dropping from a 2019 peak of $112.9 million to just $7.72 million last year—the artist continues to draw massive crowds, particularly among younger demographics.

At the Galleries for April 9, 2026

The Hamptons art scene is entering the spring season with a diverse array of gallery openings across Montauk, East Hampton, Sag Harbor, and Bridgehampton. Key highlights include Timothy Tibus’s abstract retrospective at The Lucore Art, a Matisse-centered group show at The Drawing Room featuring rare etchings, and Kristy Gordon’s myth-inspired "Primavera" at Grenning Gallery. Other notable exhibitions include a showcase of artists from the Cold Castle collective at Keyes Art and a curated group show titled "Connections" at Dan Welden Studio/Gallery.

In Paris, the unRepresented fair brings together artists without galleries in a private mansion

À Paris, le salon unRepresented réunit dans un hôtel particulier des artistes sans galerie

The unRepresented art fair returns to Paris for its fourth edition, taking place from April 10 to 12 at the Hôtel Molière. Founded by Emilia Genuardi, the salon provides a platform for fifteen independent artists who are not currently represented by galleries, allowing them to showcase their work during the busy Art Paris week. This year's selection focuses on artists who "experiment with the image," featuring diverse practices ranging from Regina Anzenberger’s painted photographs to Tania Arancia’s textile-based archival works.

Must-See Museum Exhibits in New Orleans This April

New Orleans is highlighting its vibrant visual arts scene this April with two major museum exhibitions that offer deep dives into Southern identity and local art history. The Ogden Museum of Southern Art has launched "I Am the Face," an exploration of Southern photographic portraiture from the early 20th century to today, while the New Orleans Museum of Art (NOMA) is preparing to open a comprehensive retrospective of Louisiana native Robert Gordy, marking the first major presentation of his work at the institution in over forty years.

Brooklyn Artist Kelly Ahern Presents Solo Exhibition at Bushwick Gallery

Brooklyn-based painter Kelly Ahern is set to debut a one-night solo exhibition titled 'Surface Tension' at the Bushwick Gallery on April 14, 2026. The show is part of the gallery’s 'Solo Statement' program, specifically the series 'Doesn't Play Well with Others,' which grants artists total creative autonomy to curate and present their work. The exhibition will feature Ahern's latest abstract compositions and conceptual pieces, focusing on her unique approach to the medium of painting.

Sotheby’s Owes Real Estate Firm $10.2 Million Commission: Lawsuit

Real estate giant Cushman & Wakefield has filed a lawsuit against Sotheby’s, alleging the auction house failed to pay a $10.2 million commission following the $510 million sale of its New York headquarters. The dispute centers on the building at 1334 York Avenue, which was sold to Weill Cornell Medicine in late 2025 after the medical institution initially leased several floors through a deal brokered by the real estate firm.

Salem chamber art gallery featuring local student artists

The Salem Area Chamber of Commerce Gallery of Art is hosting its fifth annual exhibition featuring over 60 works by approximately 55 local student artists. The show includes a diverse range of media, such as watercolor paintings, colored pencil drawings, ceramics, and gouache works, representing talent from six different regional school districts including United Local, Leetonia, and Wellsville.

The business of body art

The article explores the evolving economic landscape of the professional tattooing industry, shifting from a counter-culture fringe to a sophisticated global business sector. It details how artists and studio owners are adopting traditional corporate structures, including brand licensing, specialized retail products, and digital marketing strategies to capitalize on the increasing mainstream acceptance of body art.

Dem Djupatonen (The Deep Tone), 1984 by Everlyn Nicodemus

The article is a promotional statement from an art platform, not a news report. It describes a partnership model where the platform collaborates with leading galleries to present artists and exhibitions, with membership granted through application and invitation. The platform positions itself as an art advisory leader with high-level access to influential galleries, collectors, and auction houses.

Design Theft in Platform Capitalism

Designklau im Plattformkapitalismus

The article details a growing trend of design plagiarism within the platform economy, where large interior trade platforms and fast-design companies systematically copy the original work of small, independent design studios. These copies are then mass-produced and sold globally at lower prices, often marketed directly through social media channels. The original designers find it nearly impossible to defend their intellectual property due to the high cost and complexity of legal action, especially against international entities.

Here are the best things to do in NYC this week, April 5-12

The annual Artexpo New York returns to the city's cultural calendar this week, serving as a major highlight among a diverse array of local events. The fair joins other significant spring activations including the New Directors/New Films festival at Lincoln Center and MoMA, the Big Umbrella Festival, and the seasonal reopening of major outdoor markets like Smorgasburg.

The Met’s blockbuster Raphael exhibition looks beyond the artist’s idealised Madonnas

The Metropolitan Museum of Art is preparing a major retrospective of the High Renaissance master Raphael, aiming to present a more complex portrait of the artist than his reputation for serene Madonnas suggests. The exhibition will showcase his technical versatility and intellectual depth through a vast array of paintings, drawings, and tapestries, highlighting his role as a polymath who reshaped the visual language of Western art.

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Recent scientific and archival investigations have led to two significant new attributions to the Renaissance master Michelangelo Buonarroti. The first involves a painting titled 'Spirituali Pietà,' which was previously sold as an anonymous work but has now been linked to the artist through pigment analysis, X-ray fluorescence of monograms, and stylistic parallels to his known masterpieces. Simultaneously, researcher Valentina Salerno has identified a marble bust of Christ the Savior in Rome’s Basilica of St. Agnes Outside the Walls as a potential Michelangelo original, based on a decade of archival research.

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German installation artist Henrike Naumann has passed away at the age of 41 following a battle with cancer. At the time of her death, Naumann was preparing for the pinnacle of her career: representing Germany at the upcoming 61st Venice Biennale. The German pavilion organizers have confirmed that they will work closely with her studio team to realize her finalized artistic vision for the exhibition as planned this May.

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The Washington Post laid off approximately 30% of its newsroom staff, including Pulitzer Prize-winning art critic Sebastian Smee, as part of broader cuts to sports, local news, and international coverage. Smee, who joined the Post in 2018 after working at the Boston Globe and The Australian, confirmed his departure in a statement to ARTnews, expressing gratitude to former editor Marty Baron and solidarity with affected colleagues. Another Pulitzer-winning critic, Philip Kennicott, reportedly remains on staff. The layoffs come shortly after the release of a documentary produced by Amazon MGM Studios, owned by Post owner Jeff Bezos.

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A new financial consultancy called Artist Money Matters has launched in London, specifically designed to serve artists. Founded by artist and former finance executive Victoria Helena, the firm offers services including pricing advice, contract review, tax preparation, cash-flow planning, and guidance on grants and studio sustainability. It aims to provide artists with the business tools often missing from their education.

Reattributing a Portrait Bust by Edmonia Lewis

A marble portrait bust by 19th-century sculptor Edmonia Lewis, previously known only as a portrait of an unidentified woman, has been reattributed to depict social reformer Ednah Dow Littlehale Cheney. The bust, held by the Bowdoin College Museum of Art, will be included in the upcoming national touring exhibition "Edmonia Lewis: Said in Stone," opening at the Peabody Essex Museum in February 2026.

Step Into the Phoenix Airport Museum’s New Immersive Art Exhibition

Phoenix Sky Harbor International Airport has opened a new immersive exhibition titled 'Spectral Alchemy' in its Terminal 4 Museum Gallery. Curated by the Phoenix Airport Museum, the show features works by 15 Arizona artists exploring the spiritual and transformative qualities of light through paint, neon, glass, and digital animation. Highlights include a large-scale video installation by Kenaim Al-Shatti, mixed-media neon works, and paintings by Pierston Doctor and Christina Thomas.

The Davos arts programme: ‘Art ventures where policy briefs and position papers cannot go’

The article describes the Arts and Culture Programme at the World Economic Forum's Annual Meeting in Davos, centered on the theme 'A Spirit of Dialogue.' It features performances and installations including the Mahler Chamber Orchestra with violinist Renaud Capuçon and an AI-generated visual installation by artist Ronen Tanchum, a concert by musician Jon Batiste, Thijs Biersteker's data-driven installation 'Forestate' created with Unesco, and Marina Abramović's mobile installation 'THE BUS.' The programme is structured around three pillars: Human Presence in the Digital Age, Tradition and Innovation, and Connection and Collaboration.

Marina Abramović rolls into Davos with an immersive project that encourages world leaders to take a digital detox

Marina Abramović has unveiled a new immersive work titled THE BUS at the World Economic Forum (WEF) in Davos, Switzerland, running until 23 January. The piece, part mobile sculpture and part meditation capsule, invites world leaders and participants to step away from the forum's intense schedule for a digital detox and inner reflection using the Abramović Method. The project was curated by Mirjam Varadinis, curator-at-large at the Kunsthaus Zürich, and developed through Abramović's institute (MAI). It marks Abramović's debut at the WEF, which this year also features eco-artist Thijs Biersteker, multimedia artist Ronen Tanchum, and street artist JR.

January 2026 Opening Reception at the Bush Barn Art Center

The Bush Barn Art Center in Salem, Oregon, will host an opening reception on January 9, 2026, for four new exhibitions. The shows include Yuji Hiratsuka's "Personal Mythology: Color Intaglio" in the A.N. Bush Gallery, Sam Marroquin's "Inhabit: Reflections of Us" in the Focus Gallery, and SAA Represented Artists in the Camas and Annex Galleries. The free public event runs from 5:30 to 7:30 p.m., with artist introductions at 6:00 p.m.

Business Buzz: UK's Clarendon Fine Art opening Wellesley gallery; Wellesley Books signs on for 5 more years

UK-based Clarendon Fine Art is opening a new gallery in Wellesley Square, Massachusetts, at 25 Central St., the former location of Laurel Grove. The business, which operates dozens of galleries in the UK and one in Westport, Connecticut, specializes in international, contemporary, and modern art. Clarendon is scheduled to meet with the Wellesley Design Review Board regarding minor construction and a sign review, including making the entrance ADA compliant. Separately, Wellesley Books has renewed its lease at 82 Central St. for another five years, ensuring the independent bookstore remains a community fixture.