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Venice show brings together two leading figures from the Polish avant-garde

A collateral exhibition at the 2024 Venice Biennale, titled "Tadeusz Kantor (1915-1990) Emballage Cricotage and Madame Jarema," brings together two towering figures of the Polish avant-garde: Tadeusz Kantor and Maria Jarema. Organized by the Starak Family Foundation at the Procuratie Vecchie, the show features over 60 works spanning paintings, monotypes, sculptures, theatre props, and costumes, culminating in a room dedicated to Kantor's seminal theatre piece "The Dead Class" (1975). Jarema's work was shown at the 1958 Venice Biennale, and Kantor exhibited in the Polish pavilion in 1960; the exhibition highlights their intertwined, interdisciplinary practice and their foundational role in post-war Polish avant-garde art.

From the artist who painted with his feet to the splashes of Pollock: abstraction takes over the Centre Pompidou Malaga

The Centre Pompidou Malaga has opened the exhibition 'Gesture and Matter. International Abstractions (1945–1965)', running until September, featuring around 30 works by 26 artists. The show highlights abstract art as a post-World War II response, with key pieces including Jackson Pollock's 'Number 26A. Black and White' and Kazuo Shiraga's 'Planet Nature', painted with his feet while suspended from ropes. Co-curated by Anne Foucault and Christian Briend, the exhibition traces abstraction's development from Paris and New York to Asia and Europe, emphasizing painting as a full-body, performative act of freedom.