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V&A East collection review – a dazzling wealth of inspiration to fire up the geniuses of the future

The Victoria and Albert Museum has unveiled the first look at its new V&A East outpost in London’s Olympic Park, showcasing a collection that emphasizes diversity, global exchange, and the integration of art into daily life. The inaugural displays feature a wide-ranging mix of objects, from Althea McNish’s vibrant Caribbean-inspired textiles and Vivienne Westwood’s punk designs to a talismanic shirt inscribed with the Qur’an and a Japanese screen documenting colonial encounters. While the museum's public-facing branding focuses on community engagement, the actual curation offers a sophisticated, open-ended exploration of how different cultures influence and define one another.

whitney biennial 2026 review 2750311

The 2026 Whitney Biennial marks a shift in contemporary art from literal messaging toward atmospheric 'mood.' This edition is characterized by an immersive aural landscape of drones and whispers, moving away from the overt identity politics of previous years in favor of a 'sincerity first' credo. Key works include Emilie Louise Gosslaux’s emotional tribute to her guide dog, Mo Costello’s community-focused binders, and Nour Mobarak’s intimate recordings of internal bodily sounds.

Steve DiBenedetto’s Cosmic Sense of the Absurd

Artist Steve DiBenedetto presents a new body of work in his solo exhibition, "Spiral Architect," at Derek Eller Gallery. The show features 17 paintings ranging from large-scale canvases to intimate works, all characterized by a restless movement between abstraction and figuration. DiBenedetto utilizes a process-heavy technique of adding, scraping, and reworking oil paint to create dense, visionary landscapes filled with octopi, cellular forms, and Rube Goldberg-esque machinery.

art michele oka doner public installation

Michele Oka Doner, an 80-year-old artist known for her public installations, is preparing to unveil "Talisman," a new work composed of 300 illuminated heads that will create a sacred grove on the Park Avenue Mall at 66th Street in New York this spring. In an interview with CULTURED, she discusses the engineering challenges of the project, including weight limits imposed by the MTA due to the tunnel beneath the mall, and reflects on her earlier public works such as the mile-long floor installation at Miami International Airport and "Radiant Site" at the Herald Square subway station, which she won a national competition for in 1987.

vima art fair cyprus review recap 1234743448

The inaugural VIMA contemporary art fair opened in Limassol, Cyprus, at a former SODAP winery industrial site. Co-founded by Lara Kotreleva, Edgar Gadzhiev, and Nadezhda Zinovskaya, the fair aims to spotlight Cypriot and Mediterranean art, featuring a curated outdoor exhibition titled 'The Posterity of the Sun' with 17 artists, including Valentinos Charalambous, Monia Ben Hamouda, and Adrian Pepe. Curator Ludovic Delalan emphasized the site's historical and natural context.

A Rare Presentation of Leonora Carrington’s Surrealist Sculptures Have Landed in New York

A new exhibition at New York's L'Espace Gallery, titled "Shape of Dreams," presents a rare collection of Leonora Carrington's surrealist bronze sculptures, intricate jewelry, and an interactive tarot booth. Carrington, best known as a painter and novelist, created these sculptures late in life, often with the help of her sons, as her eyesight and arthritis made painting difficult. The show highlights works like "The Palmist" (2011) and other hybrid, mythological figures that extend her imaginative universe into three dimensions.

'I'm a container for my own spirit': Nickola Pottinger on her show of sculptures at the Aldrich Contemporary Art Museum

Nickola Pottinger presents her first solo museum exhibition, "fos born," at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut, curated by chief curator Amy Smith-Stewart. The show features Pottinger's emotive, organic sculptures called "duppies," inspired by Jamaican folklore and her West Indian upbringing in Brooklyn. Constructed from recycled materials like furniture, bones, bird cages, and pigmented paper pulp made from family documents and rubble, the works explore themes of cultural identity, motherhood, and the duality of post-colonial existence. The exhibition centers on the recent birth of Pottinger's daughter, Zora, with pieces like "Give tanks and praises" (2025) incorporating a cast of the artist's pregnant torso.

beauty perfume fragrance critics perfumetok

Cultured magazine has enlisted three top fragrance critics—April Long, Arabelle Sicardi, and Maxwell Williams—to discuss the state of fine fragrance in an era of oversaturation, where over 3,000 new perfumes launch annually and #perfumetok has amassed over 7 billion views. The conversation covers niche perfumery, dupe culture, AI noses, and the central question of when a perfume qualifies as a work of art versus a mere commodity. Each critic brings a distinct background: Long is a New York-based journalist with 15 Fragrance Foundation awards; Sicardi is a beauty philosopher and author of the upcoming book 'House of Beauty'; Williams is both a journalist and a working perfumer trained at the Institute for Art and Olfaction.

Shoot the Shit With Jack Kerouac

An exhibition at the Grolier Club in New York City, titled "Running Through Heaven: Visions of Jack Kerouac," presents over 60 pieces of ephemera and unpublished correspondence from the Beat Generation icon's life. Curated by antiquarian collector Jacob Loewentheil, the show includes first editions, a Buddhist mala, a tobacco pouch, and a signed 1964 portrait of Kerouac, organized thematically around religion, jazz, and family. The exhibition runs through May 16 and offers an intimate look at the man behind the myth.

Studio Art MFAs Present Thesis Exhibition “TRANSIT”

American University's 2025 Master of Fine Arts Thesis Exhibition, titled “TRANSIT,” is on view at the AU Art Museum from April 19 to May 18. The show features the culminating works of six graduating Studio Art MFA students: Phaedra Askarinam, Pooja Campbell, Patricia Edwine Poku, Connor Gagne, Andrés Izquierdo, and Julia Cheng Zhang. Their diverse practices span painting, ceramics, installation, and performance, unified by the theme of transit—interpreted as acts of passage, transformation, and self-discovery. Curated around this shared concept, the exhibition explores life transitions such as grief and parenthood, as described by Professorial Lecturer Molly Springfield.

Art Vibe: June 2025

The article surveys notable art exhibitions in Kenya for June 2025, highlighting a range of venues and artists. Key shows include 'The Print Press' at Alliance Française de Nairobi (June 13–29), featuring printmakers such as Michael Soi, Mari Endo, Dennis Muraguri, and James Mbuthia, and 'The Promise' by Moses Nyawanda at Talisman Restaurant in Karen (May 27–June 27). The piece also covers exhibitions by Jonathan Sölanke Gathaara Fraser at Circle Art Gallery, Michelle Nyambura at Tafaria Castle, Annick Mitchell in Rosslyn, and Khalid Shatta and Onesmus Okamar, emphasizing both established and emerging voices across media.

Retrofuturistic Figures Emerge from Wood in Playful Sculptures by Aleph Geddis

Artist Aleph Geddis creates intricate, hand-carved wooden sculptures that blend organic forms with retrofuturistic aesthetics. His work oscillates between abstraction and figuration, drawing inspiration from his nomadic lifestyle between Japan, Bali, and the Pacific Northwest. Currently, Geddis is exploring varying scales of production, ranging from intimate, toy-like "Littles" to a massive, immersive installation designed for the upcoming Burning Man festival.

Who Gets to Save the World?

Franco-Malian artist Ladji Diaby presents 'Who’s gonna save the world?' at Lafayette Anticipations, a solo exhibition featuring sculptural installations crafted from found furniture and discarded objects. By repurposing second-hand furnishings through the lens of his mother’s domestic and spiritual rituals, Diaby transforms marginal items into talismanic vitrines of memory. The works challenge Western hierarchies of cultural value, positioning the act of salvaging as both an aesthetic and political gesture.