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Think you have strong opinions about the 2026 Archibald prize? Check out the portraits that didn’t make the cut | Dee Jefferson

The article explores the annual ritual of the Archibald Prize, Australia's most famous portrait competition, through the lens of the 2026 edition. The author, Dee Jefferson, describes the predictable cycle of public enthusiasm, critical disdain, and media coverage that surrounds the prize, noting recurring trends like brown suits, oversized heads, and the dominance of male artists painting male subjects. The piece highlights specific works in this year's exhibition, including a portrait of musician Keli Holiday by Sindy Sinn that the author finds disorienting, and contrasts the main exhibition with the Salon des Refusés, the showcase of rejected entries, which includes a provocative portrait of Patricia Piccinini by Wendy Sharpe featuring exaggerated anatomy.

joe chialo resigns as berlins culture senator creative australia funding questioned napoleon sword heading to auction 1234740443

Berlin's culture senator, Joe Chialo, has resigned due to a dispute over deep budget cuts to the city's arts sector. He stated that the planned cuts would force the closure of nationally renowned cultural institutions, and he stepped down to allow for new perspectives. Meanwhile, Australia's center-right Liberal-National Coalition has proposed cutting over 10 percent of funding to Creative Australia, the body that organizes the country's Venice Biennale pavilion, redirecting the money to support Jewish arts and broadcasting in Melbourne. This follows controversy over Creative Australia's decision to drop artist Khaled Sabsabi as Australia's Venice Biennale representative.

ken griffin jackson pollocks blue poles australian museum 1234751615

Mega-collector Ken Griffin revealed in a July interview with Stanford Business School Insights that his favorite artwork is Jackson Pollock's 'Blue Poles' (Number 11, 1952), currently owned by the National Gallery of Australia in Canberra. Griffin admitted he once offered the museum several hundred million dollars to buy the painting, but the Australians refused to sell. The interview, which went largely unnoticed by the art press, also features a playful exchange with the Australian interviewer, Michael Liu, who gloats that the painting remains in his home country.

khaled sabsabi reinstated for venice biennale 1234746757

Creative Australia has reinstated Lebanese-born artist Khaled Sabsabi and curator Michael Dagostino as the representatives for Australia's pavilion at the 2026 Venice Biennale, following an independent review and months of public backlash. The pair were initially removed in February after a column in The Australian criticized Sabsabi's 2007 video installation "You," which includes manipulated footage of Hezbollah leader Hassan Nasrallah, accusing the artist and curator of favoring boycotts of Israel. The abrupt removal prompted resignations from senior Creative Australia staff and board members, widespread condemnation from the art community, and an open letter from shortlisted pavilion candidates demanding reinstatement.

2026 Venice Biennale pavilions: your go-to list [Updated]

ArtReview has compiled a running list of national pavilions for the 61st Venice Biennale, running from 9 May to 22 November 2026. The Biennale was set to be curated by Koyo Kouoh, who died on 10 May 2025. Recent announcements include Haitham Al Busafi representing Oman, Genti Korini representing Albania with a three-channel video installation titled 'A Place in The Sun (still)', and Matías Duville representing Argentina with an interactive salt-and-charcoal installation. The Australia Pavilion will feature artist Khaled Sabsabi and curator Michael Dagostino, who were initially dropped due to controversy over Sabsabi's 2007 film 'You' but later reinstated. Florentina Holzinger will represent Austria with a water-themed performance.

Previews: 61st Venice Biennale: In Minor Keys

The 61st Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, opens amid global turmoil and internal controversy. Kouoh, who passed away in May 2025, conceived the exhibition around the metaphor of a "creole garden," emphasizing deep affinities between 111 artists from diverse locations such as Dakar, Beirut, and Salvador. The Biennale is overshadowed by recent geopolitical events, including US-Israeli airstrikes on Iran, and faces protests: over 70 participating artists signed an open letter opposing the participation of Israel, Russia, and the US, while the Australian pavilion saw the reinstatement of Khaled Sabsabi after being dropped, and South Africa withdrew its official pavilion over Gabrielle Goliath's femicide project, which she will still present independently.

How the wealth transfer from Boomers to their children will shake up the art market

The article examines how the transfer of wealth from Baby Boomers to younger generations is reshaping the Australian art market. As Boomers downsize or pass away, their tightly held collections—featuring artists like Grace Cossington Smith, Howard Arkley, and Brett Whiteley—are entering auction houses, creating rare buying opportunities. Meanwhile, younger collectors (Gen X, Millennials, Gen Z) face economic uncertainty, leading to a softening in the ultra-contemporary market and a decline in NFTs. New models of online and agency representation are bypassing traditional galleries, and galleries themselves are undergoing generational change, with some closing and others like Ames Yavuz and D'Lan Contemporary expanding.

khaled sabsabi reinstatement 2663523

Artist Khaled Sabsabi and curator Michael Dagostino have been reinstated to lead Australia’s pavilion at the 61st Venice Biennale, following an independent review of Creative Australia’s decision to drop them in February 2025. The initial removal came after right-wing politicians raised allegations of antisemitism against Sabsabi, whose work often addresses Islamophobia and Arab identity, particularly his 2007 video "You" featuring Hezbollah leader Hassan Nasrallah. The reversal follows resignations, boycotts, and widespread protests from the Australian arts community.

After three years, investigations and now a $4.4m lawsuit, Australia’s most controversial art exhibition finally opens

The National Gallery of Australia has finally opened 'Ngura Puḻka – Epic Country,' a landmark exhibition of 30 large-scale paintings by Indigenous artists from the Aṉangu Pitjantjatjara Yankunytjatjara (APY) Lands. The show’s debut comes after a three-year delay caused by explosive allegations in the media suggesting that white studio assistants had improperly intervened in the creation of the artworks. These claims sparked multiple independent investigations, a $4.4 million defamation lawsuit, and a previous last-minute cancellation of the exhibition in 2023.

Tourmaline at Australian Centre for Contemporary Art

A major solo exhibition of work by the celebrated artist and activist Tourmaline has opened at the Australian Centre for Contemporary Art in Melbourne. Titled "Transcendent," the show is curated by Sophie Prince and runs from December 12, 2025, through March 15, 2026. It features new and existing works, including film, photography, and archival installations that explore themes of Black trans history, joy, and liberation.

Your Australian art guide for March 2026 is here

The Australian art scene is hosting a diverse array of exhibitions throughout March 2026, headlined by the landmark 25th Biennale of Sydney titled 'Rememory.' Major institutional highlights include the newly reopened Newcastle Art Gallery showcasing its national collection, a significant Ron Mueck survey at the Art Gallery of New South Wales, and a major Rosalie Gascoigne exhibition at Bundanon. Commercial galleries are also debuting new works, ranging from Patricia Piccinini’s stem-cell-inspired installation at Passage Gallery to Christopher Zanko’s architectural studies at N.Smith Gallery.

food quattro gatti gin venice biennale

Quattro Gatti has been named the official gin of the 61st Venice Biennale, which opens in May 2026. The Umbrian-crafted spirit will be the exclusive gin available across Biennale sites including the Giardini della Biennale and the Arsenale, with a special Biennale cocktail planned. The brand was founded in 2022 by the Mordant family, led by Simon Mordant, a British-born arts patron who served as Commissioner for the Australia Pavilion in 2013 and 2015 and is Global Ambassador for Australia in 2026. The Mordants also led the rebuilding campaign for the Australian Pavilion, which opened in 2015 as the first 21st-century pavilion in Venice.

venice biennale 2026 artist list koyo kouoh 1234774417

The Venice Biennale has released the artist list for its 61st edition, titled "In Minor Keys," featuring 111 participants. This edition is historically unique as its curator, Koyo Kouoh, passed away in May 2025 during the exhibition's development, leaving a team of advisors including Gabe Beckhurst Feijoo, Marie Helene Pereira, and Rasha Salti to realize her vision. The exhibition focuses on understated, poetic sensibilities and living artists, a departure from the larger, historically-focused surveys of recent years.

washington post art critic sebastian smee laid off 1234772489

The Washington Post laid off approximately 30% of its newsroom staff, including Pulitzer Prize-winning art critic Sebastian Smee, as part of broader cuts to sports, local news, and international coverage. Smee, who joined the Post in 2018 after working at the Boston Globe and The Australian, confirmed his departure in a statement to ARTnews, expressing gratitude to former editor Marty Baron and solidarity with affected colleagues. Another Pulitzer-winning critic, Philip Kennicott, reportedly remains on staff. The layoffs come shortly after the release of a documentary produced by Amazon MGM Studios, owned by Post owner Jeff Bezos.

Spiders of Paradise to open at Tweed Regional Gallery

Tweed Regional Gallery & Margaret Olley Art Centre will present 'Maria Fernanda Cardoso: Spiders of Paradise' opening on May 9, 2025. The exhibition, developed and toured nationally by the Museum of Contemporary Art Australia (MCA Australia), features Colombian Australian artist Maria Fernanda Cardoso's photographic project on the Australian Maratus spider. It includes 17 large-scale digital photographic portraits created with scientific imager Geoff Thompson and entomologist Andy Wang, plus an immersive projection of Cardoso's video 'On the Origins of Art I-II' (2016), co-owned by MCA Australia and Tate.

A Milano c’è una mostra di un importante artista australiano in cui si ragiona sul rumore

Marco Fusinato, the Australian artist who represented his country at the 59th Venice Biennale, returns to Italy with a solo exhibition at the Padiglione d’Arte Contemporanea (PAC) in Milan. Titled "The only true anarchy is that of Power," the show brings together installations, performances, and sound recordings from recent years, all centered on the concept of noise. Curated by Diego Sileo, the exhibition features three ongoing projects, including the monumental performance-installation DESASTRES, first presented at the Venice Biennale in 2022 and later staged at festivals such as Berlin Atonal and Unsound Krakow. The work combines randomized sound and images, using electric guitars, mass amplification, and intense feedback to create an immersive, hallucinatory experience where chaos and control coexist.

Sydney Contemporary art fair sees fourth year of decline in sales

Sydney Contemporary, Australia's largest contemporary art fair, reported A$16m (US$10.5m) in sales for its 2025 edition, marking a fourth consecutive year of decline. The fair, held from 11 to 14 September at Carriageworks, featured 116 exhibitors and nearly 500 artists, making it the largest edition to date. Despite the drop from last year's A$17.5m and A$23m in 2022, founder Tim Etchells remains committed, citing record visitor numbers of 26,440 and a shift in buyer behavior where sales often close weeks after the fair. Notable sales included a A$1.5m painting by Emily Kam Kngwarray, still under consideration by a collector. A new photography section, Photo Sydney, debuted and will return next year.

Anonymous image makers, New York nights and confronting the colonial: three photography shows to see at Les Rencontres d'Arles

The article highlights three photography exhibitions at the 2025 Rencontres d'Arles festival, titled "Disobedient Images." The first show features the late David Armstrong, a Boston School photographer, with vintage prints and contact sheets capturing 1970s-80s New York counterculture. The second, "On Country: Photography from Australia," presents works by Indigenous and non-Indigenous photographers that challenge colonial narratives and explore First Peoples' connection to land. The festival runs across multiple venues in Arles through summer and fall.

australian government rejects proposal text data mining ai companies 1234759253

On Monday, Australian Attorney General Michelle Rowland confirmed the federal government's rejection of a proposal that would have allowed tech companies to use text and data mining to train artificial intelligence models. The proposal, initially presented to the Productivity Commission in August, had been advocated by tech firms including Atlassian cofounder Scott Farquhar, who argued for copyright changes similar to those in the US and Europe. The decision follows backlash from Australian creatives, including rapper Adam Briggs, author Anna Funder, the Australian Council of Trade Unions, and the Australian Recording Industry Association.

ancient rock art australia woodside energy burrup peninsula 1234744046

The Australian government has conditionally approved a 40-year extension for Woodside Energy's North West Shelf gas plant on the Burrup Peninsula (Murujuga), home to an estimated one million petroglyphs dating back 50,000 years. Environment Minister Murray Watt announced the decision on May 28 after a six-year review, imposing strict conditions on air emissions and cultural heritage management, though the specific conditions remain confidential. Archaeologist Benjamin Smith of the University of Western Australia has warned that pollutants from the extended operations pose a grave risk to the rock art, which includes the world's earliest depictions of human faces.

scott kelly photographer astronaut 342386

Astronaut Scott Kelly is utilizing his record-breaking year-long mission aboard the International Space Station to capture high-altitude photography of Earth's surface. Dubbing his work #EarthArt, Kelly shares abstract, vividly colorful images of terrestrial landscapes—ranging from the Australian outback to the Himalayas—with his massive social media following. His approach favors formal abstraction over traditional documentation, highlighting the planet's diverse topography through a lens that blurs the line between science and fine art.

Khaled Sabsabi is finally at the Venice Biennale: ‘Being here is already a win’

Khaled Sabsabi has opened his exhibition 'conference of one’s self' at the Australian Pavilion of the 61st Venice Biennale, alongside a second installation 'Khalil' in the Arsenale. This follows a tumultuous period in which Creative Australia rescinded his appointment as Australia’s representative in February 2025, sparking widespread backlash from the art community. After being reappointed in July 2025, Sabsabi presents two monumental multimedia works inspired by Sufi practice, created in Bangkok and described as 'one body with two limbs'.

SA ‘white hands on black art’ controversy in court – and on national gallery walls

The National Gallery of Australia has officially opened the 'Ngura Pulka – Epic Country' exhibition, a major showcase of works by 52 artists from the APY Art Centre Collective. The show was originally postponed in 2023 following allegations published in The Australian that white staff members had improperly interfered with the creation of the paintings. After multiple investigations by government bodies and a review by the NGA cleared the artworks of creative interference, the collective is moving forward with the exhibition while pursuing a $4.4 million defamation lawsuit against the newspaper.

After-hours event to celebrate more to come at Newcastle Art Gallery

Newcastle Art Gallery will open its fourth new exhibition space on December 19, 2025, featuring over 130 works of Australian art valued at more than $30 million. Highlights include pieces by Joseph Lycett, William Dobell, Grace Cossington Smith, and Margaret Preston. The opening will be celebrated with the return of the Friday Night Sounds after-hours event, featuring live music by Nina Romeru and a wildlife drawing workshop. The gallery has already welcomed nearly 11,000 visitors since partially reopening in September 2025, with the full reopening scheduled for February 2026.

Milestone moment as Newcastle Art Gallery reopens its doors for first look inside expanded building

Newcastle Art Gallery in Australia has reopened its doors to the public for the first time after a major expansion project, unveiling new gallery spaces, a central atrium, and a foyer. The milestone event, held on 26 September 2025, featured a First Nations First ethos with major commissions and acquisitions on display, and was celebrated as part of the New Annual festival. The expansion has more than doubled the gallery's size, adding 1,600 square meters of exhibition space, with several areas named after major donors including Valerie and John Ryan, Margaret Olley, and Robert and Lindy Henderson.

Art Leven First Nations And Australian Fine Art Auction Opens This Week - Scoop

Art Leven, a Sydney-based gallery focused on First Nations art, is opening its First Nations and Australian Fine Art Auction and Exhibition, headlined by the private collection of the late Dame Marie Bashir AD CVO and Sir Nicholas Shehadie AC OBE. The exhibition runs from 15–19 May 2026 at Art Leven's new Woolloomooloo gallery, with the live auction on 19 May at Artspace. The sale includes approximately 115 artworks, with 79 from the Bashir-Shehadie collection, featuring works by Balang John Mawurndjul AM, Arthur Boyd, Emily Kame Kngwarreye, Albert Namatjira, and others. The collection reflects decades of travel to remote art centres and close relationships with artists, supported by archival material like handwritten notes and early catalogues.

Roar materials: the ‘uncanny’ art of dinosaur puppetry – in pictures

The Australian puppetry company Erth is preparing for a new immersive dinosaur show at the Sydney Opera House. The article provides a behind-the-scenes look at their workshop in Marrickville, where a team of artists and designers hand-craft highly realistic, large-scale dinosaur puppets using animatronics, 3D printing, and traditional craftsmanship.

Flowers laid after Bondi terror attack will form new work of art at Sydney Jewish Museum

Floral tributes left at Bondi Beach after a deadly terrorist attack on a Hanukkah celebration in December 2024 have been collected and will be transformed into an art installation at the Sydney Jewish Museum. Jewish Australian artist Nina Sanadze, born in Georgia and based in Melbourne, is working with volunteers to dry and process the flowers in a Sydney warehouse, experimenting with resin, bronze casting, and composted materials to create a work that may depict beachgoers fleeing the attack. The museum, currently closed for redevelopment, plans to feature the installation in a special exhibition when it reopens in 2027.

Fibre Arts Australia touring exhibit highlights 39 artists

Fibre Arts Australia's third International Art Textile Biennale is now touring Australia, featuring 39 textile artists from 10 countries. The exhibition will visit nine galleries across the country through September 2026. At its debut at East Gippsland Art Gallery, three Australian artists received biennale awards: Sue Coppock won the Major Award (AU$2,000) for her embroidered fencing mask 'Are You Wearing a Mask Right Now?', Claudia Mazzotta won the Australian Excellence Award for 'Untouched Terrains', and Nicola Oliver won the Glenys Mann Award for 'Shadows Where Life Once Was'.

From Micro to Mega, Jon McCormack’s Striking Photos Reveal Nature’s Patterns

Photographer Jon McCormack, who grew up in the Australian Outback and has traveled to all seven continents, has a new book titled "Patterns: Art of the Natural World," forthcoming from Damiani Books. The project emerged during the pandemic when limited travel led him to revisit local spots and develop a patient, attentive approach to capturing nature's hidden harmony and symmetry. The book features 90 images ranging from microscopic crystals to aerial views of flamingos in Kenya, along with text contributions from fellow photographers and conservationists.