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Audemars Piguet Contemporary (APC) and the Aspen Art Museum have co-commissioned a new sculpture by Argentinian artist Adrián Villar Rojas, titled (Untitled) The Language of the Enemy. The work will debut in November in the Jura Mountains, near APC's hometown in the Vallée de Joux, before traveling to the Aspen Art Museum for a multi-floor exhibition in 2026. The sculpture draws a parallel between paleontology and speculative memory, imagining that an encounter with fossilized dinosaur remains might have sparked the earliest act of art-making. APC curator Audrey Teichmann emphasized the organization's role in supporting the artist through inception, research, fabrication, and project management, as well as providing continuous support for a second exhibition and storage of the work between shows.

What to see in Seoul during Frieze: from Adrián Villar Rojas's confrontational sculptures to an examination of melancholy

The article highlights several must-see exhibitions in Seoul during Frieze week. Adrián Villar Rojas transforms Art Sonje Center with his immersive exhibition "The Language of the Enemy," featuring large-scale installations from his ongoing series "The End of Imagination" that strip the museum to a primordial state. At Gallery Hyundai, Kang Seung Lee and Candice Lin present a two-person show "Not I, not I, but the wind that blows through me," exploring queer histories and colonial legacies through drawing, embroidery, and experimental materials. Meanwhile, sculptor Hyun Nahm debuts a new body of work at Whistle in "Nest in the Field," moving away from his signature tower forms to angular iron-powder sculptures shaped by magnetic fields.

Adrián Villar Rojas's new sculpture explores 'existential anxieties'

Argentine artist Adrián Villar Rojas unveiled a new untitled sculpture in Le Brassus, Switzerland, co-commissioned by Audemars Piguet Contemporary and the Aspen Art Museum. The bronze Triceratops skull, part of his series *The Language of the Enemy*, features a rendering of the Venus of Lespugue emerging from one horn and explores themes of communication, conflict, and prehistoric art. The work will travel to the Aspen Art Museum next spring for a solo exhibition.