The New York Times examines the enduring power of Felix Gonzalez-Torres's 1991 performance piece "Untitled" (Go-Go Dancing Platform), in which a go-go dancer performs on a pedestal for a brief, scheduled period each day. The work, currently on view at the Art Institute of Chicago, uses the dancer's absence as a central component, creating a poignant metaphor for queer presence and loss.
The New York Times has traced the whereabouts of a distinctive blue-and-white vase featured in the 1958 film 'Bonjour Tristesse,' directed by Otto Preminger. The vase, which played a prominent role in the film's set design, was discovered to be a piece by French ceramicist Georges Jouve and had been quietly residing in a private Los Angeles collection for decades.
The New York Times has published a comprehensive guide aimed at aspiring gardeners, detailing the essential steps required to cultivate and maintain a successful green space. The resource covers foundational gardening knowledge, from soil preparation and plant selection to long-term maintenance strategies for various types of outdoor environments.
The New York Times reports a significant resurgence in print interior design magazines, with titles like Architectural Digest, Elle Decor, and House Beautiful experiencing substantial growth in advertising pages and newsstand sales. This revival is occurring despite the broader print media downturn and a shift towards digital content consumption.
The New York Times explores the enduring influence of Shaker design on contemporary artists and designers, highlighting how its principles of simplicity, utility, and spiritual integrity resonate in today's world. The article features creators like furniture maker Thomas Moser and ceramicist Mary Law, who draw directly from Shaker aesthetics of plainness, proportion, and honest craftsmanship.
This week's Required Reading from Hyperallergic features a photo by Saber Nuraldin, a finalist for the World Press Photo of the Year, depicting Palestinians climbing an aid truck in Gaza during famine caused by Israel's blockade. The article also includes Elena Megalos's essay on the American Museum of Natural History as a site of motherhood, and reports on Meenu Batra, a legal interpreter arrested by ICE, and the New York Times blocking the Internet Archive from crawling its site.
The New York Times reports on the ongoing legal and personal disputes between the brothers who co-founded Manhattan’s Aicon Art Gallery, which specializes in modern and contemporary South Asian art. The article details how sibling rivalry and disagreements over business decisions have led to a series of lawsuits and fractured relationships, threatening the gallery's stability and reputation.
The New York Times profiled Jenni Parido, the 37-year-old commissioner of the upcoming US Pavilion at the Venice Biennale, who has no professional arts background and previously ran a luxury pet food store in Florida. She selected Jeffrey Uslip as curator, and artist Alma Allen will represent the US after other artists reportedly declined.
The New York Times explores the enduring legacy of Raphael, the High Renaissance master whose work defined the pinnacle of 'divine beauty' and classical harmony. The analysis delves into his technical mastery, his ability to synthesize the influences of Leonardo and Michelangelo, and his prolific output during his brief life in Rome.
The New York Times highlights the emergence of a new physical art space designed to emulate the intimate, conversational atmosphere of traditional 19th-century European salons. Moving away from the sterile 'white cube' aesthetic of modern galleries, this venue prioritizes domestic-scale viewing and intellectual exchange among artists, collectors, and critics.
The New York Times profiles a previously overlooked or emerging artist whose work focuses on the iconography of 'caped crusaders' and superhero mythology. The feature explores the artist's journey from the periphery of the art world to a position of critical visibility, highlighting their unique aesthetic approach to pop culture figures.
Leon Botstein, the longtime president of Bard College, is facing scrutiny following the release of emails with Jeffrey Epstein. The correspondence, reported by the New York Times, includes a 2012 note from Botstein thanking Epstein for a Caribbean trip and expressing admiration, suggesting a more personal relationship than Botstein's previous claims of purely transactional fundraising communications.
The New York Times has published a curated list of recommended art gallery exhibitions opening in January. The article serves as a guide for viewers, highlighting specific shows across various commercial galleries that are deemed noteworthy for the month.
The 2024 documentary film "Secret Mall Apartment," directed by Jeremy Workman, was released on Netflix on Friday. The film recounts the true story of artist Michael Townsend and seven others, many of them former students from the Rhode Island School of Design, who secretly built and lived in a hidden apartment inside the Providence Place mall from 2003 to 2007 as a protest against gentrification and consumer culture. The group was discovered in 2007, and Townsend was charged with trespassing, receiving probation and a lifetime ban from the mall. Originally released in theaters in March 2024, the documentary had been available on Amazon Prime Video and Apple TV before its Netflix debut.
The New York Times has published a curated list of nine art exhibitions across the United States that are closing this winter, urging readers to visit before they end. The shows range from major museum retrospectives to smaller gallery presentations, covering a variety of artists and themes.
The Smithsonian Institution has agreed to turn over internal materials related to its programming and operations to the White House, following an executive order from President Donald Trump aimed at purging what he calls “anti-American ideology” from the consortium of museums and archives. Private emails from Secretary Lonnie G. Bunch II, obtained by The New York Times, reveal that the Smithsonian will provide digital photographs of labels, placards, and other text on public display, as well as other materials, on a rolling basis to avoid losing federal funding, which makes up nearly two-thirds of its roughly $1 billion annual budget.
The House Oversight Committee has released a crude drawing that President Donald Trump reportedly gave to convicted sex offender Jeffrey Epstein for his 50th birthday in 2003. The sketch, first reported by the Wall Street Journal, features a marker outline of a naked woman with Trump's apparent signature placed where her pubic hair would be. Trump has denied creating the drawing, claiming he has never drawn, and has filed a $10 billion libel lawsuit against the Wall Street Journal and its owner Rupert Murdoch. The New York Times compared Trump's signature on the drawing with his correspondence from 1987 to 2001 and found they "closely matched."
The New York Times has published a feature highlighting five emerging contemporary artists who are gaining recognition in the art world. The article profiles each artist's background, creative practice, and recent achievements, offering readers an introduction to new voices in visual art.
The Trump administration has intensified pressure on the Smithsonian Institution, setting a deadline for compliance with a review of its content and plans to align with the president's executive order "Restoring Truth and Sanity to American History." According to reports in the New York Times and the Guardian, Smithsonian staff are already engaging in self-censorship, including removing the word "unjust" from a proposed exhibition label about the internment of Japanese Americans, fearing it might appear partisan. This comes after Trump called for purging "anti-American ideology" from the institution's 19 museums in 2025.