Art News. Vasari Codex

museum exhibitions schedule May 13, 2026 visibility 12 link 3 artists, 1 gallery

Regarding the Pain of Images: Dinh Q. Lê at 10 Chancery Lane

A posthumous exhibition titled "Remembrance: A Tribute to the Work of Dinh Q. Lê" is on view at 10 Chancery Lane in Hong Kong from March 20 to May 23, 2026. Curated by David Elliott, the show features key works by the late Vietnamese artist, including his series of manipulated photographs that slice and weave the iconic 1972 image "The Terror of War" into pixelated grids, alongside pieces like "Skin on Skin Black Mixed No. 9" that critique the influx of Western pornography into Vietnam after internet legalization.

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article news schedule May 19, 2025 visibility 11 link 1 artist

world press photo foundation suspends the terror of war attribution

The World Press Photo Foundation has suspended the authorship attribution of the iconic 1972 photograph 'The Terror of War' (also known as 'Napalm Girl') from Associated Press photographer Nick Út. The decision follows new research presented in the documentary 'The Stringer' (January 2025) by the VII Foundation, which suggests that the image was more likely captured by stringer Nguyễn Thành Nghệ or Huỳnh Công Phúc. An independent investigation by forensic analysts and media experts, along with separate inquiries by AP and World Press Photo, found insufficient evidence to definitively confirm the original credit, leading to the suspension until authorship can be conclusively determined.

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article news schedule May 16, 2025 visibility 11 link 6 artists

who took famous napalm girl photo

A documentary film titled *The Stringer* has sparked a controversy over the authorship of the iconic 1972 Vietnam War photograph known as "Napalm Girl" (officially *The Terror of War*). Both the Associated Press and World Press Photo conducted investigations into whether the credited photographer, Nick Ut, actually took the image. While the AP decided to maintain Ut's credit due to insufficient evidence to the contrary, World Press Photo stripped his authorship, concluding that the level of doubt is too significant to keep the existing attribution. The organization found that two other photographers—Nguyen Thanh Nghe and Huỳnh Công Phúc—were also present and could have taken the shot, but it could not definitively reassign authorship.

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