A Duchamp Retrospective at MoMA Presents an Artist Who Challenged the Very Definition of Art

The Museum of Modern Art (MoMA) has launched a major retrospective of Marcel Duchamp, marking the first comprehensive North American survey of the artist’s work in over 50 years. Co-organized with the Philadelphia Museum of Art and the Centre Pompidou, the exhibition traces Duchamp’s evolution from his early Cubo-Futurist paintings to his revolutionary "Readymades" and optical experiments. The show features seminal works such as Nude (Study), Sad Young Man on a Train and explores his various personas, including his female alter ego, Rrose Sélavy.

In New York, Sotheby's Exhibition-Sales Are Packed

À New York, les expositions-ventes de Sotheby’s font salle comble

Sotheby's New York has experienced an unprecedented surge in public attendance at its exhibition-sales held in the iconic Breuer Building. In just two weeks, over 25,000 visitors—a 3.8-fold increase from the previous year—queued around the block to see works by artists like Gustave Klimt, Maurizio Cattelan, and René Magritte, with total attendance from November to late January reaching 46,325. The crowds, reminiscent of a major museum show, initially overwhelmed staff, who had to manage the flow to preserve the viewing experience for high-value clients.

'It was my job to create the view': US artist Liza Lou on making colourful works in her windowless warehouse

American artist Liza Lou discusses her recent shift in practice, moving from her famous large-scale bead installations to a new body of work that fuses oil painting with glass beads. After years of collaborative work in South Africa and focusing on monochrome tones, Lou has returned to a solitary studio practice in a windowless warehouse in the San Fernando Valley. This new phase is defined by a "headlong love affair with colour," inspired by the hallucinatory palette of the Mojave Desert and a transition from logical drawing to a more intuitive, freestyle process.

LIKE A DUET. In Conversation with Anne Imhof by Tyler Mitchell

Artists Anne Imhof and Tyler Mitchell engage in a cross-disciplinary dialogue reflecting on their recent solo exhibitions, "Wish You Were Gay" at Kunsthaus Bregenz and "Wish This Was Real" at C/O Berlin. The conversation explores the intersection of performance, photography, and the choreography of space, with both artists discussing how they manipulate the viewer's physical and emotional presence within an installation.

Woman With Her Back to the Viewer in Gallery Photos Speaks Out

A satirical article features an exclusive interview with the fictional archetype "Woman With Her Back to the Viewer in All Those Gallery Photos." She describes her daily routine of posing ambiguously next to artworks, her artistic influences like Caspar David Friedrich, and the challenges of her unseen labor, including a lack of sales commission and the need for side hustles like making herself blurry in photos.

Steve DiBenedetto’s Cosmic Sense of the Absurd

Artist Steve DiBenedetto presents a new body of work in his solo exhibition, "Spiral Architect," at Derek Eller Gallery. The show features 17 paintings ranging from large-scale canvases to intimate works, all characterized by a restless movement between abstraction and figuration. DiBenedetto utilizes a process-heavy technique of adding, scraping, and reworking oil paint to create dense, visionary landscapes filled with octopi, cellular forms, and Rube Goldberg-esque machinery.

David Novros’s Portable Murals

David Novros’s latest exhibition at Paula Cooper Gallery showcases his "portable murals," intricate multi-paneled paintings that challenge the traditional concept of art as a mere object on a wall. Utilizing oil and murano on canvas, Novros assembles monochromatic, L-shaped, and horizontal panels with precise intervals that incorporate the gallery wall into the composition. These works are designed to be experienced kinesthetically, responding to shifting natural light and the viewer's physical movement through the space.

German artist Thomas Zipp, who explored the dark side of humanity, dies at 60.

German artist Thomas Zipp, a prominent figure in the Berlin art scene known for his dark, immersive installations, has died at the age of 60. His longtime representative, Galerie Barbara Thumm, confirmed his passing on April 4th, noting that the artist died far too soon. Zipp gained international recognition for his multidisciplinary approach, blending painting, sculpture, and performance into theatrical environments that often felt like unsettling psychological experiments.

Inside the Studio of Abdelkader Benchamma, Cartographer of Invisible Worlds

Dans l’atelier d’Abdelkader Benchamma, cartographe des mondes invisibles

French-Moroccan artist Abdelkader Benchamma is preparing for his upcoming solo exhibition, "Signs and Wonders," at Galerie Templon in Paris. Working from his sun-drenched studio in Montpellier, Benchamma has transitioned from his signature black-and-white ink drawings to large-scale canvases that incorporate celestial blues and earthy mineral tones. The new body of work draws inspiration from 15th and 16th-century manuscripts, specifically the Kitab al-Bulhan and the Book of Miracles, creating a "giant book" of visual narratives that blur the lines between abstraction and figuration.

Post-Mortemism: An Autopsy of “Nigerian Modernism: Art and Independence” at Tate Modern.

A critical essay by Ayọ̀ Akínwándé performs a forensic 'autopsy' of the Tate Modern exhibition 'Nigerian Modernism: Art and Independence.' The review dissects the show's structure, arguing it fails in its curatorial framework by isolating Nigerian artists within a regional category, using ethnographic display methods, relying on incomplete research, and excluding key artists and historical context.

“Feedback. The Environments of Franco Vaccari” at Museion, Bolzano

Museion in Bolzano has launched a major retrospective titled "Feedback. The Environments of Franco Vaccari," focusing on the influential Italian conceptual artist. The exhibition marks the first comprehensive institutional survey to prioritize Vaccari’s "environments"—immersive spaces that utilize photography, video, and archival materials to engage the viewer in a process of real-time feedback.

Racheal Crowther review – unnerving installation attacks your mind … and your nostrils!

London-based artist Racheal Crowther has transformed the Chisenhale Gallery into a sensory-heavy, paranoid environment for her first institutional solo exhibition. The installation centers on a decommissioned U.S. military mobile health unit, once used during the 2018 Novichok decontamination efforts, set against walls painted in "drunk tank pink." The experience is defined by an aggressive olfactory component—a chemical cocktail of powdered milk scents and hexadecanal, a molecule found on infants' heads known to manipulate human aggression.

A Sculptor’s Life, in Constant Motion

A major retrospective of Alexander Calder’s work has opened in Paris, offering a comprehensive look at the sculptor’s career-long obsession with movement and balance. The exhibition invites visitors to engage directly with his iconic mobiles and wire sculptures, emphasizing the physical and temporal experience of art that shifts with the surrounding air and light.

Giuditta Branconi “Cannon Fodder” at Collezione Maramotti, Reggio Emilia

Italian artist Giuditta Branconi has unveiled her first institutional solo exhibition, titled "Cannon Fodder," at the Collezione Maramotti in Reggio Emilia. The exhibition features a series of new large-scale paintings and a site-specific installation characterized by dense, chaotic compositions where multiple narratives unfold simultaneously. Branconi describes her approach as fostering an "anarchic gaze," intentionally refusing to guide the viewer through her crowded, vibrant visual landscapes.

✨ illumine. Noguchi. Atlanta.

The High Museum of Art in Atlanta is hosting a major retrospective titled “Isamu Noguchi: ‘I am not a designer,’” featuring nearly 200 works by the Japanese-American artist. The exhibition highlights Noguchi’s philosophy that art should exist in everyday spaces, showcasing everything from his iconic midcentury furniture and floor lamps to his functional playground designs. Simultaneously, the city is preparing for 'illumine 2026,' an outdoor light-based art exhibition at the Historic Oakland Cemetery that further explores the integration of art into public life.

Lawrence Weiner | A Means To An End (Hand Signed) (2006) | Available for Sale

A hand-signed original exhibition poster by the late conceptual artist Lawrence Weiner, titled "A Means to an End" (2006), has been made available for purchase through ArtWise in Brooklyn. Created for Weiner’s solo exhibition at Le Musée de Sérignan, the color offset lithograph features the artist's signature in black pen and exemplifies his career-long investigation into language as a sculptural medium. The work is priced at $700 and includes a certificate of authenticity from the gallery.

At Perrotin Paris, Bernard Frize Pushes Against His Own Self-Imposed Constraints

Bernard Frize’s latest exhibition, "Les 26," at Perrotin Paris marks his 21st show with the gallery and a continued exploration of his rigorous, process-driven abstraction. The exhibition features his signature interlocking grids and geometric latticework, created using wet-on-wet brushstrokes locked in resin, alongside tempera paintings on glass that follow strict linear rules. By utilizing utilitarian titles and avoiding representational forms, Frize seeks to decenter his own subjectivity, allowing the physical act of painting and the resulting optical tension to lead the viewer’s experience.

Roksana Pirouzmand’s Dual‑Site Meditation on Loss

Roksana Pirouzmand’s dual-site exhibition in Los Angeles, hosted at OXY ARTS and JOAN, features performance-based sculptures and installations that utilize literal erosion to explore themes of loss and displacement. The works include anatomical clay casts of the artist and her mother, which are subjected to water, vibration, and physical interaction, causing them to crack and deteriorate over the course of the show. At OXY ARTS, a kinetic metal floor involves the viewer directly, as their footsteps cause clay hands to collide and break, illustrating the physical impact of movement and presence.

WURUS – Light catches before form does.

Artist Caroline Gueye presents 'WURUS', a new installation for the Senegal Pavilion at the 61st Venice Biennale. Curated by Massamba Mbaye, the work is a shifting field of brass and polymer bronze elements, using mirrors and light to create an environment where perception is contingent on the viewer's movement and position. The title invokes gold, opening onto histories of extraction, but the work deliberately resists singular meaning.

Simultaneous or Poly-Cinema

The Bauhaus artist László Moholy-Nagy proposes a radical departure from traditional filmmaking in his 1925 text, "Simultaneous or Poly-Cinema." He envisions a cinematic experience that moves beyond the static, rectangular screen, suggesting instead curved, spherical, or multi-planar surfaces that can accommodate multiple simultaneous projections. By utilizing rotating prisms and intersecting film strips, Moholy-Nagy describes a system where different narrative threads—such as the lives of multiple characters—can physically overlap and merge, creating a dynamic architectural arrangement of light and movement.

Faig Ahmed on Representing Azerbaijan at the 61st Venice Biennale

Artist Faig Ahmed will represent Azerbaijan at the 61st Venice Biennale in 2026 with a project exploring the intersections of mystical poetry and quantum physics. Located in the Campo de la Tana, the pavilion aims to create a contemplative space where technology and ancient oral traditions facilitate a personal dialogue for the viewer. Ahmed’s presentation responds to the Biennale’s overarching theme, 'In Minor Keys,' by focusing on subtle, often overlooked phenomena.

Artist Pietro Roccasalva Without Respite: Genealogy of a Resilient Motif in the Milan Exhibition

L’artista Pietro Roccasalva senza tregua: genealogia di un motivo resiliente nella mostra a Milano

Italian artist Pietro Roccasalva presents a new body of work at MASSIMODECARLO’s Casa Corbellini-Wassermann in Milan, titled "Io ti saluto luce, ma con nervi offesi." The exhibition features a series of paintings characterized by dense stratification, featuring recurring motifs like a disheveled child, a bride with a tennis racket, and metamorphic animals. These works function as visual deposits where cultural references and personal iconography overlap, creating a theatrical dialogue with the gallery’s historic architecture.

Evanston Art Center to host immersive ‘Walldrawings’ exhibit by two artists

The Evanston Art Center will present 'Walldrawings,' a collaborative exhibition by artists Maria Burundarena and Friedhard Kiekeben, from April 25 through May 17. The show features large-scale, immersive wall drawings and digital works designed to transform the gallery space and envelop the viewer.

Ladji Diaby “Who’s Gonna Save the World?” at Lafayette Anticipations, Paris

Ladji Diaby’s solo exhibition at Lafayette Anticipations, titled “Who’s Gonna Save the World?”, features furniture repurposed as vitrines for discarded objects. By collecting and displaying artifacts that have lost their original utility, Diaby creates a symbolic dialogue between himself and the anonymous former owners of these items, elevating mundane debris into the realm of high art.

Exhibition | B. Koh, 'J Sculpture Show' at Baik Art, Seoul, South Korea

Conceptual sculptor B. Koh is holding his first solo exhibition in South Korea at Baik Art, Seoul, titled 'J Sculpture Show.' The exhibition features a comprehensive survey of the Los Angeles-based artist's career, spanning from his early 1990s experiments to new site-specific works created during a recent residency in Seoul. Koh is known for his "gentle trickery," using everyday objects like clocks, plastic chairs, and water bottles to create subtle interventions that disrupt the viewer's perception of time, gravity, and the mundane.

Gianni Motti at Galerie Mezzanin

Gianni Motti presents a solo exhibition titled "Au-delà de tout doute raisonnable" at Galerie Mezzanin in Geneva. Running from March 13 through May 14, 2026, the show continues Motti’s career-long exploration of conceptual interventions and socio-political commentary.

Alice Peach “Still Curly” at Iowa, New York

Alice Peach’s solo exhibition "Still Curly" at Iowa, New York, features a series of new sculptures constructed from popsicle sticks. These humble, mass-produced materials are transformed into modular, skeletal forms that mimic biological structures such as spines and torsos. The works are displayed in various states of tension, either splayed against the gallery walls or suspended from the ceiling to create a sense of precarious movement.

New Schwarzman Center art exhibits highlight student experiences

Five new exhibitions opened at the Yale Schwarzman Center on April 7, featuring work from 53 young artists including New Haven high school students, Yale undergraduates, and graduate students. The shows explore themes of identity, unity, memory, nature, and emotion through visual art, photography, installation, digital work, and multimedia. Highlights include "Call-to-Connect," an interactive payphone installation by Soleil Piverger; "The View From Here: Accessing Art Through Photography," a smartphone photography exhibition in collaboration with the Yale Center for British Art; and "Rooted in Heritage: Art Across Yale’s Cultural Centers," curated by Carlynne Robinson, featuring works reflecting multicultural communities at Yale.

Marvel at Manabu Kosaka’s Hyperrealistic Paper Sculptures of Retro Objects

Japanese artist Manabu Kosaka creates hyperrealistic, scale replicas of everyday and retro objects using only paper. His meticulously crafted sculptures—ranging from 35mm film cameras and vintage transistor radios to luxury wristwatches and fast food—feature functional internal components like gears, levers, and moving hatches that mimic the mechanics of the original items.

MoA+L to Present Career-Spanning Daniel Rozin Exhibition Exploring Interactive Art and Perception

The Museum of Art + Light (MoA+L) has announced a major career-spanning exhibition of Daniel Rozin’s interactive installations, titled "Interference: The Interactive Art of Daniel Rozin." Running from April 15 through September 27, 2026, the show features over three decades of work, including iconic pieces like "Wooden Mirror" and "RGB Peg Mirror No. 5." These works utilize motion-sensing technology and mechanical grids to transform the viewer’s physical presence into real-time visual data.