Must-see art exhibitions in Hong Kong right now! (2025)

Hong Kong is hosting a vibrant array of must-see art exhibitions in December 2025, as highlighted in a curated guide. Key shows include 'Zao Wou-Ki: Master Printmaker' at M+, focusing on the artist's lithograph prints; 'Violet Veil' by Laura Zhang at The Extension, featuring meditative violet-hued works; 'Guan Yu vs. Wilson Shieh' at JPS Gallery, blending traditional gongbi painting with AI technology; and 'The Villepin House' at Villepin, celebrating the gallery's fifth anniversary with works by Zao Wou-Ki and Myo.

What’s on for spring? Spiritualism and symbolic systems

This article surveys several spring exhibitions in Chicago that explore themes of spiritualism, symbolic systems, and interconnected consciousness. Featured shows include Mindy Rose Schwartz's "Countersealed" at M. LeBlanc, which uses deconstructed fur coats, wands, and twisted fiber sculptures to evoke rituals addressing ecological disaster and historical subjugation. Daniel G. Baird's "Margin" at Patron examines thresholds between material and spiritual realms through a gilded canoe, wax arm cast, and birchwood oar. Leah Ke Yi Zheng's "Change, I Ching (64 Paintings)" at the Renaissance Society presents 64 hexagram paintings on silk, connecting abstract minimalism with Eastern silk painting traditions.

Why the Photo Market Is Moving Closer to Painting, With Unique Works Leading the Way

Artnet Auctions has launched its Spring Photographs sale, running through April 16, 2026, featuring works by blue-chip artists such as Peter Beard, Adam Fuss, and Diane Arbus. The auction highlights a significant shift in the photography market toward unique, one-of-a-kind works—including photograms, hand-painted images, and collages—that blur the lines between photography and painting. This trend is evidenced by increasing auction prices, with several works recently crossing the $1 million and $2 million thresholds.

Here is the first and for now only interview with the curators of the 2026 Venice Art Biennale

Ecco la prima e per ora unica intervista ai curatori della Biennale d’Arte di Venezia 2026

The team of the late curator Koyo Kouoh has completed the 61st International Art Exhibition of the Venice Biennale, titled "In Minor Keys," which opens to the public on May 9, 2026. In an exclusive interview, curators Gabe Beckhurst Feijoo, Marie Helene Pereira, Rasha Salti, Siddhartha Mitter, and Rory Tsapayia discuss the challenges of realizing Kouoh's vision after her death, including fundraising, installation design by Wolff Architects of Cape Town, and the use of cardboard as a non-invasive material to create thresholds between spaces.

josh baer collectors emerging artists prices first works 1234752518

Art adviser and Baer Faxt founder Josh Baer has proposed specific price limits for works by "ultra-emerging" artists—those fresh out of school, such as an MFA graduate from Yale. In his No Reserve newsletter, Baer advises collectors to pay no more than $15,000 for a large work and $5,000 for a small piece at a first solo show in a reputable gallery. The advice comes amid ongoing debate about inflated prices for young artists, following a column by Artnet News editor-in-chief Naomi Rea that questioned the market's pricing logic. LA gallerist Charlie James endorsed Baer's thresholds, though some collectors argue that pricing cannot be so neatly codified.

BE PART OF A COLLECTIVE ART WORK BY CHIHARU SHIOTA FOR THE CURITIBA INTERNATIONAL BIENNIAL

Japanese artist Chiharu Shiota has announced a new site-specific installation titled *The Space Between Us* for the 16th Curitiba International Biennial – THRESHOLDS, opening June 14 through November 15, 2026 at the Oscar Niemeyer Museum (MON) in Curitiba, Brazil. Curated by Tereza de Arruda, the work invites the public to submit letters—in text, collage, or other manual forms—which Shiota considers self-portraits of each participant’s inner universe. Submissions must be sent by May 20, 2026, and will be woven into a large-scale collective installation that makes visible the hidden experiences of individuals.

Made in LA biennial contemplates wildfires and immigrant arrests

The Hammer Museum in Los Angeles has opened the seventh edition of its Made in LA biennial, running until March 1, 2026. Curators Essence Harden and Paulina Pobocha selected 28 artists from over 200 studio visits, with no predetermined theme. The exhibition features works that respond to the city's recent challenges, including the January wildfires and ongoing ICE raids, as seen in pieces like Alonzo Davis's 'Eye on ’84' and Patrick Martinez's neon sign reading 'Agua Is Life; NO ICE'.

JD Malat Gallery brings Paris-based artist Sophie-Yen Bretez to Dubai

JD Malat Gallery Dubai is presenting *The Unsaid Remains Remembered*, the debut solo exhibition in the Middle East by Paris-based artist Sophie-Yen Bretez. The show features large-scale canvases that move beyond the human figure to explore landscapes, domestic objects, and natural motifs, using symbolic thresholds like windows, tables, clocks, and fruit to evoke memory, silence, and transformation. Bretez describes her approach as a 'dramaturgy of passage,' capturing unseen moments when time overlaps and absence carries presence.

Delicacy as Resistance. Interview with the Curator of the Turkey Pavilion at the Venice Biennale

La delicatezza come resistenza. Intervista alla curatrice del Padiglione Turchia alla Biennale di Venezia

For the 2026 Venice Biennale, the Turkey Pavilion, commissioned by the Istanbul Foundation for Culture and Arts (İKSV), will present "A Kiss on the Eyes" by artist Nilbar Güreş, curated by Başak Doğa Temür. The exhibition takes its title from a Turkish expression conveying affectionate closeness without intrusion, and features a mix of new productions and earlier works spanning sculpture, installation, painting, and works on paper and fabric. In an interview, curator Temür explains that the project avoids a retrospective or didactic approach, instead creating a spatial rhythm of approach, pause, and slight withdrawal, where intimacy, politics, irony, and fragility press against one another.

London gallery cancels controversial art show over antisemitic imagery

An exhibition titled 'Drawings Against Genocide' by British artist Matthew Collings, scheduled to open at Delta House Gallery in Wandsworth, London, has been cancelled after complaints from UK Lawyers for Israel (UKLFI) about antisemitic content. The show, planned for May 2026, included graphic drawings depicting Jews with horns, devouring babies, and denying Hamas's October 7 attacks, and had previously sparked outrage at a Margate gallery. Gallery owners Pineapple Corporation and Delta House Studios Ltd confirmed the cancellation after UKLFI warned of legal risks under the Public Order Act 1986.

How museum funding in Denmark has become reliant on visitor numbers

Danish museums have recovered strongly from the pandemic, with 2025 attendance matching 2024's record levels of around 9 million visitors. However, a new state-funding model introduced in January 2025 now makes government subsidies increasingly dependent on measurable outputs, primarily visitor numbers. Institutions must meet minimum thresholds for annual visitors and income, and produce peer-reviewed research to secure and retain funding.

Beloved Arts Gallery In The Woodlands Wants You To Look Through Glass — Showcasing a Vital Material

Ardest Gallery in The Woodlands, Texas, is presenting "Thresholds," a juried exhibition curated by Austin-based glass artist Malina Cipleu, running through May 30. The show features kiln-formed glass works from Texas artists, with first place awarded to Deborah Ellington for "Encased in Time III," second place to Mary Torres for "Polka Dot Jungle," and third place to Sandi Neiman for "River Dreams." Gallery owner Julie Verville hosted the opening and awarded ribbons, while Cipleu's curatorial statement explores glass as a material of transition and connection.

Time auction N.275 Modern and Contemporary Art & Prints

Farsettiarte has announced its upcoming online auction, Time Auction N.275, focusing on Modern and Contemporary Art and Prints. The sale is scheduled to conclude on April 18, 2026, following a bidding period that begins on March 25. Prospective buyers are advised that lots are available for viewing by appointment only at the Prato-based auction house, as no public exhibition will be held for this digital-first event.