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Expanded Vocabulary: Revisiting Deborah Kass’ Studio

The article recounts the author's visit to Deborah Kass's Brooklyn studio, which she shares with her wife, artist Patricia Cronin. The visit was prompted by logistical issues related to the author's exhibition "Social Minimalism" (2025). During the visit, the author and Kass revisited themes central to Kass's work over three decades: the exclusion of women from art history, Jewish identity, queer voice, lesbian subjectivity, and postwar American art. The conversation also touched on Kass's series including the Warhol Project, Feel Good Paintings, No Kidding, and the large painting/sculpture installation "Everybody" (2019), which was recently featured in a conversation between Kass and Titus Kaphar in Interview magazine.

Hunt Slonem | Me (2022) | For Sale

Hunt Slonem's painting "Me" (2022), a small oil-on-wood work from his signature Bunnies series, is listed for sale at $8,000 through OA Fine Art in Paris and Hong Kong. The piece measures 10 × 8 inches, is hand-signed and dated by the artist, and comes with a certificate of authenticity. Slonem, born in 1951, is known for Neo-Expressionist paintings featuring repeated birds, bunnies, and butterflies, influenced by Andy Warhol's Pop art seriality.

1,000-year-old Toltec altar with four human skulls found in Mexico

Archaeologists from Mexico’s National Institute of Anthropology and History (INAH) have discovered a 1,000-year-old Toltec altar during salvage work for a new high-speed rail line between Mexico City and Querétaro. The stone structure, known as a momoztli, dates back to AD 900-1150 and was found with four human skulls and leg bones arranged at its base, suggesting ritual or sacrificial use. Located near the ancient site of Tula Chico, the find also included ceramic objects and obsidian artifacts within a compound likely belonging to the local elite.

Was Beyoncé's Met Gala gown inspired by a Louisiana artist and her Creole heritage?

Beyoncé attended the 2026 Met Gala in a translucent gown by Olivier Rousteing, adorned with a bejeweled skeleton motif. Online sources suggest the design was inspired by 'Visitor,' a 1944 lithograph by Louisiana artist Caroline Durieux, who was a professor at Tulane University and LSU. The artwork, held by the LSU Museum of Art, depicts a skeleton in a translucent frock, echoing the gown's aesthetic. Art collector Jeremy K. Simien noted Durieux's influence and the potential value boost to the print from the Beyoncé connection.