Polish artist Wilhelm Sasnal's new exhibition at Sadie Coles HQ in London presents a disorienting array of paintings. The works juxtapose disparate and often disturbing images, including a grotesque depiction of the Oval Office, portraits of his family, album art for the industrial band Throbbing Gristle, and a forest scene linked to the Holocaust, creating a deliberate sense of fragmentation and broken connections.
A wave of exhibitions led by Polish women artists is set to sweep across global institutions in 2026, highlighting themes of feminism, digital capitalism, and cultural identity. Key upcoming shows include Karolina Wojtas’s first U.S. solo exhibition, "Made in Poland," at Light Work in Syracuse, and Agnieszka Kurant’s "RECURSION" at Marian Goodman Gallery in New York. These exhibitions span diverse media, from interactive soft sculptures and photography to complex installations involving bacteria and artificial intelligence.
Lithuania's pavilion at the 2019 Venice Biennale presents "Sun & Sea (Marina)," an opera about a day at the beach that serves as a subtle, chilling commentary on climate change. Viewers observe performers lounging on a sandy tableau from a balcony, as they sing about mundane inconveniences and environmental apathy. The work, created by theater director Rugilė Barzdžiukaitė, playwright Vaiva Grainytė, and composer Lina Lapelytė, was adapted into English for the biennale and organized by Lucia Pietroiusti of London's Serpentine Galleries.
Suki Seokyeong Kang's posthumous exhibition at Tina Kim Gallery in New York presents a body of work characterized by its mobility and open-ended nature. The show features paintings and sculptures that are designed to be rearranged, challenging static notions of display and completion.
Artist Caroline Gueye presents 'WURUS', a new installation for the Senegal Pavilion at the 61st Venice Biennale. Curated by Massamba Mbaye, the work is a shifting field of brass and polymer bronze elements, using mirrors and light to create an environment where perception is contingent on the viewer's movement and position. The title invokes gold, opening onto histories of extraction, but the work deliberately resists singular meaning.
Roberto Bernardi | L'evento sconosciuto (2025) | Available for Sale
Italian hyperrealist artist Roberto Bernardi has listed a new oil on canvas painting titled "L'evento sconosciuto" (2025) for sale through GALERIE VON&VON. The work, priced at €14,400, is being featured in conjunction with his upcoming exhibition "Unfolding," scheduled to run from April 16 to June 20, 2026. Bernardi, known for his meticulous attention to detail and photorealistic style, has a long-standing presence in the international art market and museum circuit.
Yale Library is presenting 'Unfolding Events: Exploring Past and Present in Artists’ Books,' an exhibition at the Beinecke Rare Book and Manuscript Library through March 1. Curated by Jessica Pigza and Bill Landis, the show draws from the Robert B. Haas Family Arts Library and Beinecke collections, featuring works that explore marginalized communities and personal responses to contemporary life. Highlights include Clarissa Sligh's accordion-style book 'What’s Happening With Momma?' (1988) and Tia Blassingame's '’Pause' (2024), which addresses Black women's experiences with menopause.
Berlins nächste Bruchlandung
Berlin's culture senator, Sarah Wedl-Wilson, resigned on Friday after being pressured by Mayor Kai Wegner amid a funding scandal. She approved 13 project applications totaling €2.6 million intended for combating antisemitism, bypassing mandatory co-payment rules and ignoring objections from her state secretary. Leaked chat logs revealed that CDU parliamentarians Christian Goiny and faction leader Dirk Stettner pushed her to fast-track approvals, leading to violations of budget law. The state audit office had flagged irregularities, and Wegner withdrew his support, prompting her resignation.
A new exhibition titled 'Paper Trails: Unfolding Indigenous Narratives' has opened at the Museum of Contemporary Native Arts (MoCNA), part of the Institute of American Indian Arts (IAIA). The show features works by contemporary Indigenous artists who utilize paper as a primary medium to explore themes of history, memory, and cultural identity, moving beyond text-based narratives to create visceral, sensory experiences.
Tashkeel, a Dubai-based art organization founded in 2008 by Sheikha Lateefa bint Maktoum bin Rashid Al Maktoum, is presenting "Unfolding," the debut solo exhibition by Emirati artist Moza Al Falasi. Opening May 12 at Tashkeel's Nad Al Sheba 1 Gallery, the show marks the culmination of Al Falasi's participation in the Tashkeel Critical Practice Programme (CPP), where she was mentored by Luisa Menano and Hanaa Bou Hamdan. The exhibition explores memory, loss, and the passing of time through photography, sound, painting, plaster, and fabric, reflecting on inherited grief and personal loss, including the deaths of her parents and husband.
At 77, painter Archie Rand continues to create vibrant, narrative-driven works from his expansive Brooklyn studio. A new exhibition of his "Heads" series at Jarvis Art, co-curated by Max Werner and Lindsay Jarvis, features paintings that plunge viewers into the middle of unfolding stories, such as "Duck" (2025), where children sail a catboat through rough seas. Rand describes his process as chasing what lies "around the corner" in his compositions, prioritizing the mystery of the background over the central figures.