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Yu Ji’s Democratic Play

Yu Ji's solo exhibition at PPOW, New York, titled "Origin of the Tiger," presents sculptures and collages created after a residency she organized in Phnom Penh that offered art education to children. The show features works like reed mats with snail shells, a Sony Trinitron looping video, collaged drawings incorporating Cambodian children's art, and composite sculptures such as chairs with concrete knee casts and a figure inspired by a misattributed sixth-century Krishna statue. The exhibition draws on a Khmer folktale about transformation and includes audio of children reciting the story, though the children appear more as muses than collaborators.

Operation Minor Keys: West Asian Artists and Pavilions at the 2026 Venice Biennale

At the 2026 Venice Biennale, West Asian artists and national pavilions presented powerful works addressing political strife, cultural heritage, and identity. Highlights include Dana Awartani's mosaic installation at the Saudi pavilion evoking destroyed heritage sites, the UAE pavilion's sonic exhibition "Washwasha" curated by Bana Kattan, and debut pavilions from Morocco, Oman, and Qatar. The Lebanese pavilion featured Nabil Nahas's geometric frieze, while Qatar's pavilion offered multisensory elements by Rirkrit Tiravanija, Alia Farid, Sophia Al-Maria, and Tarek Atoui.