Remembering Pat Steir, one of the 20th century’s late-blooming great artists

Pat Steir, the acclaimed American painter known for her Waterfall series, died in Manhattan on 25 March at age 87. The article traces her career from early struggles as a freelance illustrator and art director, through her transformative encounter with Sol LeWitt in the early 1970s, to her eventual emergence as a major figure in contemporary painting. It highlights her teaching at CalArts and Parsons, her involvement with feminist and artist-run institutions like Heresies and Printed Matter, and the pivotal moment in the early 1980s when she cut up a reproduction of a Jan Brueghel the Elder flower painting into 64 panels, repainting each in a different historical style.

Picasso Exhibition at Burgos Cathedral Explores Artist's Biblical Roots

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The Catedral de Santa María in Burgos is hosting "Picasso: Biblical Roots," an exhibition exploring the enduring influence of Christian iconography on Pablo Picasso. Featuring 44 works loaned from major institutions like the Reina Sofía and the Thyssen-Bornemisza, the show traces the artist's journey from his early academic religious paintings in Spain to the subtle theological motifs found in his later Cubist and post-war works.

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Artist Yvette Mayorga will unveil her largest public artwork, "Magic Grasshopper," in New York's Times Square in October. The 30-foot sculpture features a pink Baroque carriage with gold-rimmed wheels, drawn by four carousel horses wearing Hello Kitty backpacks, and is covered in Mayorga's signature faux frosting piped from pastry bags. The work draws on the artist's Mexican-American heritage, incorporating references to low-rider culture, the royal carriage of the Second Mexican Empire, and the Nahuatl origin of the name Chapultepec, which means "hill of the grasshopper."

Vanités contemporaines

The article explores the enduring relevance of still life and vanitas in contemporary art, tracing their evolution from the biblical proclamation "Vanity of vanities; all is vanity" through modern masters like Paul Cézanne, Pablo Picasso, and Giorgio Morandi to contemporary practitioners such as Claudio Parmiggiani. It highlights how artists continue to use everyday objects—compotes, skulls, pitchers, apples—as vehicles for formal experimentation and philosophical reflection, with still life serving as a minimalist device that allows infinite plastic research.

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A rare 17th-century still life by Dutch Golden Age painter Maria van Oosterwijck sold for €406,400 ($477,000) at Christie’s Paris, nearly three times its high estimate, during the auction of the Stern family collection. The painting, titled *A bunch of fruit, berries and flowers hanging in a niche*, achieved the second highest auction price ever for the artist, who is believed to have produced only about 30 works in her lifetime.

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Sotheby’s London will auction what is believed to be the only known self-portrait by Clara Peeters, a pioneering Flemish still life painter from the early 17th century. The painting, a vanitas still life featuring a presumed self-portrait and a still life of flowers in a glass vase, carries a presale estimate of £1.2 million to £1.8 million ($1.6 million–$2.4 million) and will be offered in the “Old Master and 19th Century Paintings Evening Auction” on July 2. The work was previously downgraded to the artist’s circle but is now accepted as an autograph Peeters, with a provenance dating back to 1767.

Dirk Staschke's exhibition

Duane Reed Gallery in St. Louis is hosting a new exhibition of trompe l’oeil stoneware sculptures and tiles by artist Dirk Staschke. Staschke, a sculptor and ceramicist, draws inspiration from Dutch Vanitas still-life painting, blending traditional techniques with contemporary textures and forced perspective. His works merge painting and sculpture, featuring adapted still lives on ceramic vessels and three-dimensional framed tableaus. Staschke holds an MFA from Alfred University and a BFA from the University of Montevallo, and his work has been exhibited at the Smithsonian Museum, Icheon Museum, Crocker Museum, and Portland Art Museum.

Women in the Arts museum brings golden age artists into focus

The National Museum of Women in the Arts in Washington, D.C., has opened a new exhibition titled "Women Artists from Antwerp to Amsterdam, 1600-1750," which showcases works by largely forgotten female masters of the Dutch Golden Age, including Judith Leyster, Maria van Oosterwijck, Clara Peeters, and Rachel Ruysch. The show features over a dozen artists and highlights paintings rich in symbolism, such as van Oosterwijck's "Vanitas Still Life" and Leyster's "The Concert," while also addressing how many of these women were celebrated in their own time but later misattributed or omitted from art history.

Quelques œuvres choisies au gré des 6 salles d’exposition

The article presents a thematic tour through six exhibition rooms dedicated to still life painting, focusing on works by Giorgio Morandi and Pablo Picasso. Each room explores a different conceptual angle: the grammar of objects in Morandi's metaphysical still lifes, the poetic dimension of Picasso's cubist compositions, contemporary vanitas motifs, the anti-Albertian nature of the genre, the interplay of presence and erasure, and the dislocation of form in Morandi's etchings. The exhibition draws on art historical references from Norman Bryson and Cesare Brandi to frame the evolution of still life from tradition to radical abstraction.

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Christie’s will offer Gerrit Dou’s "The Flute Player" (ca. 1636) as the leading lot in its Old Masters Evening Sale on December 2 in London. The painting, Dou’s first depiction of a musician, carries an estimate of £2 million to £3 million ($2.6 million–$4 million). It has been in an English collection for 125 years, previously owned by William Proby, Fifth Earl of Carysfort, and is appearing on the market for the first time in over a century.

Getty Museum Acquires Two Significant Dutch Still Lifes

The J. Paul Getty Museum in Los Angeles has acquired two significant 17th-century Dutch still life paintings. The first is Jan Davidsz. de Heem's 'Glass Vase with Flowers and Fruit' (c. 1673–74), a work the museum had sought for over twenty years, which recently emerged from a private German collection. The second is Pieter Claesz's 'Still Life with Assorted Fruit' (1597/98–1660), a 'fruitagje' painting purchased at a Sotheby's auction for $1.64 million.

Next Gen Art Exhibition open at regional gallery

The 2026 Coast Next Gen Art Exhibition has officially opened at the new Gosford Regional Library, showcasing works by 25 high school graduates from across Australia's Central Coast. Organized by the University of Newcastle, the fourth annual showcase features a diverse range of media from HSC students and awarded several top prizes during its opening night, including the Bouddi Foundation of the Arts Award and an acquisitive prize for the university’s permanent collection.

Taylor County Arts Council announces winners of 28th Annual Thea Porter Memorial Day Juried Art Exhibit in Grafton

The Taylor County Arts Council has announced the winners of its 28th Annual Thea Porter Memorial Day Juried Art Exhibit, now on display at Gallery 62 West in Grafton, West Virginia, through June 2. Top honors in the adult division went to Kristen Colebank for her watercolor "First Light," with Charlie Cowger and others also receiving awards; in the youth division, Katherine DeMos took first place for "Rad Grandad." The exhibit features diverse mediums including drawings, paintings, and sculptures, with a People's Choice Award still open for public voting until the closing reception on May 30.