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The Los Angeles art scene is navigating a complex recovery as it prepares for Frieze Los Angeles 2026. The city is grappling with the lingering trauma of devastating wildfires that destroyed significant private collections, alongside economic instability caused by massive layoffs in the entertainment industry and recent political unrest. This combination of environmental and financial crises has led to a notable market downturn, resulting in the closure of several high-profile galleries including Blum, Tanya Bonakdar, and Sean Kelly.

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Artnet News staff reflects on the most impactful stories of 2025, covering a wide range of topics from institutional shifts and devastating wildfires to market sensations and conceptual art. Key pieces include Ben Davis's analysis of the art world's 'post-woke' turn, Sarah Cascone's report on Los Angeles artists losing homes in the Eaton Fire, Katya Kazakina's tale of a David Hockney painting yielding a 7,000 percent return at Christie's, Andrew Russeth's coverage of Richard Prince's seven-hour deposition video, Kate Brown's profile of Friedrich Kunath, and Annie Armstrong's introduction of the 'red-chip' art market driven by hype and crypto.

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Rosemarie Trockel, the elusive German artist known for her wildly varied and conceptually challenging work, is the subject of a rare profile in ARTnews. The article traces her emergence from the 1980s Cologne art scene, where she became notorious for refusing interviews and producing art that defies easy categorization—spanning knitting machines, video, sculpture, and drawing. A key photograph from her teenage years, showing her in a room plastered with celebrity cutouts, is presented as a rare origin story, though its authenticity is left ambiguous. The piece highlights her declared constants of "woman, inconsistency, reaction to fashionable trends" and her insistence that art should remain a process of discovery rather than a vehicle for fixed meaning.

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This week's art industry roundup covers a flurry of developments across art fairs, auction houses, galleries, and museums. A new boutique fair called Enzo will launch alongside Frieze Los Angeles in an Echo Park warehouse with 10 New York galleries, while Felix Los Angeles returns to the Hollywood Roosevelt Hotel with 50 exhibitors. Art Cologne's revived Palma Mallorca fair announces 88 exhibitors for its April debut. At auction, Christie's London will offer the Vanthournout collection of modernist and Surrealist works, including a Magritte painting estimated at $4.7 million, while Bonhams sells rare Oscar Wilde materials and three Bob Ross paintings. In gallery news, Roland Augustine steps down at Luhring Augustine, Lehmann Maupin opens a London space, and several galleries announce new artist representations. Museums see leadership changes at the Park Avenue Armory and Wrightwood 659, and the Rijksmuseum plans a new sculpture garden.

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The FOG Design+Art fair in San Francisco opened with a glitzy preview gala at Fort Mason Center, serving as a fundraiser for SFMOMA's education initiatives. VIP tickets started at $10,000 for the first hour, and by 7 p.m., the event filled to capacity as prices dropped to $250. Dealers reported a different energy this year, partly due to the recent Los Angeles wildfires affecting many participating galleries. Sales were strong, with New York dealer Ales Ortuzar selling multiple works by Suzanne Jackson in the first few hours. Local collector Sonya Yu, a recent ARTnews Top 200 listee, highlighted the resilience and sophistication of the Bay Area art community.

frieze los angeles city guide 2609795

Frieze Los Angeles returns to a city landscape significantly altered by both commercial development and recent environmental tragedy. While blue-chip galleries like David Zwirner, Marian Goodman, and Lisson have established new strongholds in districts like Melrose Hill and Hollywood, the local community is simultaneously reeling from devastating January wildfires that displaced numerous artists and collectors. This guide provides a strategic roadmap for navigating the sprawling city's geography, highlighting key exhibitions such as Bruce Nauman at Marian Goodman and a 90-artist benefit show for fire victims.

Estonia exports a modernist, Glasgow gets poetic and Leonora Carrington goes wild – the week in art

The article is a weekly roundup of art events and news highlights. It spotlights several upcoming exhibitions, including a showcase of Estonian modernist Konrad Mägi in London, a poetic conceptual art show by Fiona Banner in Glasgow, lyrical paintings by Turner Prize-shortlisted Hurvin Anderson at Tate Britain, and a surrealist exhibition of Leonora Carrington's work at London's Freud Museum. It also mentions films by Rehana Zaman and features an image story about a unique, family-run trompe l'oeil painting school in Brussels.

The Incredible Story of Edmonia Lewis, America’s First Black and Indigenous International Art Star

The Peabody Essex Museum has launched "Edmonia Lewis: Said in Stone," the first-ever retrospective dedicated to the 19th-century sculptor who was the first Black and Indigenous American artist to achieve international fame. Curated by Shawnya L. Harris and Jeffrey Richmond-Moll, the exhibition is the culmination of seven years of research and detective work to locate surviving marble sculptures and archival fragments. The show tracks her journey from her early life as "Wildfire" to her education at Oberlin College and her eventual professional success in Boston and Rome.

Dealer Matthew Brown More Than Doubles His Los Angeles Space with Move to Hollywood Media District: ‘I Really Believe in LA’

Los Angeles art dealer Matthew Brown is relocating his gallery to a significantly larger, 13,000-square-foot former warehouse in the Hollywood Media District. The new space, designed by architect Markus Dochantschi, more than doubles his exhibition area and includes offices, viewing rooms, and storage. The inaugural exhibition will feature artist Mimi Lauter, marking her first Los Angeles show in eight years.

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Rembrandt van Rijn's drawing *Young Lion Resting* (ca. 1638–42) sold for a record $17.9 million at Sotheby's New York on Wednesday, the highest price ever paid for a drawing by the Dutch master. The work, which toured Paris, Abu Dhabi, Tokyo, and New York before the sale, was offered from the Leiden Collection, the renowned private trove of 17th-century Dutch Golden Age art assembled by Thomas Kaplan and his wife Daphne. All proceeds from the sale will benefit Panthera, the wild cat conservation charity co-founded by Kaplan and Jon Ayers.

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The article reflects on the state of Latinx art in 2025, a year marked by devastating wildfires in Los Angeles and the start of the second Trump administration, which has intensified ICE raids and targeted communities of color. Amid this crisis, artists have created poignant responses, including AMBOS's ceramics project at Frieze Los Angeles benefiting migrants awaiting asylum hearings, and Consuelo Jimenez Underwood's solo exhibition at Artpace in San Antonio, which explored borders both literal and cosmic. The piece also highlights a two-person show by Beatriz Cortez and rafa esparza at the Americas Society, titled "Earth and Cosmos," featuring works that challenge time and space.

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Pace Gallery announced highlights for its Art Basel Paris presentation, including a major Amedeo Modigliani painting from 1918, *Jeune fille aux macarons (Young Woman with Hair in Side Buns)*, priced around $10 million. The work previews a new partnership between Pace and the Institut Restellini, founded by Modigliani scholar Marc Restellini. Restellini will collaborate with Pace on symposia in New York in 2026 and an exhibition in 2027, while his long-awaited Modigliani catalogue raisonné—authenticating 424 works—is set for publication in March 2025 by Yale University Press.

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A Rembrandt drawing titled 'Young Lion Resting' (ca. 1638–43) sold for $18 million at Sotheby's New York on February 4, setting a new auction record for a work on paper by the artist. The sale price fell within the pre-sale estimate of $15–20 million and far surpassed the previous record of $3.7 million for a Rembrandt drawing.

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Rebecca Salsbury James, an artist who mastered reverse painting on glass and colcha embroidery, is gaining renewed attention. Born in 1891 in London to parents involved in the Buffalo Bill Wild West Show, she later moved to Taos, New Mexico, where she lived until her death in 1968. She was married to photographer Paul Strand, a close friend of Georgia O'Keeffe, and exhibited at Alfred Stieglitz's gallery. Recent milestones include her inclusion in the 2025 Site Santa Fe International, a new acquisition by the Georgia O'Keeffe Museum, and a record auction price for her work at Christie's in 2016.

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Artist Camille Henrot has premiered her first new film in nearly a decade, titled "In the Veins" (2026), at the newly reopened New Museum in New York. The 35-minute work, which is featured in the exhibition "New Humans," explores the intersection of domestic caretaking and the global climate crisis. Through Henrot's signature associative editing style, the film juxtaposes scenes of children growing up with footage from wildlife rehabilitation centers, highlighting the cognitive dissonance of raising children surrounded by animal imagery while facing mass extinction.

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The Getty has appointed Joan Weinstein, current director of the Getty Foundation, to the newly created role of vice president for Getty-wide program planning. Weinstein will continue as foundation director until a successor is named, and in her new position she will develop strategy across the institution’s four divisions: the Museum, Research Institute, Conservation Institute, and Foundation, focusing on art historical scholarship and community partnerships. She is best known for co-directing PST ART, a major Southern California cultural collaboration, and has overseen significant relief funds for artists affected by wildfires and the COVID-19 pandemic.

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A herd of 100 life-size elephant sculptures, handcrafted by 200 Indigenous artisans from South India, has arrived at Art Basel Miami Beach as part of "The Great Elephant Migration," a global public art and conservation project. The sculptures are made from lantana camara, an invasive plant, and are modeled after individual elephants from the Nilgiri Biosphere Reserve. Organized by Ruth Ganesh and the Coexistence Collective, the installation aims to promote coexistence between humans and wildlife, with proceeds from sculpture sales funding 22 conservation NGOs. The elephants have toured the U.S., appearing in Newport, Rhode Island, Manhattan's Meatpacking District, and now Miami Beach, where they have drawn enthusiastic crowds—and even a reported incident of a couple having sex on one of the sculptures, prompting police patrols.

The Week in Art: Iran's Heritage, Art Market Recovery, Sydney Biennale

Art communities and heritage in Iran, moderate recovery in the art market, Sydney Biennale—podcast

The latest episode of The Week in Art podcast covers three main topics. First, it discusses the impact of the ongoing Middle East conflict on cultural communities and heritage sites in Iran and Lebanon, including damage to the Chehel Sotoun palace in Isfahan. Second, it analyzes the new Art Basel and UBS Global Art Market Report, which indicates a market recovery but reveals a complex picture. Third, it features a new installation by Indigenous American artist Cannupa Hanska Luger at the Sydney Biennale, consisting of ceramic dingo skulls, which has gained relevance following a recent tragedy in Australia.

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Frieze Los Angeles has announced its 2026 exhibitor list, featuring 95 galleries from 22 countries at the Santa Monica Airport, running from February 26 to March 1. The lineup includes blue-chip names like Gagosian, Hauser & Wirth, and David Zwirner, alongside local staples such as Commonwealth & Council and David Kordansky Gallery. First-time participants include El Apartamento, Bradley Ertaskiran, and Sprüth Magers returns after a hiatus. The Focus section, curated by Essence Harden, highlights galleries under 12 years old. Notable absentees include Marian Goodman Gallery, Bortolami, and Sean Kelly, while five galleries that participated in 2025 have since closed. The fair follows a challenging 2025 edition impacted by LA wildfires, which prompted withdrawals and a charity initiative.

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The Wildenstein Plattner Institute (WPI) and the Romare Bearden Foundation have launched the first installment of a digital catalogue raisonné for the artist Romare Bearden, covering his work from 1964 to 1969. The project, which began in earnest in 2017, has so far documented 3,000 artworks, including 210 in this initial chapter, and has uncovered previously unknown works such as a portrait of artist Edmonia Lewis. The research builds on three decades of archival work by the foundation, which digitized Bearden's ephemera to aid in tracking down works he often gave away informally.

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Authorities arrested Jonathan Rinderknecht for allegedly starting the Pacific Palisades fire in January, which killed 12 people and destroyed over 6,000 homes. Investigators found evidence on his phone, including a ChatGPT query where he asked for a "dystopian painting" depicting rich people watching the poor struggle in a fire, as well as searches about culpability for starting fires with cigarettes. The fire also damaged the Getty Villa grounds, forcing a four-month closure, and destroyed the home and 340 artworks of collector Ron Rivlin, including pieces by Warhol, Haring, and Baldessari.

Los Angeles Art Scene Overview

Los Angeles

The Los Angeles art scene is experiencing a significant transformation as major blue-chip galleries like Gagosian and PaceWildenstein expand their presence in the city. This shift is driven by the influx of entertainment industry wealth and a growing interest from Hollywood figures, despite a historically smaller collector base compared to New York. Key institutional developments include Eli Broad's financial interventions to stabilize MOCA and fund new building schemes at LACMA.

Joan Semmel & Rama Duwaji

MoMA PS1 has opened its major quinquennial exhibition "Greater New York," a sprawling survey featuring early-career artists based in the city. The show, which fills three floors of the former public school, is noted for its gritty, immersive portrayal of contemporary New York life, capturing everyday textures from delivery drivers to urban wildlife.

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A coalition of Los Angeles’s leading art institutions, including the Getty, LACMA, MOCA, and the Hammer Museum, has officially pledged to adopt the Bizot Green Protocol. This collective commitment, which also includes the gallery Hauser & Wirth, establishes climate-minded guidelines for museum operations such as widening temperature and humidity parameters for galleries and reducing air travel for loans. The move was largely catalyzed by the devastating impact of recent wildfires on the region's cultural infrastructure.

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CORE and TBA21 Thyssen-Bornemisza Art Contemporary are launching "Get Up Stand Up: Artists for Jamaica and Los Angeles," a high-profile benefit auction scheduled for February 26 during L.A. Art Week. The event features over 20 works by major contemporary artists including Henry Taylor, Hank Willis Thomas, and Nari Ward, with a live sale led by auctioneer Simon de Pury. Proceeds will fund long-term recovery efforts following Hurricane Melissa in Jamaica and recent wildfires in Los Angeles, as well as CORE’s ongoing emergency response work.

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The Kunstmuseum Basel has confirmed that a Paul Gauguin self-portrait, titled *Portrait de l’artiste par lui-même* (1903), is an authentic work by the French painter, despite decades of scrutiny. The painting, held by the museum since 1945, was subjected to scientific analysis—including pigment testing, radiography, and infrared reflectography—at the Bern Academy of the Arts after amateur art sleuth Fabrice Fourmanoir claimed it was actually painted by Gauguin’s friend Ky-Dong Nguyen Van Cam. The tests showed the pigments date to Gauguin’s era, but also revealed overpainting on the face, possibly done between 1918 and 1926, though the museum found no evidence of intentional forgery.

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Ron Rivlin, owner of Revolver Gallery in Los Angeles and a prolific collector of Andy Warhol works, lost his custom-built Pacific Palisades home and 340 artworks—including 30 Warhols and pieces by Keith Haring, John Baldessari, Damien Hirst, Alex Katz, and Kenny Scharf—to the wildfires that swept through Los Angeles County beginning January 7, 2025. The fires, fueled by powerful winds and dry conditions, consumed approximately 60,718 acres and 17,291 structures, with 30 fatalities. Other artists and arts professionals, including Beatriz Cortez, Amir Nikravan, Salomón Huerta, and curator Paul Schimmel, also reported losing homes and artworks. The loss to Rivlin's collection alone is estimated at $15 million.

art insurance los angeles wildfires 1234755619

Ron Rivlin, owner of Revolver Gallery in Los Angeles and a prolific collector of Andy Warhol works, lost his Pacific Palisades home and 340 artworks—including 30 Warhols and pieces by Keith Haring, John Baldessari, Damien Hirst, Alex Katz, and Kenny Scharf—to the January 2025 wildfires that swept through Los Angeles County. The fires, fueled by powerful winds and dry conditions, consumed approximately 60,718 acres and 17,291 structures, killing 30 people. Numerous other artists, collectors, and arts professionals, including Beatriz Cortez, Amir Nikravan, Salomón Huerta, and curator Paul Schimmel, also reported losing homes and artworks.

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Steve McQueen, the Turner Prize-winning artist and Oscar-winning film director, created the soundtrack for Bottega Veneta's spring/summer 2026 runway show during Milan Fashion Week. The show, held at Fabbrica Orobia in Milan, featured McQueen's sound piece '66 – '76, which pairs vocal recordings by David Bowie and Nina Simone of the song "Wild is the Wind." This was the debut collection for new creative director Louise Trotter, who joined the Italian fashion house in December 2024.

steve mcqueen soundtrack bottega veneta milan fashion week 1234755069

Steve McQueen, the Turner Prize-winning artist and Oscar-winning filmmaker, created the soundtrack for Louise Trotter's debut collection as creative director of Bottega Veneta at Milan Fashion Week. The show took place at Fabbrica Orobia, a former zinc factory in Milan, and featured McQueen's sound piece '66 – '76, which pairs vocal recordings by David Bowie and Nina Simone of the song "Wild is the Wind." McQueen attended the event with his daughter Alex, both wearing the brand's signature leather Intrecciato.