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‘Making Their Mark: Works from the Shah Garg Collection’

The article announces the exhibition 'Making Their Mark: Works from the Shah Garg Collection' at Washington University in St. Louis (WashU). The show features works from the collection of Shah Garg, highlighting a selection of contemporary artworks.

​​​​Art Movements: Curators Named for El Museo's Latine Art Survey

El Museo del Barrio has announced the curatorial team for the 2027 edition of La Trienal, its landmark survey of Latine contemporary art. The show will be organized by Susanna V. Temkin, interim chief curator at the museum; Zuna Maza, assistant curator; and guest curator Kaitlin Garcia-Maestas, formerly of Socrates Sculpture Park. In other biennial news, Amanda Carneiro and Raphael Fonseca were named chief curators of the 37th Bienal de São Paulo, the jury of the 61st Venice Biennale resigned after omitting Russia and Israel from awards consideration, and Marcello Dantas was appointed senior curator of the Vancouver Biennale. Hedwig Fijen will step down as director of Manifesta, with Emilia van Lynden and Catherine Nichols taking over in a new co-leadership model. Janne Sirén will resign as director of the Buffalo AKG Art Museum, Kate Kraczon was named chief curator at the Montclair Art Museum, and Charlie White was appointed dean of WashU’s Sam Fox School of Design & Visual Arts. Marina Abramović has designed wine labels for the Ornellaia estate, with limited-edition bottles to be auctioned by Bonhams to benefit the Guggenheim Pop exhibition.

Where the WashU community goes to see art in St. Louis

Washington University in St. Louis community members—including students, faculty, and alumni—share their favorite places to view visual art around the St. Louis region during the summer. Recommendations include the St. Louis Virtuoso Collective, a co-op gallery of over 50 local artists on Cherokee Street; the Contemporary Art Museum St. Louis, which is showing exhibitions like “Like Water” and “Make the River Present”; the Saint Louis Art Museum, featuring works by Van Gogh, Sorolla, and Cézanne; and neighborhood public art projects in areas such as Holly Hills, The Grove, and the Delmar Loop.

Call for Applications: 2026–27 and 2027–28 Freund Teaching Fellowships

Washington University in St. Louis's Sam Fox School of Design & Visual Arts and the Saint Louis Art Museum are accepting applications for the 2026–27 and 2027–28 Henry L. and Natalie E. Freund Teaching Fellowships. The fellowship offers emerging and mid-career visual artists a $45,000 teaching award, studio space, access to WashU's facilities, and a solo exhibition at the Saint Louis Art Museum as part of its Currents series. Applicants must hold an MFA earned at least five years prior and have professional exhibition experience; prior teaching is not required. The deadline is September 1, 2025.

A semester of SLAM

The St. Louis Art Museum (SLAM) hosted two special exhibitions during the past semester: the annual "Art in Bloom" floral exhibition from February 27 to March 1, 2026, and the solo show "Currents 125: Blas Isasi" opening February 6, 2026. "Art in Bloom" pairs 30 permanent collection pieces with ephemeral floral arrangements created by local designers, featuring a centerpiece by New York-based floral designer Rachel Cho. The exhibition has grown from an invitational event with 7,000 attendees to an open call drawing over 30,000 visitors. Isasi's exhibition, titled "The weight of a gaze (is to listen to the sound of a kilogram)," is part of SLAM's "Currents" series and the WashU Henry L. and Natalie E. Freund Teaching Fellowship, incorporating a Chincha Inka balance from the museum's collection alongside sandstone sculptures and aluminum foil pieces.

Kemper Art Museum at WashU debuts its largest-ever exhibition

The Kemper Art Museum at Washington University in St. Louis has opened its largest-ever exhibition, "Making Their Mark: Works from the Shah Garg Collection." The show features over 80 works by nearly 70 artists, with a focus on women artists and artists of color. A centerpiece is a monumental diptych by Joan Mitchell, her last completed work before her death in 1992. The exhibition, which previously traveled from New York City to Berkeley, California, will be on view through January 5.