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Filthy fossil fuels, a dizzying debut and the ominous side of the moon – the week in art

The Guardian’s weekly art roundup highlights the opening of 'Extraction' at Jupiter Artland, an exhibition featuring artists like Marguerite Humeau and John Gerrard that explores the environmental impact of fossil fuels. Other notable UK openings include Michaela Yearwood-Dan’s museum debut at The Whitworth, a survey of Paula Rego’s drawings at Victoria Miro, and a showcase of Thérèse Oulton’s textured landscapes at Vardaxoglou.

Art Fund Launches ‘Empowering Curators’ Program for Global Majority Professionals

Art Fund, a British charity, launched the Empowering Curators program, a five-year initiative creating twenty multi-year curatorial roles for senior to mid-career professionals from global majority backgrounds. Ten initial fellows have been announced, with placements at major institutions including Tate Liverpool, the Whitworth Art Gallery, and Royal Museums Greenwich, where they will develop exhibitions, installations, and academic programs.

ArtReview Podcast | Episode 4: Delaine Le Bas

Artist Delaine Le Bas is the featured guest on the fourth episode of the ArtReview Podcast, where she discusses her practice and influences with senior digital editor Chiara Wilkinson. Le Bas selects three works as lenses for the conversation: her own large-scale mural "Un-Fair-Ground" created at Glastonbury Festival, her installation "Witch House" at the Whitworth, and the 1969 film "The Color of Pomegranates."

The Practice of Liberation and Sanctuaries of Becoming.

Michaela Yearwood-Dan has unveiled her first major UK institutional exhibition, 'The Practice of Liberation,' at the Whitworth. The immersive installation integrates fourteen new paintings with ceramic vessels and soundscapes, reimagining traditional religious motifs through a contemporary, secular lens. By deconstructing elements like stained glass and the Stations of the Cross into abstract forms, the artist creates a sanctuary that explores themes of ritual, memory, and personal identity.

Beneath the Great Wave: Hokusai and Hiroshige review – how two Japanese masters reinvented art

The Whitworth gallery in Manchester is presenting a major exhibition comparing the works of Japanese masters Katsushika Hokusai and Utagawa Hiroshige. The show traces the evolution of ukiyo-e prints from their origins as mass-produced, voyeuristic snapshots of Tokyo's pleasure districts to the profound, psychologically complex landscapes that would later revolutionize Western art.