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LACMA’s David Geffen Galleries offers a seductive art-viewing experience

The article discusses the newly opened David Geffen Galleries at the Los Angeles County Museum of Art (LACMA), describing the viewing experience as seductive. The galleries are a major component of LACMA's ongoing transformation, designed by architect Peter Zumthor.

Like a concrete aircraft carrier: was LA’s giant new $724m gallery really worth all the carbon emissions?

The Los Angeles County Museum of Art (LACMA) is set to open its new $724 million David Geffen Galleries, designed by Swiss architect Peter Zumthor. The massive concrete structure, which spans Wilshire Boulevard like a bridge, represents a twenty-year effort led by director Michael Govan to create a non-hierarchical, single-level museum space. The building's design features eight massive pavilions supporting a sprawling 110,000 square foot gallery floor, intended to house the museum's diverse permanent collection in a transparent, fluid environment.

art cayetano ferrer sculpture los angeles

Cayetano Ferrer, a 44-year-old artist born in Honolulu and raised in Las Vegas, is featured in a studio visit ahead of his solo exhibition "Object Prosthetics" at Commonwealth and Council in Los Angeles, running from January 31 to March 14. Ferrer's work often begins in archives, exploring how time is annotated and reinterpreted; his early piece made from casino carpeting was shown at the first "Made in L.A." biennial in 2012. He has salvaged fragments from the original William Pereira-designed LACMA buildings for recent projects, and is currently pursuing a PhD in Historic Preservation at Columbia University. The interview covers his creative process, influences like Caetano Veloso's concept of antropofagia, and his use of a hot iron seaming machine called the Kool Glide Pro.

Review: The new LACMA is divisive. It’s also ambitious, disorienting — and radically alive

The Los Angeles County Museum of Art (LACMA) has unveiled its $724-million David Geffen Galleries, a massive concrete structure designed by Swiss architect Peter Zumthor that spans Wilshire Boulevard. Replacing several older pavilions, the new building rejects traditional museum conventions like white-cube galleries and encyclopedic organization in favor of a sinuous, organic form that emphasizes light, atmosphere, and a visceral connection to the surrounding landscape.

LACMA spent nearly $724 million on the David Geffen Galleries — here's how it was all used

The Los Angeles County Museum of Art (LACMA) has finalized the construction of the David Geffen Galleries, a $723.8-million project designed by Swiss architect Peter Zumthor. As the museum prepares for its April 16 gala, officials have released a detailed breakdown of the spending, which supported over 8,600 jobs and generated an estimated $1.2 billion in regional economic activity. Despite the massive investment, the project remains a lightning rod for controversy due to its unconventional modernist design and the fact that it offers less gallery space than the four buildings it replaced.

LACMA’s New Era Begins With David Geffen Galleries Opening

The Los Angeles County Museum of Art (LACMA) is preparing to open its new David Geffen Galleries in April, marking a major milestone in a two-decade transformation led by CEO and director Michael Govan. The opening coincides with the 20th anniversary of Govan's hiring and features Jeff Koons's outdoor sculpture 'Split-Rocker' as an anchor piece.

Orange County Museum of Art in talks to merge with University of California, Irvine

The University of California, Irvine (UCI) has entered talks to take over the Orange County Museum of Art (OCMA), a move announced last week. The discussions come shortly after OCMA director Heidi Zuckerman revealed she will leave when her contract expires in December. If an agreement is reached, the proposal will go to the University of California Board of Regents this autumn. The potential merger follows OCMA's reopening in a new $94 million building in 2022 and the upcoming edition of its California art biennial.

One of LACMA's first commissions finds new life at David Geffen Galleries

Alexander Calder's monumental fountain sculpture "Three Quintains (Hello Girls)" has been reinstalled at the Los Angeles County Museum of Art's new David Geffen Galleries, more than 60 years after it was first commissioned for the museum's original 1965 campus. The colorful, whimsical piece features four water jets that propel mobile-like paddles, and its water jets were turned back on in March 2025. The sculpture now anchors the northeast corner of the new building, placed alongside the main cafe and near the W.M. Keck Education Center, with a technically advanced filtration system to address previous environmental challenges.

The Los Angeles County Museum of Art Opens New Innovative Exhibition Space

The Los Angeles County Museum of Art (LACMA) has opened its new David Geffen Galleries, a landmark building designed by Swiss architect Peter Zumthor. The structure features floor-to-ceiling windows, spans Wilshire Boulevard 30 feet above the Miracle Mile, and houses galleries organized around maritime trade routes. The museum celebrated its inaugural events with a gala and ribbon-cutting, opening to the public on April 20, 2026. The new space displays over 155,000 art objects from the permanent collection, spanning ancient civilizations to contemporary works.

I wanted to hate the new LACMA. Then I went back

The article describes the author's evolving impression of the newly opened David Geffen wing at the Los Angeles County Museum of Art (LACMA), designed by architect Peter Zumthor. Initially visiting at 11am, the author found the $724 million, 110,000 sq ft building to be a "dismal, dated, inelegant brute," with thick bronze windows, dark concrete slabs, and bunker-like galleries. However, returning at 4pm, the author experienced a transformation: golden afternoon light warmed the concrete, illuminated the interiors, and revealed the building as a "brilliant innovation and true gift to the city." The article details the building's 20-year design evolution, challenges including fossil discoveries on site, and Zumthor's public frustrations with the compromised details.