Rare early photographs reveal lost sites featured in Van Gogh’s paintings

Two rare photographic albums taken by art critic Gustave Coquiot in 1922 have been acquired by the newly established Van Gogh Academy in Auvers-sur-Oise, France, and are now on display. The images capture many of the sites in Arles that Vincent van Gogh painted in the late 1880s, including the Yellow House, the Langlois Bridge, and the Rhône riverbank. Several of these locations were later destroyed during World War II or by modernization, making Coquiot's photographs valuable historical records of Van Gogh's original subjects.

See Inside the Long-Lost Lee Miller and Cecil Beaton Album Full of WW2-Era Photographs

The Bodleian Libraries at the University of Oxford has acquired a rare photographic "daybook" compiled by Roland Haupt, a former darkroom assistant at British Vogue. Created between 1943 and 1949, the annotated scrapbook contains hundreds of original photographs and clippings by legendary photographers Lee Miller and Cecil Beaton. The acquisition, brokered by dealer Michael Hoppen, ensures that the album—which includes iconic images of Miller in Hitler’s bathtub and portraits of Picasso—remains intact as a singular historical record rather than being sold piecemeal at auction.

Zurich’s controversial Bührle Collection is rehung, including five paintings by Van Gogh—plus one forgery

The Kunsthaus Zurich has unveiled a comprehensive new display of the Emil Bührle Collection, featuring 205 works including five significant paintings by Vincent van Gogh and one acknowledged forgery. This reinstallation marks a shift from previous thematic displays focused on provenance research to a denser presentation of the collection's breadth. Notable works on view include a 1887 self-portrait and the masterpiece 'The Sower at Sunset,' though one Van Gogh remains in conservation and another has been withdrawn due to Nazi-era ownership complications.

George Baselitz, Purveyor of the Tortured Male Genius Myth, Dies at 88

Georg Baselitz, the influential German Neo-Expressionist painter known for his emotionally charged, often violent works and his controversial statements about women artists, has died at age 88. His final paintings will be shown in the exhibition "Eroi d’Oro" at the Fondazione Giorgio Cini in Venice starting May 6. Baselitz rose to prominence with his "Heroes" series of monumental male soldiers and his signature "upside down" paintings, which forced viewers to focus on painterly gesture over representation. He was a key precursor to Germany's Neue Wilde movement and confronted Germany's World War II trauma in works that combined expressionistic brutality with Wagnerian grandeur.

$25 Million Modigliani Goes to Jewish Heir in Landmark Restitution Case

A New York Supreme Court judge has ruled that the estate of Jewish art dealer Oscar Stettiner is the rightful owner of Amedeo Modigliani’s 1918 painting "Seated Man With a Cane." The decision concludes an 11-year legal battle led by Stettiner’s grandson, Philippe Maestracci, against billionaire art dealer David Nahmad. The court found that the painting was unlawfully seized by the Nazis after Stettiner fled Paris in 1939 and that subsequent sales, including the 1996 purchase by Nahmad at Christie’s, did not extinguish the original owner's rights.

Gardar Eide Einarsson Leaves You in the Dark

Gardar Eide Einarsson’s latest exhibition at Maureen Paley’s East London space presents a haunting exploration of dissociation and coded information. The show features two distinct series: 'Closed Caption,' a collection of monochrome black gouache paintings featuring isolated subtitles from films, and 'Incendiary Test Area,' a set of hyperrealistic woodblock prints created in collaboration with master Shoichi Kitamura. These prints depict the interiors of mock 'Japanese' houses built by the US Army for fire-bombing tests during World War II.

Exhibition | William Turnbull, 'Origins (1946–1959)' at Karma, Chelsea, New York, United States

Scottish artist William Turnbull (1922–2012) is the subject of a new exhibition titled 'Origins (1946–1959)' at Karma gallery in Chelsea, New York. The show surveys Turnbull's early career, focusing on the transformative period after World War II when he moved between Surrealist Paris and Abstract Expressionist New York. It features key works such as the sculpture 'Horse' (1946), inspired by a Parthenon marble at the British Museum, and 'Playground (Game)' (1949), reflecting his interest in phenomenology and movement. The exhibition traces his evolution from an illustrator and Slade School student to a sculptor and painter who engaged elemental forms like the horse, standing figure, and human head.

Chicago Art Movements Over The Years, From the Monster Roster to the Modern Moment

Chicago’s art history is defined by a series of indigenous movements that prioritized visceral, existential expression over commercial appeal. The article traces this lineage back to the late 1940s with the emergence of the Monster Roster, a group of artists including Leon Golub and Dominick Di Meo who returned from World War II to produce agonistic work. This movement was catalyzed by institutional resistance at the School of the Art Institute of Chicago, leading to the creation of the independent Momentum Exhibitions which bypassed conservative juried systems.

Klimt, Modigliani, and Freud Lead $200M Lewis Collection at Sotheby’s London

Sotheby’s London will auction a collection of 50 masterpieces from billionaire Joe Lewis and his daughter Vivienne in June 2025, expected to exceed $200 million. Highlights include Gustav Klimt’s 1902 portrait of Gertha Felsőványi (estimate £20–30 million), Lucian Freud’s never-auctioned *Woman in a Grey Sweater* (1988), and Amedeo Modigliani’s *Homme à la Pipe* (1918), making its auction debut after 45 years unseen. The sale follows a successful March auction of School of London works from the same collection, which brought $47.7 million.

Sur Arte Radio et dans une expo, l’enquête d’Adrianna Wallis sur les traces de sa grand-mère peintre spoliée par les nazis

Artist Adrianna Wallis (born 1981) discovers that her paternal grandmother, painter Diane Esmond (1910–1981), was a victim of Nazi looting during World War II. After being contacted by historians Patricia Helletzgruber and Sophie Juliard, Wallis learns that much of Esmond's work was systematically destroyed by the ERR, the Nazi organization responsible for art theft in occupied countries. This revelation sparks a personal investigation that becomes a podcast for Arte Radio titled "Il restera la gravité," blending documentary, autobiographical inquiry, and sound installation. Wallis delves into archives, examining microfilms and lists that detail 46 of Esmond's paintings—each methodically described and declared destroyed, such as "Woman in blue evening dress: annihilated."

How much Berlin fits on 230 square meters?

Wie viel Berlin passt auf 230 Quadratmeter?

The Neue Nationalgalerie in Berlin has opened a compact exhibition titled "Ruin und Rausch: Berlin 1910–1930," featuring 35 works across just 230 square meters in a side cabinet of the lower floor. The show uses paintings, sculptures, film clips, and audio poems to tell the story of Berlin between World War I and the Nazi takeover, contrasting themes of excess and poverty, emancipation and extremism. It is structured in three chapters: "Berlin im Taumel" (Berlin in Frenzy), "Schatten der Großstadt" (Shadows of the Big City), and "Die Urbane Frau" (The Urban Woman), with works by artists such as Ernst Ludwig Kirchner, Otto Dix, and Otto Nagel.

One of the Greatest Photographic Documents of the 20th Century

"Eines der größten fotografischen Dokumente des 20. Jahrhunderts"

A New York court has concluded an eleven-year legal battle by awarding Amedeo Modigliani’s 'Seated Man with a Cane' to the heirs of Jewish art dealer Oscar Stettiner. The ruling rejected the claims of the powerful Nahmad family, with the judge determining that Stettiner never voluntarily relinquished the work during the Nazi era. Additionally, a significant photographic archive belonging to darkroom technician Roland Haupt has surfaced, containing previously unseen World War II images by Lee Miller and Cecil Beaton.

On Arte, 'The Stolen Painting' dives into auction houses through the rediscovery of an Egon Schiele looted by the Nazis

Sur Arte, « Le Tableau volé » plonge dans les salles de ventes aux enchères à travers la redécouverte d’un Egon Schiele spolié par les nazis

Director Pascal Bonitzer’s film 'Le Tableau volé' (The Stolen Painting) dramatizes the real-life 2005 discovery of a lost Egon Schiele masterpiece, 'Autumn Sun,' in the modest home of a factory worker in Mulhouse. The narrative follows a cynical auctioneer, played by Alex Lutz, as he navigates the authentication and eventual sale of the work, which was looted by the Nazis from Jewish collector Karl Grünwald during World War II.

Primitivism to Reinvent Art

Le primitivisme pour réinventer l’art

Philippe Dagen has published the third and final volume of his series on primitivism, covering the period from World War II to the late 1970s. The book traces how Western artists, from Barnett Newman and Jackson Pollock to members of the CoBrA movement and figures like Jean Dubuffet, Lucio Fontana, and Yayoi Kusama, engaged with so-called "primitive" art from Africa, Oceania, and the Americas, often as a means of rejecting or redefining modern civilization. Dagen also examines the intellectual debates surrounding primitivism, including the critiques of colonized peoples who refused the label "primitive," and the shifting attitudes of thinkers like Claude Lévi-Strauss, Michel Leiris, and Aimé Césaire.

È morto a 88 anni il grande artista tedesco Georg Baselitz

German painter Georg Baselitz, known for his expressionist works that confronted the horrors of Nazi Germany, died on April 30, 2026 at age 88. Born Hans-Georg Kern in 1938, he grew up amid World War II rubble and became a pioneering, anti-conformist figure of the post-war era, famously inverting his images to force viewers to reconstruct meaning. A major exhibition, 'GEORG BASELITZ – AVANTI!', had just opened on March 25 at the Museo Novecento in Florence, focusing on his graphic works and his ties to the city. Another show, 'Georg Baselitz. Eroi d’Oro', was set to open May 6 at the Fondazione Giorgio Cini in Venice during the 61st Venice Biennale, featuring large recent paintings and portraits of his wife Elke.

Everything you need to know about Lee Miller, honored at the Musée d’Art Moderne de Paris

Tout ce qu’il faut savoir sur Lee Miller à l’honneur au musée d’Art Moderne de Paris

The Musée d’Art Moderne de Paris is hosting a major retrospective dedicated to Lee Miller, the surrealist icon who transitioned from a high-fashion model for Vogue to a fearless war correspondent. The exhibition traces her multifaceted career, from her early days as a muse in New York and Paris to her harrowing documentation of the liberation of Saint-Malo, the Normandy beaches, and the liberation of concentration camps.

Berlin Museum Oversees Digital Resurrection of Hundreds of Paintings Destroyed During World War II

Berlin's Gemäldegalerie is digitally reconstructing hundreds of Old Master paintings by artists like Rubens, Veronese, van Dyck, and Caravaggio that were destroyed in fires near the end of World War II. The project uses high-resolution scans of glass negatives, primarily photographed by Gustav Schwarz between 1925 and 1944, to create detailed online renderings that will be publicly accessible for viewing and download later this year.

lee miller scrapbook gelman collection morning links 1234780035

The University of Oxford’s Bodleian Libraries has acquired a significant World War II-era scrapbook compiled by Roland Haupt, an assistant to legendary photographers Lee Miller and Cecil Beaton. This previously unseen archive includes iconic imagery such as Miller in Hitler’s bathtub and provides a rare look at the logistical trust placed in Haupt to develop and distribute wartime film. Additionally, the Gelman Collection has confirmed that 160 works by Frida Kahlo and other Mexican Modernists will return to Mexico in 2028 following a loan to Spain, resolving a dispute over the potential indefinite export of national treasures.

Lost Cecil Beaton and Lee Miller Photos Turn Up in Old Scrapbook

A previously unknown scrapbook containing over 150 unseen photographs by Cecil Beaton and Lee Miller has been acquired by the University of Oxford’s Bodleian Library. Compiled between 1943 and 1949 by Roland Haupt, a darkroom assistant who processed film for both photographers during World War II, the album includes rare war reportage, portraits, and personal mementos. Among the highlights is an unpublished alternative shot of Miller in Adolf Hitler’s bathtub and Surrealist-inflected images of the conflict's aftermath.

Lee Miller: Fearless

The Art Institute of Chicago announces 'Lee Miller: Fearless,' the first comprehensive survey of photographer Lee Miller's work in over 25 years, running from August 29 to December 7, 2026. The exhibition spans Miller's multifaceted career as a fashion model, Surrealist innovator, portraitist, and World War II battlefield correspondent for Vogue, featuring iconic images such as 'Self-Portrait with Headband' (about 1932) and 'Dressed for War' (1942). It is organized in collaboration with Tate Britain and Musée d’Art Moderne de Paris, curated by Matthew S. Witkovsky, Hilary Floe, Saskia Flower, and Michal Goldschmidt.

Kansas City’s Nelson-Atkins Museum Welcomes World Cup Fans in 2026

The Nelson-Atkins Museum of Art in Kansas City has introduced a new exhibition, "Personal Best," designed to welcome international visitors during the 2026 FIFA World Cup. The exhibition blends fine art and athletics, connecting the global sporting event with Kansas City's cultural scene. The museum offers free general admission, making it an accessible attraction for soccer fans attending six matches at Arrowhead Stadium starting June 16, 2026.

Lee Miller : a major exhibition devoted to the renowned photographer at the Museum of Modern Art

The Musée d’Art Moderne de Paris has announced a major retrospective of American photographer Lee Miller, scheduled to run from April 10 to August 2, 2026. Featuring approximately 250 vintage and contemporary prints, the exhibition will survey Miller’s multifaceted career, including her early days as a fashion model, her Surrealist collaborations with Man Ray, and her harrowing work as a war correspondent during World War II. The show arrives in Paris following its premiere at Tate Britain and marks the first significant retrospective of the artist in the French capital since 2008.

Read a book, flip off a Nazi: when reading meant resistance – in pictures

A new exhibition at Poster House in New York, titled "Reading Under Fire: Arming Minds & Hearts During Wartime," showcases vintage posters from World War I and World War II that promoted reading and book donations to support troops. The posters, drawn from the collections of the American Library Association, the YMCA, and other organizations, encouraged the public to supply soldiers with reading material as a form of morale-boosting and education. The exhibition runs until 1 November and is curated by Molly Guptill Manning.

Chiharu Shiota’s New Exhibition Invites Visitors Into a Cocoon of Red Thread

Japanese artist Chiharu Shiota has debuted her first Bay Area solo exhibition, "Two Home Countries," at the Asian Art Museum in San Francisco. The show features Shiota’s signature immersive installations of red thread, most notably the 88-foot-long work "Diary," which suspends handwritten journal pages from World War II soldiers and postwar civilians within a dense crimson web. The exhibition also includes sculptures, video, and performance-based works that explore themes of memory, displacement, and the psychological state of living between cultures.

Monuments & Weapons: How Public Space Prepares Us for War Without Us Even Realizing It

Monumenti&armi. Così lo spazio pubblico ci prepara alla guerra senza che neppure ce ne rendiamo conto

Public squares and urban spaces are densely populated with war-related monuments that condition society to accept conflict as a historical inevitability. A study by Philadelphia’s Monument Lab reveals that nearly 60% of U.S. monuments focus on war themes, outnumbering themes of peace thirteen-fold, while Italy maintains over 12,000 memorials dedicated solely to World War I. These structures often prioritize military hierarchy and territorial conquest over themes of care, gender equality, or social diversity.

Yoshiko Shimada: Selfless Devotion / Loving Care @ Ota Fine Arts

嶋田美子：滅私｜愛護 @ オオタファインアーツ

Ota Fine Arts in Tokyo is hosting a solo exhibition by Yoshiko Shimada titled "Selfless Devotion / Loving Care," running from March 14 to May 16, 2026. The exhibition features a significant selection of Shimada’s seminal works from the early 1990s, including "A Woman Shooting II," "A House of Comfort," and "Tied to Apron Strings." These pieces utilize photography, installation, and found objects to confront difficult historical narratives.

Two artists, two different generations, two views of everyday Anchorage

The Anchorage Museum is hosting "Everyday Anchorage: Duke Russell & Ward Wells," an exhibition pairing two artists from different generations who capture ordinary life in Anchorage, Alaska. Ward Wells, a commercial photographer, documented the city after World War II, while Duke Russell uses paint to record post-pipeline scenes. The show runs through August 2027.

georg baselitz dies at 88, pioneer of inverted painting and postwar german art

Georg Baselitz, the influential German painter known for his inverted figures and raw, expressive style, has died at age 88. A pioneer of postwar German art, Baselitz gained international fame in the 1960s by turning his canvases upside down, forcing viewers to focus on form and paint rather than narrative. His work often grappled with the trauma of Nazi Germany and the divided nation's identity, making him a central figure in the Neo-Expressionist movement.

Literature Today: The Crisis of the Novel as a Symptom of Social Change

La letteratura oggi: la crisi del romanzo come sintomo di un cambiamento sociale

The article examines the perceived crisis of the novel as a literary form, tracing its historical rise alongside the bourgeoisie in the 17th and 18th centuries. It argues the novel functioned as a mirror for a coherent social class with shared values, serving as a device for collective representation. The form's foundational premise of a recognizable community began to fracture in the 20th century, particularly after World War II, as societies atomized and grand ideological narratives collapsed.

Corcoran students commemorate America’s 250th year with interactive art exhibit

Graduate students at the Corcoran School of the Arts & Design, part of George Washington University, have created an interactive exhibition titled “American Made” to commemorate the United States’ 250th anniversary. The exhibit, on view at the Luther W. Brady Art Gallery until May 14, combines 21 traditional artworks from GW’s collection—including photographs, pottery, and textiles—with interactive elements such as a touchscreen map and audio components. The project was developed collaboratively by students in museum studies and interactive design programs, led by professors Laura Schiavo and Sam Shelton, as part of the school’s annual NEXT Festival. Featured works include Patricia Kennedy-Zafred’s contemporary quilt “Tagged,” which addresses the incarceration of Japanese Americans during World War II.