Artist François-Xavier Gbré's photographic series "Radio Ballast" made its US debut in a duo exhibition at the International Center of Photography in late January. The work documents the century-old railroad system in Côte d'Ivoire, built by French colonizers, exploring the country's colonial history, independence, and modernization through landscapes, train stations, and the communities shaped by the railway.
American painter Joan Semmel is debuting a dual-continent exhibition titled "Continuities," presented simultaneously at Xavier Hufkens in Brussels and Alexander Gray Associates in New York. The show features recent large-scale paintings, including works like "Here I Am" (2025) and "Red Breast" (2025), which utilize saturated hues and layered compositions to explore the artist's own aging body from her own perspective. By presenting related works across two cities, the exhibition mirrors the internal logic of Semmel’s paintings, which often employ doubling and shifting imagery to represent the body as a site of active presence.
Artist Sean Benton is currently showcasing a solo exhibition at the Truro Public Library in Nova Scotia, running through April 24. The collection features a diverse range of subjects, including portraits, landscapes, and architectural studies, all unified by Benton’s commitment to expressive realism and observational painting. The exhibition was organized following an open call from the Colchester-East Hants Public Library system, reflecting the artist's ongoing effort to engage with new audiences outside of traditional gallery spaces.
The St. Tammany Art Association (STAA) has launched its call for entries for the 56th National Juried Artists Exhibition, titled "The Summer Show." Open to artists across the United States, the competition offers $3,500 in total cash prizes, including a $2,000 Best of Show award. The exhibition will run from July 11 to September 12, 2026, at the STAA Art House in Covington, Louisiana, with New Orleans-based ceramicist and educator MaPó Kinnord serving as the guest juror.
Chicago-based artist Brian Sykes returned to the Beverly Arts Center for the opening of his multimedia exhibition, “I Heard the City Breathe.” The event drew a significant crowd and featured a unique blend of visual art, film, and live vocal performances, including a set by Sykes himself. The project explores the emotional and cultural realities of Chicago’s Black experience, utilizing an intergenerational approach to discuss identity and memory.
Chicago artist Brian Sykes is debuting a multidisciplinary exhibition titled “I Heard the City Breathe” at the Beverly Arts Center, running from April 6 through May 1. The project, which includes a short film and gallery-style visual art, serves as a collaborative reflection on the Black experience in Chicago. By blending music, storytelling, and intergenerational community input, Sykes explores themes of identity, memory, and the cultural realities of the city’s South Side.