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The 20 Most Expensive Artworks Hitting the Auction Block This Season

The May 2026 New York auctions at Christie’s, Sotheby’s, and Phillips will feature 20 high-value lots priced at $30 million or more, including works by Andy Warhol, Jasper Johns, Pablo Picasso, Piet Mondrian, Jackson Pollock, Willem de Kooning, Cy Twombly, Gerhard Richter, and others. The sales are staggered around the Venice Biennale and Frieze New York, with Sotheby’s holding its contemporary evening auction on May 14 and Christie’s its 20th-century sale on May 18. Notable consignments come from the estates of S.I. Newhouse, former MoMA board president Agnes Gund, and dealer Marian Goodman.

Rare early photographs reveal lost sites featured in Van Gogh’s paintings

Two rare photographic albums taken by art critic Gustave Coquiot in 1922 have been acquired by the newly established Van Gogh Academy in Auvers-sur-Oise, France, and are now on display. The images capture many of the sites in Arles that Vincent van Gogh painted in the late 1880s, including the Yellow House, the Langlois Bridge, and the Rhône riverbank. Several of these locations were later destroyed during World War II or by modernization, making Coquiot's photographs valuable historical records of Van Gogh's original subjects.

Bodies, Bodies, Bodies: Artists Revisit the Nude in Shows Across New York

This spring in New York, multiple exhibitions are revisiting the nude as an artistic genre, with artists exploring themes of flesh, harm, aging, and political oppression. Notable shows include Seung Ah Paik's "Self Configuration" series at Bortolami, where she paints distorted self-portraits that recall Surrealist and feminist traditions, and Joan Semmel's self-portraits at Alexander Gray Associates, which continue her decades-long focus on the nude body. These shows are part of a broader trend that also includes the New Museum's "New Humans: Memories of the Future."

The Triumphant New LACMA Has the Potential to Rewrite Art History

The Los Angeles County Museum of Art (LACMA) is set to open its new $724 million David Geffen Galleries, designed by Swiss architect Peter Zumthor. The building features a radical, non-linear layout that eschews traditional chronological and geographical hierarchies, allowing artworks from 15 different curatorial departments to be displayed in conversation with one of another. Despite years of controversy regarding its concrete design and a 10 percent reduction in exhibition space, the museum is positioning the new structure as a flexible "laboratory" for global art history.

Joan Semmel Is Doing Her Best Work at 93

Nonagenarian painter Joan Semmel is experiencing a significant career renaissance, marked by a major survey exhibition at the Jewish Museum and a concurrent solo show at Alexander Gray Associates. At 93, Semmel continues to work from her Soho studio, where she has lived for over fifty years, producing unflinching figurative paintings that explore the female body, aging, and the gaze. The article traces her trajectory from her early education at Cooper Union and a formative period in Madrid to her pivotal role in feminist art history.

New Museum unveils Sarah Lucas's bawdy Bowery commission

The New Museum unveiled Sarah Lucas's sculpture "VENUS VICTORIA" (2026) on May 12 as the inaugural commission for its new public plaza on the Bowery in New York. The work features a pink-hued figure in yellow high heels straddling a giant cast-concrete washing machine, riffing on the classic reclining nude. Lucas's proposal was selected by an all-artist jury including Teresita Fernández, Joan Jonas, Julie Mehretu, Cindy Sherman, and Kiki Smith. The sculpture will remain on view for two years, after which another commission by a woman artist will take its place.

At the Venice Biennale, Koyo Kouoh’s ‘In Minor Keys’ Looks Deeply at Lush Gardens and a Scarred Earth

Koyo Kouoh's exhibition 'In Minor Keys' at the 2026 Venice Biennale centers on the practices of two deceased artists, Issa Samb and Beverly Buchanan, whose ways of thinking animate the show through dedicated 'Shrines' in the Central Pavilion. The exhibition also draws on Marcel Duchamp's legacy, featuring works by over a dozen contemporary artists including Akinbode Akinbiyi, Guadalupe Rosales, Natalia Lassalle-Morillo, Guadalupe Maravilla, Sofía Gallisá Muriente, and Avi Mograbi, whose installation 'Between a River and a Sea' contrasts pre-1948 business directories with a 2023 Gaza Yellow Pages. A section called 'The Schools' highlights artist-run spaces such as Denniston Hill, Guest Artists Space (G.A.S.) Foundation, blaxTARLINES, and the Nairobi Contemporary Art Institute.

Artist Mel Kendrick Is Mining New Possibilities From Wood and Color

American artist Mel Kendrick, who began his career in the early 1970s integrating Minimalism and architecture, presents his ninth solo exhibition at David Nolan Gallery in New York. Titled “Mel Kendrick: Tilt,” the show runs through June 6, 2026, and features new and recent wood sculptures alongside older works, including pieces like *Walnut Shelf* (2026), *Gemstone* (2026), and *Yellow Drum* (2025). Kendrick works without pre-planning, allowing the material to guide his process, and treats color as a material with its own weight, inspired by Gothic and medieval architecture.

Blue-Chip Names Anchor Showplace’s Art and Design Auction

New York's Showplace is hosting its Important Fine Art and Design Auction on May 14, 2026, featuring 145 lots that span Old Masters to contemporary works. Key highlights include Yayoi Kusama's *Infinity Nets* (1995, est. $100,000–$200,000), Otis Kwame Kye Quaicoe's *Yellow Fanny Pack* (2021, est. $12,000–$18,000), Alexander Calder's *Paradis* (1976, est. $60,000–$80,000), Henri Martin's *L'Eglise de Labastide-du-Vert* (est. $60,000–$80,000), and Milton Avery's *Untitled (Winter Landscape Scene)* (est. $20,000–$40,000). The auction brings together blue-chip names like Warhol, Kusama, and Calder alongside emerging artists.

KAWS | ALONG THE WAY (2013) | Art & Prints

This article is a detailed listing for KAWS's sculpture *ALONG THE WAY* (2013), a wood piece measuring 96 7/8 × 75 × 51 1/4 inches, held in the collection of the Modern Art Museum of Fort Worth. It includes the work's exhibition history, the artist's biography (born Brian Donnelly, 1974), his key solo exhibitions at institutions such as the Brooklyn Museum and Yorkshire Sculpture Park, and his high auction record of HK$116 million at Sotheby's in 2019. The listing also features a series of related KAWS works available at auction houses including Christie's, Phillips, and Heritage Auctions.

2 exhibits at Portland Museum of Art show off photography, decorative arts

The Portland Museum of Art (PMA) is presenting two concurrent exhibitions: "Ming Smith: Jazz Requiem — Notations in Blue" (through June 7) and "Precious: The Value of Ornament" (through July 19). The Ming Smith exhibition showcases the pioneering Black photographer's emotive, manipulated images, including jazz club scenes and portraits, drawn from the museum's collection and loans from The Gund at Kenyon College. The decorative arts exhibition highlights the value of ornament in applied arts.

Pussy Riot and FEMEN Join Forces in Punk Protest in Venice: ‘Russia Kills! Biennale Exhibits!’

On Wednesday morning, Pussy Riot and FEMEN led a protest outside the Russian Pavilion at the 2026 Venice Biennale, chanting slogans like “Russia kills! Biennale exhibits!” and “Blood is Russia’s art!” Dozens of protesters, some in pink balaclavas and others bare-chested with floral crowns, gathered in the Giardini under light rain, carrying guitars and blasting punk rock and hip-hop. The action was organized by Nadya Tolokonnikova and other Pussy Riot members alongside FEMEN, a Ukrainian-founded women’s movement. They released pink, yellow, and blue smoke, and Tolokonnikova criticized the Biennale for allowing Russian participation while artists who oppose the war in Ukraine are imprisoned. She proposed an alternative exhibition, “Resistance Imprisoned,” currently on view in Strasbourg, featuring incarcerated artists.

Au Louvre, l’ambitieuse restauration du cycle de Marie de Médicis

The Louvre Museum in Paris is undertaking an ambitious restoration of Peter Paul Rubens's monumental cycle of 24 paintings depicting the life of Marie de Médicis. The project, which will take four years and cost €4 million funded by the Société des Amis du Louvre, begins this autumn with the paintings being restored in situ in the Médicis Gallery. The gallery will close in May to prepare the space as a restoration workshop, where two teams of 10–15 restorers will work simultaneously on cleaning, relining, and filling gaps. The last major restoration of the cycle dates to the 1950s, and recent diagnostics revealed yellowed varnish, discordant repaints, and flaking paint layers that risk irreversible loss.

Archibald prize 2026: Richard Lewer’s portrait of artist Iluwanti Ken wins $100,000

Richard Lewer has won the 2026 Archibald Prize, Australia's most prestigious portraiture award, for his portrait of Pitjantjatjara elder, traditional healer, and senior artist Iluwanti Ken. The $100,000 prize was announced at the Art Gallery of New South Wales, with the judging panel selecting the work unanimously from 59 finalists. Lewer, a six-time Archibald finalist, painted Ken life-size against a yellow ochre background, capturing her quiet authority and role as a working artist. The Wynne Prize for landscape painting was also awarded to Gaypalani Waṉambi for *The Waṉambi tree*.

Private Sales Are Surging as Auction Houses Lean into Exclusive, Experience-Led Selling

Sotheby's and Christie's are increasingly turning to private, invitation-only sales to move high-value artworks, bypassing the traditional auction model. Sotheby's recent "The Apartment" exhibition in London, featuring works by David Hockney, George Condo, and Jean-Michel Basquiat, sold half its $40 million inventory before the public even saw it. Christie's reported that its three most expensive paintings sold in 2025 were all private transactions, with the house trading $1.5 billion privately last year—nearly a quarter of its global sales.

Aileen Murphy Sleeps on the Ceiling

Aileen Murphy's third exhibition at Deborah Schamoni in Munich, titled "Sleeps on the Ceiling," presents five new paintings dominated by rosé and pink tones. The works revolve around a table-like motif, featuring animals, disembodied limbs, and surreal details such as a white cat with red eyes and a yellow snake. Murphy, who completed her studies in 2018, blends abstract gestures with detailed figuration, creating scenes that are both playful and uncanny. The exhibition's title is borrowed from Elizabeth Bishop's poem "Sleeping on the Ceiling" (1946), reflecting a dissolution of domestic interior, urban monument, and psychological landscape.

First UK Ken Price solo exhibition in nearly 10 years to open at Lisson.

Lisson Gallery, in collaboration with Matthew Marks Gallery, will present the first solo exhibition of Ken Price's work in the UK in nearly a decade. The show brings together sculptures and drawings, several shown in London for the first time, spanning the late American artist's five-decade career. Best known for expanding the possibilities of ceramics, Price created intimate yet monumental works that blend abstraction and figuration, with richly layered surfaces achieved through painstaking pigment and sanding processes. The exhibition includes iconic pieces such as 'Prone' (1997), 'Itself' (2003), 'Yin' (2009), and 'Amazon' (2003), alongside rarely seen works on paper that reveal his imaginative, dreamlike landscapes.

Ruth Pastine | Violet (Yellow), Color Space Series (2021) | For Sale

Ruth Pastine's painting "Violet (Yellow), Color Space Series" (2021) is being offered for sale through Louis Stern Fine Arts in West Hollywood, listed on Artsy. The work is an oil on canvas on beveled stretcher, measuring 30 × 60 inches, and is part of her Color Space Series. Pastine, an American artist born in 1964, holds a B.F.A. from The Cooper Union and an M.F.A. from Hunter College, and has exhibited widely, including a museum survey at MOAH Museum of Art and History and a show at CAM Carnegie Art Museum. Her work is held in major collections such as SFMOMA, MCASD, and the Achenbach Foundation.

Which Auction House Led the Pack in 2025?

Christie's led the global fine-art auction market in 2025 with $3.5 billion in sales, a 10.1% increase from 2024. Its top lot was Mark Rothko's 'No. 31 (Yellow Stripe), 1958,' which sold for $62.1 million. Sotheby's followed closely with $3.3 billion in sales, a 31% annual increase, highlighted by the record-breaking $54.7 million sale of Frida Kahlo's 'El sueño (La cama).' Phillips placed a distant third with $390.9 million in sales, a 14.2% decline.

Pussy Riot and Topless Activists Rally Against Russian Pavilion at Venice Biennale

On May 6, 2026, the art collective Pussy Riot and the Ukrainian feminist group FEMEN staged a protest outside the Russian Pavilion at the 61st Venice Biennale. Approximately 50 activists released pink smoke and blue-and-yellow flares evoking the Ukrainian flag, while FEMEN members staged a topless protest with anti-war slogans like “RUSSIA KILLS, BIENNALE EXHIBITS.” Italian police and Biennale security blocked access to the pavilion, and some Pussy Riot activists were tackled after entering. The protest targeted Russia’s participation in the Biennale for the first time since its full-scale invasion of Ukraine in 2022, with activists condemning the event for lending legitimacy to Russian officials and artists aligned with the government.

At Yale: the commercial empire within the British empire

The Yale Center for British Art presents 'Painters, Ports, and Profits,' an exhibition of 115 items spanning a century of art and history, focusing on the East India Company's commercial empire. The show includes paintings, prints, drawings, books, and artifacts such as a 37-foot watercolor scroll of Lucknow (1826) and works by Indian artist Gangaram Chintaman Navgire Tambat, who emerges as the artistic star with 20 pieces. It also features prints of the company's opium factory and 'The Opium Fleet Descending The Ganges' by Walter Stanhope Sherwill, highlighting the company's role in the Opium Wars with China.

Lillian Bassman—the Avant-Garde Photographer Who Transformed Harper’s Bazaar—Finally Gets Her Due

The Metropolitan Museum of Art has opened "Lillian Bassman: Bazaar and Beyond," an exhibition on view through July 26 that examines the career of photographer Lillian Bassman. Curated by Virginia McBride, the show highlights Bassman's work at Harper's Bazaar and Junior Bazaar, as well as her independent photography known for radical darkroom manipulations. The exhibition was made possible by a gift of 70 works from Bassman's estate, produced in collaboration with her children Lizzie and Eric Himmel, and marks a homecoming for the artist who drew inspiration from the Met's galleries.

George Morrison painting highlights May 7, 2026 Heritage sale

Heritage Auctions will offer George Morrison's painting *Palisade* (1958) as the highlight of its May 7, 2026 Modern & Contemporary Art Signature Auction. The 76-lot sale features a global survey of postwar and contemporary abstraction, including works by Takeo Yamaguchi, Fritz Winter, Andy Warhol, Tom Wesselmann, Wayne Thiebaud, Fernando Botero, David Bates, KAWS, and George Rickey.

Color and Spirit: The Blue Rider at Lenbachhaus

The Lenbachhaus museum in Munich has opened a major exhibition titled "Beyond the World. The Blue Rider," running from March 10, 2026, to September 5, 2027. The show explores the cultural exchanges and historical context of the Blue Rider movement, featuring newly acquired works by Wilhelm Morgner, Emmy Klinker, and Albert Bloch, alongside iconic pieces by Wassily Kandinsky, Franz Marc, and Gabriele Münter. The exhibition is organized chronologically, beginning with the cross-cultural inspirations behind the 1912 Blue Rider Almanac and concluding with a reflection on the Nazi suppression of German Expressionism, including inventory lists of confiscated "degenerate" art.

Dallas Art Prize winner on pink trees, Texas museums and why ‘it's OK to be kind of hokey’

Massachusetts-based painter John McAllister has been named the winner of the inaugural Dallas Art Prize. The award includes a $20,000 cash prize and the consideration of his work for the permanent collection of the Dallas Museum of Art. McAllister, who is represented by James Fuentes Gallery, is recognized for his vibrant, non-traditional landscapes that utilize a palette of pinks, purples, and yellows to evoke emotional responses rather than literal depictions of nature.

The National Gallery of Art Holds an Artistic Mirror Up to the United States for Its Big 250th Birthday

The National Gallery of Art in Washington, D.C., has launched "Dear America," a major exhibition commemorating the United States' 250th anniversary. Featuring over 100 prints, drawings, and photographs from the museum’s permanent collection, the show spans from the late 18th century to the present day. The exhibition is organized into three thematic sections—"Land," "Community," and "Freedom"—showcasing works by iconic artists such as Andy Warhol, Ansel Adams, and Richard Avedon alongside contemporary voices like Tom Jones of the Ho-Chunk Nation.

Wrapped for Travel: On "The American Connection" by Peter Halley and "Black Painter, White Figuration" by Maxwell Alexandre

Two simultaneous exhibitions at Almeida & Dale in São Paulo present contrasting visions: American artist Peter Halley's "The American Connection," curated by Antonio Gonçalves Filho, features his signature geometric abstractions using Roll-A-Tex and Day-Glo colors to critique digital confinement and post-industrial surfaces. Brazilian artist Maxwell Alexandre shows works from his "Clube" series, depicting Black bodies navigating exclusionary leisure spaces. The pairing is deliberate, not for aesthetic dialogue but to juxtapose an established international artist with a rising Brazilian talent, timed to coincide with SP-ARTE.

Nude Performance at MFA Boston Confronts One of Art’s Oldest Tropes

Artist Xandra Ibarra staged her performance "Nude Laughing" (2014–) at the Museum of Fine Arts Boston on April 16, appearing nude except for a breastplate and yellow heels while dragging a nylon stocking stuffed with blonde wigs and fake breasts. She moved through the galleries, laughing hysterically, and ultimately collapsed in front of Paul Gauguin's painting "Where Do We Come From? What Are We? Where Are We Going?" (1897–98). The performance was part of the exhibition "Subvert, Repair, Reclaim: Contemporary Artists Take Back the Nude," which features 12 artists critiquing racial, gender, and power hierarchies in Western art history. The event sparked heated debate on the museum's Instagram, with hundreds of commenters arguing about its legitimacy and obscenity.

Jan Staller Photographs the Nuts and Bolts of Manhattan's Urban Symphony

Photographer Jan Staller has released a new book titled "Manhattan Project," featuring photographs of construction materials—pipes, beams, rebar, and drill bits—suspended midair against white skies. The book marks a shift from his earlier moody night photography to a hard-edged focus on utilitarian objects, transforming New York City's construction sites into otherworldly, readymade-like visions. The book includes a foreword by Neil deGrasse Tyson and an essay by curator Brett Littman, with images spanning locations across the Upper West Side.

Van Cleef & Arpels cashes in on lucrative secondary market for vintage jewellery

Van Cleef & Arpels has capitalized on the growing secondary market for vintage jewelry through its Heritage Collection, launched in 2007. The collection offers around 150 curated 20th-century pieces, authenticated and restored by the maison, allowing clients to buy directly from the jeweler rather than through auction houses like Sotheby's, Christie's, and Artcurial, which sold over €120 million in Van Cleef jewels in 2024.