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Aboriginal in the Alps: “ROOTS” at Fondation Opale

Fondation Opale in Lens, Switzerland, has unveiled "ROOTS," a major exhibition that bridges Australian Aboriginal art with Western contemporary masterpieces. Curated by Samuel Gross, the show juxtaposes works by Aboriginal artists like Keith Stevens and Clifford Possum Tjapaltjarri with global icons including Olafur Eliasson, Sheila Hicks, and Niki de Saint-Phalle. The exhibition utilizes the unique alpine setting to explore themes of materiality, ancestral territory, and the universal human creative impulse across different geographies and epochs.

Crown's New Art Project

Crown Equipment has announced the construction of the Modern Aboriginal Art Museum in New Bremen, Ohio, a 23,700-square-foot facility scheduled to open in late 2026. The museum will house one of North America’s largest collections of contemporary Australian Aboriginal art, featuring over 100 paintings and sculptures. The project stems from the company’s 60-year business history in Australia and follows the philanthropic model of Crown’s previous local cultural investments.

Painted Up: This vibrant exhibition challenges colonial perceptions of Aboriginal art

Artist and cultural practitioner Dean Biŋkin Tyson presents "CREATE EXCHANGE: Painted Up," a dual-venue exhibition at Redland Art Gallery that showcases his multidisciplinary approach to Quandamooka and Gurang traditions. Moving beyond stereotypical "dot art," Tyson utilizes canvas, animal skins, and carved artifacts to translate his background as a dancer and songman into visual form. The exhibition features large-scale murals, traditional tools like boomerangs, and "shadow boxes"—a unique craft form developed in Aboriginal missions during the 1970s.

Inspiration awaits at the Art Gallery of NSW, Sydney

The Art Gallery of New South Wales (AGNSW) has solidified its status as a premier global cultural destination following the completion of its Sydney Modern Project. The institution now comprises two distinct architectural landmarks: the historic Naala Nura (South Building) and the contemporary Naala Badu (North Building), designed by Pritzker Prize-winning architects SANAA. These new Aboriginal names, meaning "seeing Country" and "seeing waters," reflect a deep institutional commitment to Indigenous engagement and the gallery's unique geographic position overlooking Sydney Harbour.

‘From Above’: New Church History Museum exhibit features Australian Aboriginal Latter-day Saint art

The Church History Museum in Salt Lake City has opened a new exhibition titled “From Above: Aboriginal Australian Art From the Bird Family.” The show features works by Indigenous Australian artists from the Anmatyerr culture who are also members of The Church of Jesus Christ of Latter-day Saints. The artists, including Gary Bird Mpetyane, Maggie Bird Mpetyane, and Rose Coleena Wallace Nungari, traveled from Australia to attend the opening of the exhibit, which runs through August 1, 2026.