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Art Publisher Owes $102.2 Million in Damages for Late Robert Indiana Works

A Manhattan jury has ordered art publisher Michael McKenzie to pay $102.2 million in damages for creating unauthorized or adulterated versions of works by the late Pop artist Robert Indiana. The lawsuit, brought by Indiana’s former business partner the Morgan Art Foundation, alleged that McKenzie produced Indiana-related junk products that infringed trademark and copyright, including reproductions of Indiana’s iconic “LOVE” design and the artworks *The Ninth American Dream* (2001) and *USA FUN* (1965). The jury found McKenzie liable for exploiting Indiana in the final years of his life, after the artist granted power of attorney to his caretaker, Jamie Thomas.

A Long-Running Case Centering on Alleged Robert Indiana Forgeries Is Resolved with a $102 M. Settlement

A New York jury has awarded $102.2 million in damages to the Morgan Art Foundation in a long-running copyright and forgery case against art publisher Michael McKenzie. The jury found that McKenzie created unauthorized and altered versions of works by Pop artist Robert Indiana, including multiple iterations of Indiana's iconic LOVE prints and sculptures, as well as works such as *The Ninth American Dream* (2001), *USA FUN* (1965), and a sculpture titled *BRAT*. The lawsuit, which began in 2018 shortly before Indiana's death at age 89, alleged that McKenzie and others sought to isolate the artist and profit from selling forged works. McKenzie's lawyer indicated he may appeal.

sam falls collaborates with ruinart 2718855

Sam Falls has created two paintings, "Rewilding" (2024) and "King's Crossing" (2024), for Ruinart's "Conversations with Nature" program, following a residency at the Champagne house's Taissy vineyard near Reims. The works, which incorporate natural materials and ecological processes, will debut at Art Basel Miami Beach in December 2024 before traveling to Ruinart's headquarters. Falls's practice involves arranging plants on canvas and using pigment that reacts to humidity and sunlight, reflecting a collaboration with the environment.

Venice, Here We Come

Hyperallergic's newsletter previews the upcoming 61st Venice Biennale, noting the charged political climate that may overshadow the art. It highlights the main exhibition "In Minor Keys" conceived by the late Koyo Kouoh, and includes a guide to national pavilions, collateral events, and notable exhibitions in Venice. The edition also features a studio visit with 93-year-old artist Joan Semmel, an interview with Lebanese artist Tania El Khoury about her "revenge art," and news about Barbara Chase-Riboud declining to represent the US at the Biennale, a $116M gift to the National Gallery of Art, and the death of Argentine painter Ides Kihlen at 108.

Exhibition represents lifetime of work by acclaimed artist

Carol LaChiusa, a 95-year-old artist from Grosse Pointe Farms, is the subject of a new exhibition titled "Carol LaChiusa: A Journey in Art" at the Grosse Pointe Congregational Church Arts Ministry Gallery. The show features approximately 28 works spanning her career from age 15 to just months ago, including her 1947 painting "Down by the Tracks," which earned her a scholarship to the Cleveland School of Art. A public reception with the artist will be held on August 7, featuring jazz by the Matthew Daher Trio, and the exhibition runs through September 7.

Art@Countway Exhibition Closing Ceremony: Call & Response

The Countway Library at Harvard Medical School is hosting a closing ceremony for the art exhibition "Call and Response: A Narrative of Reverence to our Foremothers in Gynecology" on January 21. Developed by the Resilient Sisterhood Project, the multimedia exhibition highlights the exploitation of enslaved Black women—Anarcha, Betsey, and Lucy—in the origins of modern gynecology, focusing on experiments by Dr. J. Marion Sims in the 1840s. The event will feature speakers including artists Jules Arthur, Dr. Michele David, Michelle Hartney, and others, along with community organizers.

‘Breeders’ is a collaborative Lawrence art show on parenthood that took a village

A group of 17 Lawrence-based artists with children have collaborated on a new exhibition titled 'Breeders' at Cider Gallery, opening April 24. Organized by local artist and teacher John Sebelius, the show explores the joys and challenges of parenthood through diverse media, including paintings, collages, and ceramics. A sister show, 'Offspring,' featuring works by the artists' children, will open simultaneously at Seedco Studios. Participating artists include Mona Cliff, Stan Herd, Angie Pickman, Kevin Willmott, Megan Embers, and Katie Winter, among others.

Brill Family Foundation’s Exhibition Reopens Calls for Art Submissions

The Brill Family Foundation has reopened its call for art submissions for the upcoming exhibition "Symbiosis or Schism: The AI Human Odyssey," extending the original June 13 deadline to August 12. The exhibition invites artists from Santa Barbara and Ventura County to submit AI-themed artwork, with selected pieces displayed from October 2-12 at the Santa Barbara Community Arts Workshop. Selected artists may also be considered for grants of up to $5,000, with organizers seeking works that visually address the theme and highlight the creative process involving AI.

A Brooklyn Afrofuturist Art Exhibit Explores a New World With Reparations

A new Afrofuturist art exhibition titled 'Futures of Repair' has opened at 195 Morgan Avenue in Williamsburg, Brooklyn, featuring six Black artists who imagine a world where Black and Indigenous people receive reparations. The show, a collaboration between creative studio Intelligent Mischief and curator Mia Imani Harrison, includes works by Alisha B. Wormsley, Terence Nance, Ari Melenciano, and American Artist, among others. Funded by the Robert Wood Johnson Foundation, the exhibition runs through March 2026 and presents video, installation, sound, and tech-driven pieces that explore reparations from personal and communal perspectives.

HeARTlab 4 showcases local artists, strengthens creative community

The City Government of Dipolog officially inaugurated HeARTlab 4 at Museo Dipolog on February 16, 2026. This community art exhibition, organized by the City Tourism, Arts, Culture, and Sports office, showcases a diverse range of works from both established and emerging artists across Zamboanga del Norte. The opening ceremony featured performances from local student ensembles and highlighted the growing number of young participants entering the region's creative scene.

An ‘alternate dimension’: City’s rebranded art exhibition will invite viewers to think about public art differently

The City of Lawrence has rebranded its annual public art showcase from the 'Outdoor Downtown Sculpture Exhibition' to the 'Unmistakable Public Art Exhibition,' reflecting an expanded definition of public art beyond traditional sculptures and murals. Nine local artists were selected for this year's exhibition, including Alicia Kelly, whose piece 'Hanging In, Hanging Out' features digitally printed Tyvek banners on the Vermont Street parking garage, designed to evoke an 'alternate dimension' of playful, meditative patterns. The exhibition, opening September 26, also includes a performance piece and an artist using paper pulp to 'paint trees' in local parks.