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Artnet News published a year-end roundup of the worst artworks of 2023, as selected by its writers and editors. The list includes Meta's AI-art chatbot experiments on Instagram, which cloned celebrity likenesses into cringe-worthy avatars like Snoop Dogg's 'The Dungeon Master' and Kendall Jenner's 'Billie,' alongside Refik Anadol's 'Unsupervised' at MoMA, criticized as shallow tech spectacle. Other entries include a poorly received Picasso-themed exhibition and additional works deemed ill-conceived or badly executed.

Refik Anadol’s AI Art Museum DATALAND Will Open in Los Angeles in June

Refik Anadol and Efsun Erkılıç will open DATALAND, a museum dedicated to AI art, in Los Angeles on June 20, 2026. Located in the Grand LA complex designed by Frank Gehry, the 25,000-square-foot venue will feature five gallery spaces plus 10,000 square feet for supporting technology. Its inaugural exhibition, "Machine Dreams: Rainforest," created by Refik Anadol Studio, uses AI trained on ecological datasets to generate sensory experiences, including a version of Anadol's Infinity Room with a 1987 recording of an extinct Hawaiian bird and AI-generated scents. Membership starts at $350 per year.

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The European Alliance of Academies has launched 'Re:Create Europe,' a four-year, $2 million initiative designed to safeguard artistic freedom and cultural autonomy across the continent. Funded largely by the European Union, the program will provide financial aid, residencies, and digital resources to artists and institutions facing political censorship, economic precarity, and the impacts of war. Notable beneficiaries include Madrid’s Círculo de Bellas Artes, which will receive funding to offset recent politically motivated local budget cuts.

Austin’s Blanton Museum uses coding, data, and AI to explore what it means to create art

The Blanton Museum of Art at the University of Texas at Austin has opened a new exhibition titled 'Coded: Art Enters the Computer Age, 1952–1982.' The show features over 100 works by 75 artists who used computers, algorithms, and data as creative tools, exploring the intersection of art and technology during a pivotal three-decade period.

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Boston's Midtown Hotel has sparked outrage after decorating its newly renovated space with AI-generated artwork that mimics Andy Warhol's style to depict local celebrities like David Ortiz and Barbara Walters. Guest Alex Steed publicly criticized the hotel on social media, noting the art's uncanny valley quality and the placard proudly stating the works were entirely created by artificial intelligence. The complaint went viral, drawing thousands of views and comments condemning the hotel for choosing AI over hiring local artists in a city known for its art schools and museums.

refik anadol's DATALAND opens june 2026 in los angeles as the first museum of AI arts

Refik Anadol Studio will open DATALAND, the world's first Museum of AI Arts, on June 20, 2026, at The Grand LA in downtown Los Angeles. The 2,320-square-meter institution will feature five galleries, including the Infinity Room, and launch with the inaugural exhibition "Machine Dreams: Rainforest," running through January 31, 2027. The museum integrates AI systems into its architecture, powered by the studio's Large Nature Model trained on ecological data from the Smithsonian and Cornell Lab of Ornithology.

REVIEW: The Open: Odyssey at Hastings Contemporary

Hastings Contemporary has launched its inaugural biennial, titled "The Open: Odyssey," featuring over 150 artists with connections to Sussex. Selected from a pool of 2,600 applicants by a panel led by Kathleen Soriano, the exhibition explores themes of marine ecology, migration, mythology, and coastal life. Notable works include Alan Patch’s large-scale hanging of plastic detritus, Kate Howe’s monumental waxed paper installation "The Moving Edge," and Kevin J J Warren’s sculptures made from salvaged fishing nets.

The most exciting museum openings in 2026

A trio of major museum openings is expected in Los Angeles in 2026: the expansion of the Los Angeles County Museum of Art (Lacma) with its new David Geffen Galleries designed by Peter Zumthor opening in April; the Lucas Museum of Narrative Art, founded by filmmaker George Lucas and designed by Ma Yansong, opening on 22 September; and the digital artist Refik Anadol's Dataland, the first museum devoted to AI-generated art, opening in spring. Additionally, the Victoria and Albert Museum opens V&A East in London on 18 April, and the Crystal Bridges Museum of American Art in Bentonville, Arkansas, opens an expansion on 6 June.

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Conceptual artist Elias Marrow secretly installed an AI-generated artwork titled *Empty Plate* inside the National Museum Cardiff on October 29, where it hung for several hours before staff removed it. The framed digital print depicts a Welsh schoolboy holding a book and a blank plate, which Marrow says represents the state of Wales in 2025 and references Victorian charity propaganda. He described the act as 'participation without permission' rather than vandalism, and noted he used AI as part of the natural evolution of artistic tools.

Art Gallery Shows in Bangkok to Check Out in April

Bangkok's art scene is hosting several high-profile exhibitions this April, highlighted by the opening of Harper’s Bangkok, the first Southeast Asian outpost of the New York-based Harper’s gallery. The new space debuts with 'Lost and Found,' a solo exhibition by American artist Joel Mesler featuring his signature typographic and symbolic paintings. Other major shows include a large-scale group exhibition at MOCA Bangkok titled 'ICONOSTASIS: No Masters, No Icons,' which pits handmade mastery against AI-generated art, and a solo presentation by Filipino painter Jason Montinola at La Lanta Fine Art.

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San Diego Comic-Con (SDCC) has banned AI-generated art from its 2026 Comic-Con Art Show, reversing a previous policy that allowed AI art if marked not-for-sale and clearly identified. The change came after artists including Karla Ortiz, a plaintiff in a lawsuit against AI companies, condemned the old policy on social media as a disgrace to human artists. The new guidelines state that material created by AI, either partially or wholly, is not allowed, with the Art Show coordinator serving as the sole judge of acceptability.

Boulder Museum of Contemporary Art’s ‘Yes &…’ favors the process over the pretty

The Boulder Museum of Contemporary Art (BMoCA) has opened a new exhibition titled 'Yes &…', inspired by the improvisational comedy rule of accepting and building on ideas. Guest curators Donald Fodness and Tobias Fike selected 18 artists whose work emphasizes process over polish, featuring visible seams, fingerprints, and evidence of human decision-making across painting, sculpture, video, installation, and performance. The exhibition includes interactive elements, such as a sculpture with hand-carved 'ice cubes' intended for viewers to take, and runs through May 3.

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University of Alaska Fairbanks student Graham Granger was arrested for tearing up and eating Polaroids from an AI-generated artwork by Nick Dwyer in an MFA exhibition, causing less than $250 in damage. Granger, charged with criminal mischief, described the act as a protest against the school's AI policy and a performance art piece, while Dwyer rejected the explanation and likened it to vandalism.

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A University of Alaska Fairbanks undergraduate, Graham Granger, was arrested for eating AI-generated artwork created by MFA student Nick Dwyer. The artwork, titled *Shadow Searching: ChatGPT psychosis* (2025), was part of the exhibition “This Is Not Awful” at the UAF Art Gallery. Granger allegedly destroyed at least 57 of 160 Polaroid-style images in protest of AI-generated art, and was charged with criminal mischief, a class B misdemeanor.

Florida’s Indigenous Artists Take Center Stage at Miami Art Week

Two Florida museums, HistoryMiami Museum and the Ah-Tah-Thi-Ki Museum, have organized an exhibition titled "Yakne Seminoli" ("Seminole World") for Miami Art Week, featuring works by over 25 Seminole artists. The show spans traditional crafts like beadwork and basketry alongside contemporary media including painting, photography, and AI-generated art, aiming to highlight Seminole creativity and resilience. It includes pieces by the late Jimmy Osceola, Gordon O. Wareham, and Hali Garcia, among others.

Can This New York Gallery Make You Reconsider Your Stance on Digital Art?

Offline gallery, a new brick-and-mortar space at 243 Bowery in New York (formerly Salon 94's location), has opened with a mission to bridge digital art and physical experience. Directed by Mika Bar-On Nesher and supported by NFT marketplace SuperRare, the gallery aims to make digital and AI-generated art more accessible and tangible. Its current exhibition, "Ego In The Shell," features Japanese multimedia artist Emi Kusano, exploring nostalgia and AI through pop culture and sci-fi imagery. The gallery also hosted a book launch for Botto, an autonomous AI artist whose works sell well at auction.

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Craft-based activism is surging in the U.S. as a form of protest against Immigration and Customs Enforcement (ICE) policies and operations under President Trump's second term. Projects include the "Melt the ICE" hat, a red beanie pattern that has sold over 65,000 copies and raised over $600,000 for immigrant-support nonprofits, and origami rabbits for a detained five-year-old boy, drawing direct parallels to historical craft-as-resistance movements like the Norwegian topplue worn against Nazi occupation.

The World’s First Museum Of AI Arts Is Finally Opening In L.A. This Summer — Here's How To Get Insider Access Before It Opens

Los Angeles will open DATALAND, the world's first Museum of AI Arts, on June 20, 2026. Co-founded by Refik Anadol and Efsun Erkılıç, the 35,000-square-foot museum is located in Frank Gehry's Grand LA complex within the Grand Avenue Cultural District. Its inaugural exhibition, "Machine Dreams: Rainforest," runs through January 31, 2027, and features the Large Nature Model—the first open-source generative AI model dedicated to nature. The exhibition uses real-time audience biofeedback and ecological datasets to create a shifting digital rainforest, including an Infinity Room that plays the extinct Kauaʻi ʻŌʻō bird's call. Pioneer Memberships are now on sale, offering exclusive pre-opening access and a generative print.

Maker's Mark: San Antonio ceramic artists unite for inaugural ClaySA exhibition and studio tour

San Antonio ceramic artists Michelle Hernandez, Hilary Rochow, and Rikkianne Van Kirk initiated ClaySA, a grassroots effort to unite the local ceramics community. The program includes a group exhibition titled "The Mark of the Hand," featuring 23 local artists working in clay, and 12 studio tours across two weekends in November. The exhibition, curated by Rochow, builds on a previous show called "Clay Symphony" and is supported by an all-volunteer committee including Contemporary Art Month Executive Director Roberta "Nina" Hassele and other artists.

Lynn University celebrates the future of art and design

Lynn University hosted the Lynn NFT Art Museum 2025 Opening and All Hands on Deck Skateboard Deck Design Competition at the Boca Raton Innovation Campus (BRiC). Organized by the College of Communication and Design under Dean Cesar Santalo, the event featured a panel titled "Collecting Culture: How Toys and Comics Shape Our Stories" moderated by Michael Williams, with participants including toy designer Matt Nuccio, illustrator Mark Sparacio, and others. Exhibitions included Digitalism 2025, curated by Pixar RenderMan specialist Leif Pedersen; Stolen Data, featuring net-artists Vuk Ćosić, Rodolfo Peraza, and Rhea Myers; and the Fugitive Commons AI Animation and Video Art Contest, won by Tery Spataro. The skateboard deck competition showcased over 450 boards from students across eight countries.

Can This New York Gallery Make You Reconsider Your Stance on Digital Art?

Offline gallery, a new brick-and-mortar space at 243 Bowery in New York (formerly Salon 94's location), has opened with a mission to bridge digital art and physical experience. Supported by the NFT marketplace SuperRare, the gallery is directed by Mika Bar-On Nesher and co-founded by Josh Long. It launched in July 2024 and has already hosted a book launch for Botto, an autonomous AI artist, and currently features a solo exhibition by Japanese multimedia artist Emi Kusano titled "Ego In The Shell," which explores AI, nostalgia, and pop culture. The gallery aims to create a tangible space where audiences can engage with digital and AI-generated art, fostering dialogue between crypto-natives and traditional art audiences.

AI Art Copyright Supreme Court Ruling

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The U.S. Supreme Court has declined to hear an appeal from computer scientist Stephen Thaler, effectively upholding lower court rulings that AI-generated artwork cannot be copyrighted. The case centered on a 2012 digital work titled "A Recent Entrance to Paradise," which Thaler claimed was created autonomously by his AI system, DABUS. By refusing the case, the court leaves in place the U.S. Copyright Office's stance that copyright protection requires "traditional human authorship."

US Supreme Court Declines Appeal Hearing For Case On Copyrighting AI Artwork

The US Supreme Court declined to hear an appeal from computer scientist Stephen Thaler, who sought to copyright an artwork generated by his AI system, the Creativity Machine. This decision upholds a lower court ruling that affirmed the US Copyright Office's rejection, which was based on the requirement that a human being must be the author of a creative work for it to be eligible for copyright protection.

The Art Spirit Gallery’s latest exhibition featuring AI-generated images spurs backlash from the local art community

The Art Spirit Gallery in Coeur d'Alene, Idaho, faced backlash from the local art community after announcing an exhibition titled "No Permission Needed," featuring AI-generated images by Mike Baker, CEO of Heritage Health. The exhibition, which opened on Nov. 12, sparked nearly 200 comments on Facebook, with local artists calling the work "disgusting," "slop," and "unethical." Four artists protested outside the gallery during the city's monthly ArtWalk event on Nov. 14, and a subsequent panel discussion on Nov. 22 included Baker, gallery owner Blair Williams, former NASA scientist Denise Yost, and Jen Jackson Quintano. Williams noted that three artists have severed ties with the gallery over the show.

AI-generated art at SFO sparks backlash prompting artist to speak out

An AI-generated artwork installed at San Francisco International Airport (SFO) has sparked public backlash, leading the artist behind the piece to issue a statement defending the work. The installation, which uses artificial intelligence to create dynamic visuals, drew criticism from travelers and online commentators who questioned its artistic merit and the use of AI in public art.

‘AI slop’: SFO museum criticized for AI-generated art exhibit, artist responds

San Francisco International Airport's museum (SFO Museum) has faced criticism for an exhibit featuring AI-generated art, with detractors labeling the work as 'AI slop.' The artist behind the exhibit has responded to the backlash, defending the use of artificial intelligence in the creative process.