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The Venice Biennale’s Polite Fiction of Being ‘Above the Market’ Is Wearing Thin

The 61st Venice Biennale is underway, with art world figures flocking to Venice for the opening. While the Biennale is officially a non-selling curatorial platform, commercial interests are increasingly visible: galleries are funding artists' projects to recoup investments, auction houses like Christie's are hosting private selling exhibitions (including a 'Ghost Pavilion' at the Ca' Dario Palazzo), and fashion houses such as Bottega Veneta and Chanel are sponsoring events. Sotheby's has pulled support for the U.S. Pavilion, which is now crowdfunding, while Frieze is bankrolling the British Pavilion for a second time.

U.S. Crowdfunds Its Venice Biennale Pavilion

The United States is crowdfunding its pavilion at the 61st Venice Biennale, which opens in ten days, due to the absence of major sponsors like the Ford Foundation and the Mellon Foundation. The pavilion, featuring sculptures by Alma Allen, is being organized by the American Arts Conservancy (AAC), which is soliciting donations through a campaign that has been live since at least November. The U.S. government contributes $375,000, but the installation costs significantly exceed that amount. Donors include Nevada-based Republican donors Jim and Aimee Battista, talent manager Tom Ierna, and actor Alex Pita. The AAC has not disclosed the campaign's fundraising goal, amount raised, or end date.

The US Pavilion Wants Your Money

The American Arts Conservancy, a new nonprofit with MAGA-aligned leadership, is fundraising for Alma Allen's 2026 US Pavilion at the Venice Biennale through a "Donate" button on its website, having received no institutional financial support. Meanwhile, a sculpture by Pedro Reyes at the newly unveiled LACMA building has sparked controversy for recalling a 2021 commission rejected by Mexico City after Indigenous and feminist protests, and the experimental LA nonprofit The Box has closed after 19 years.

The US Pavilion Is Taking Online Donations

The American Arts Conservancy (AAC), the nonprofit tasked with executing Alma Allen's 2026 US Pavilion at the Venice Biennale, is soliciting online donations from the public after receiving no corporate or foundation funding. Unlike previous pavilions backed by major foundations like Ford and Mellon, AAC's fundraising relies on private citizens, with a minimum $100 donation requested via its website. The State Department provided $375,000 but requires additional funding, and AAC's Executive Director Jenni Parido, a former pet food store owner, declined to name specific donors, though Instagram posts suggest wealthy Trump allies attended benefit events. Perrotin Gallery, which represents Allen, is providing operational support but not funding.

At the ‘art world Olympics,’ Team USA is chaotic

The US Pavilion at the 2026 Venice Biennale, often called the 'art world Olympics,' is mired in controversy and delays under the Trump administration. Curator Jeffrey Uslip insists the process has been smooth and artistically autonomous, but the selection of sculptor Alma Allen and commissioner Jenni Parido—a former pet supply shop owner with a new nonprofit—has raised eyebrows. The usual vetting process by the National Endowment for the Arts was disrupted, new language banning diversity, equity, and inclusion efforts was added to applications, and a government shutdown left only six months to fundraise and plan the exhibition, which coincides with the US's 250th anniversary.

It’s the Most Controversial Venice Biennale in Years. Can the Art Stand Up to the Noise?

The 2026 Venice Biennale is embroiled in controversy, with the US Pavilion at the center of a political storm. The Trump administration's State Department overhauled the selection process, bypassing the usual NEA panel and commissioning a nonprofit, the American Arts Conservancy, to organize the pavilion. Artist Alma Allen, who accepted the invitation despite threats from galleries and curators, presents a show that critics find politically muted. The Biennale's jury resigned days before the opening, and annual prizes were canceled, adding to the turmoil.

Alma Allen’s US Pavilion Is One of the Emptiest Shows at the Venice Biennale

Alma Allen represents the United States at the 2026 Venice Biennale with a subdued, apolitical exhibition inside the US Pavilion. The show features roughly 25 sculptures—mostly in bronze, wood, and stone—many titled "Not Yet Titled," and deliberately avoids overt political messaging. This marks a stark departure from the previous two US pavilions, curated by Simone Leigh (2022) and Jeffrey Gibson (2024), which directly confronted colonialism and empire. The Trump administration’s call for proposals explicitly asked for work that "reflects and promotes American values," and Allen’s presentation has been criticized as safe, unremarkable, and lacking the incisive edge of contemporary American art.

Alma Allen Offers a Quiet Vision in Venice—Even as Questions Swirl the U.S. Pavilion

Alma Allen's exhibition "Call Me the Breeze" has opened at the U.S. Pavilion for the 61st Venice Biennale. The Utah-born sculptor presents a pared-down, whimsical show that contrasts with the bombastic work of his predecessors, grouping new and old pieces to explore themes of conflict, mourning, and transcendence inspired by Hieronymus Bosch's *Visions of the Afterlife*. The exhibition was produced hurriedly over a few months, and Allen, who typically leaves his works untitled, felt compelled to explain his art for the first time in 30 years amid controversy surrounding his commission.

How Will the Venice Biennale Impact Alma Allen’s Market?

Artist Alma Allen has been selected as America's representative at the Venice Biennale, sparking controversy due to the unusual selection process under President Trump. The pavilion is commissioned by the newly formed American Arts Conservancy, led by Jenni Parido, who previously ran a pet food lifestyle shop and entered Trump's orbit through Mar-a-Lago pet charity events. Following the announcement, Allen's galleries Olney Gleason and Mendes Wood DM dropped him, but he was quickly picked up by high-profile gallery Perrotin. The article examines how the Biennale and its attendant drama might affect Allen's market, noting his longtime collectors include Beth Rudin DeWoody, Peter Morton, Jack Pierson, and others, while his auction prices have remained modest.

Barbara Chase-Riboud Says She Declined US Pavilion Offer Because It Was ‘Not the Moment’

Sculptor Barbara Chase-Riboud has revealed she declined an offer to represent the United States at the 2025 Venice Biennale, stating that for her, "this was not the moment." The offer was made by the American Arts Conservancy, the nonprofit organization commissioning the US Pavilion. The revelation comes amid ongoing scrutiny of the selection process that ultimately led to artist Alma Allen being chosen, following reports that the Trump administration removed diversity language from application materials.

Is the US about to be humiliated on the world’s most prestigious cultural stage?

More than 70 prominent international artists have signed an open letter demanding the exclusion of the United States, Israel, and Russia from the 2026 Venice Biennale, accusing those governments of committing war crimes and atrocities. The controversy centers on the US pavilion, which will feature Mexico-based American artist Alma Allen, whose abstract, anodyne sculptures were chosen by a last-minute commissioner with no art-world experience—a luxury pet food store owner from Florida who reportedly gained the role through connections at Mar-a-Lago. The Biennale's five-person jury has already resigned amid the furor, and Russia is returning to the event for the first time since its 2022 invasion of Ukraine.

America’s Venice Biennale artist was scorned by tastemakers — he says he’s misunderstood

American sculptor Alma Allen, a self-taught artist with an unconventional background, has been selected to represent the United States at the 2025 Venice Biennale. His selection was made by the American Arts Conservancy, a new nonprofit with no art-world track record, which was awarded the commission through a State Department process that removed diversity requirements and emphasized art reflecting "American values."

May You Live in Less Interesting Times

The international jury for the Venice Biennale has collectively resigned just before the press preview, following their announcement that countries accused of crimes against humanity—specifically Israel and Russia—would be excluded from award consideration. The jurors did not provide an explicit reason for their resignation. Meanwhile, Russia's return to the 61st Venice Biennale will involve workarounds to comply with international sanctions, including restricted pavilion access. The article also highlights a widely-read essay by Hakan Topal on the financialization and 'administrification' of American art schools and academia.

Alma Allen’s US Pavilion Heads to Venice Amid Questions Over Selection Process

The selection of Alma Allen to represent the United States at the 2026 Venice Biennale has ignited controversy over the process. The U.S. State Department abandoned its traditional selection model, which involved a panel of experts convened by the National Endowment for the Arts, and instead handed control to a new nonprofit, the American Arts Conservancy, led by individuals with little museum experience. This shift has drawn criticism from prominent figures in the art world, with some artists declining to participate due to concerns over the political context and unfamiliar leadership.

Embattled US Venice Biennale Pavilion is Seeking Donations

The American Arts Conservancy (AAC), an organization founded last year by the Trump administration, has launched a crowdfunding campaign to support the United States Pavilion at the Venice Biennale. This comes amid widespread controversy and calls to exclude the US, Russia, and Israel from the event. The AAC website solicits donations starting at $100, claiming a "once-in-a-generation opportunity" to restore America's artistic presence abroad. The US government has already contributed $375,000, but the State Department says the total exhibition cost far exceeds that amount. This year's pavilion will feature sculptor Alma Allen, after Barbara Chase-Riboud and William Eggleston declined to participate.

An outsider artist takes the world's biggest stage with the US Pavilion at the Venice Biennale

U.S. artist Alma Allen, a self-taught sculptor from Utah who works in Mexico, has been selected to represent the United States at the Venice Biennale with his exhibition "Call Me the Breeze" at the U.S. Pavilion. The selection process was fraught and opaque, with institutions declining to bid for the commission due to concerns about administration politics after the open call removed diversity, equity and inclusion language in favor of promoting "American values." A prior proposal for artist Robert Lazzarini fell apart after its institutional sponsor backed out, and Allen's project was quickly assembled with the American Arts Conservancy as sponsor and Jeffrey Uslip as curator. Allen, who has lived outside the critical art world for three decades, created a bronze evil eye for the pavilion's exterior and a headless sheep sculpture as a self-portrait of an outsider.

United States Pavilion to Open at the 61st International Art Exhibition of La Biennale di Venezia With Landmark Solo Presentation by Alma Allen: Call Me the Breeze

The United States Pavilion will open at the 61st International Art Exhibition of La Biennale di Venezia with a landmark solo presentation by artist Alma Allen, titled "Call Me the Breeze." The exhibition marks the first time the U.S. Pavilion has dedicated its space to a single artist in this context, highlighting Allen's sculptural work that blends organic forms with industrial materials.

United States Pavilion to Open at the 61st International

The United States Pavilion at the 61st International Art Exhibition of La Biennale di Venezia will open on May 6, 2026, featuring a solo presentation titled "Call Me the Breeze" by American artist Alma Allen. Curated by Jeffrey Uslip and commissioned by the American Arts Conservancy with support from the U.S. Department of State and the Guggenheim Foundation, the exhibition transforms the historic Giardini pavilion with sculptures in bronze, walnut burl, and various stones, including Colorado Yule marble used in the Lincoln Memorial.

Barbara Chase-Riboud Speaks Out on Declining US Biennale Pavilion

Sculptor and author Barbara Chase-Riboud has publicly declined an invitation to represent the United States at the 2026 Venice Biennale, stating it was "not the moment" for her to do so. She was among the artists initially considered by the newly formed American Arts Conservancy (AAC), which is organizing the US pavilion after both she and photographer William Eggleston turned down the opportunity.

72 Hours in Venice: Palazzos, Protests, and a Biennale on the Brink

The article recounts a journalist's 72-hour visit to the Venice Biennale, beginning with a protest by Pussy Riot and Femen at the Russian Pavilion. The action features pink smoke, chants of "Blood is Russia's art," and a guerrilla performance of the song "Disobey," set against a backdrop of internal Biennale strife—including juror resignations over countries whose leaders face ICC arrest warrants (Netanyahu and Putin). The narrative also notes the presence of alt-right figures like Ryan Coyne and sculptor Alma Allen's troubled U.S. pavilion representation.

A Whole Lot of Nothing at the US Pavilion

The US Pavilion at the 2026 Venice Biennale features sculptor Alma Allen's exhibition "Call Me the Breeze," curated by Jeffrey Uslip. The show presents untitled, amorphous sculptures in bronze, wood, and stone, including Colorado Yule marble. The selection process was controversial: after the Trump administration excluded the National Endowment for the Arts, the State Department initially picked artist Robert Lazzarini and curator John Ravenal, but that plan collapsed. The American Arts Conservancy, a new nonprofit led by Jenni Parido (a former pet food store operator with Mar-a-Lago ties), then took over, hiring Uslip, who approached Barbara Chase-Riboud and William Eggleston before settling on Allen. Donors include businessman John Phelan and fashion designer Tommy Hilfiger.

"Eine Idee, die gut ist, kann fast alles verändern"

Henrike Naumann's final major artistic project, the German Pavilion at the Venice Biennale, is completed posthumously by friends after her death from cancer at age 41. Meanwhile, the sudden death of curator Koyo Kouoh at 57 has left her team to finish the central exhibition "In Minor Keys" for the Biennale, opening May 9. The US Pavilion is openly crowdfunding for its 2026 presentation by sculptor Alma Allen, citing opaque funding under the Trump administration. Israel's foreign ministry has accused the Venice Biennale jury of boycotting its artist Belu-Simion Fainaru by excluding countries whose leaders face International Criminal Court charges.

What Did the Golden Lion Die Of? On Judgment and Disavowal at the Venice Biennale

The international jury of the 61st Venice Biennale announced it would exclude from prize consideration countries whose leaders are charged with crimes against humanity by the International Criminal Court, specifically targeting Russia and Israel. This prompted the Italian culture minister to send inspectors to the Biennale's offices, leading the jury to resign. The Biennale then replaced the Golden Lion with "Visitors' Lions" prizes voted by ticket-holders, immediately making Russia and Israel eligible again. The article traces this crisis to the Biennale's historical structure under Mussolini's 1930 Royal Decree, which established the national pavilion system as a diplomatic concession system designed to serve state power, and notes the recent acceptance of a €50 million donation from Qatar for a new permanent pavilion in the Giardini.