Michelangelo Pistoletto: ‘AI will not destroy humanity, we are doing it ourselves’

Italian artist and Arte Povera pioneer Michelangelo Pistoletto, aged 92, has opened a new exhibition at Helly Nahmad Gallery in London, pairing his latest Mirror Paintings with Cubist works by Pablo Picasso, including Picasso's 1924 painting *Partition, Guitare, Compotier*. In an interview with The Art Newspaper, Pistoletto discusses how his mirror works—first presented in 1963—break down the traditional perspective of art, reflecting society and reality in a 360-degree space-time continuum, and how Picasso's shattering of the image paved the way for his own innovations. He also touches on his Cittadellarte foundation in Biella, his Nobel Peace Prize nomination, and his "Third Paradise" philosophy.

The Paradox of Contemporary Art: The World Is Violent, but the Works Are Correct and Inoffensive

Il paradosso dell’arte contemporanea: il mondo è violento, ma le opere sono corrette e inoffensive

The article examines a paradox in contemporary art: as the world grows more violent and chaotic, art has become increasingly 'correct,' morally irreproachable, and inoffensive. The author argues that over the past fifteen years, artworks have been judged primarily by their moral and identity credentials, with curators acting as moral gatekeepers and censors. This shift coincides with a period when geopolitics, history, and public behavior have spiraled out of control, creating a strange compensatory dynamic where art is expected to be perfectly controlled and polite while reality grows brutal.