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Works by Charley Toorop, one of the first female painters to admire Van Gogh, go on show in the Netherlands

An exhibition titled "Charley Toorop: Love for Van Gogh" opens at the Kröller-Müller Museum in the Netherlands (24 May-14 September), showcasing 60 works by Charley Toorop (1891-1955), one of the first female painters deeply influenced by Vincent van Gogh. The show, curated by Renske Tervaert, draws on the museum's extensive Toorop and Van Gogh collections, supplemented with loans, and highlights how Van Gogh's work shaped Toorop's art, particularly in the early 1920s. A key focus is her 1924 portraits of patients at the Willem Arntsz Medical Asylum for the Insane in Utrecht, where she painted three powerful works after a traumatic marriage to Henk Fernhout, who had been institutionalized there. The exhibition also explores personal connections: Van Gogh's brother Theo was treated and died at the same facility, and Toorop's still lifes echo Van Gogh's motifs, such as her use of knives alluding to domestic strife.

Art for art’s sake, but for people’s health too | Letter

Art Fund director Jenny Waldman responds to a philosophical article about art's intrinsic value, arguing that while art should be enjoyed for its own sake, promoting its measurable health benefits can serve as a crucial entry point for new audiences. She cites the organization's National Art Pass adverts and recent research with King's College London, which demonstrated immediate physiological responses to viewing original art, as tools to invite people who might otherwise feel excluded from cultural institutions.

New hospital gallery brings art and wellbeing together

Guernsey Museums and the Health and Social Care Arts and Health Programme have launched the Corridor Gallery at the Princess Elizabeth Hospital. This new initiative converts a hospital corridor into a rotating exhibition space featuring high-quality reproductions from the museum's permanent collection. The inaugural exhibition, "Blue Spaces," focuses on the therapeutic relationship between aquatic environments and mental wellbeing, showcasing blue-toned landscapes ranging from abstract to impressionistic styles.

‘When you’re working with clay, you’re working with the earth’: Studio’s new exhibition offers ‘Clay as Care’

The Clay Studio in Philadelphia has opened a new exhibition titled "Clay as Care: Ceramic Art and Wellbeing," which explores the therapeutic and restorative benefits of working with ceramics. The show features four artists—Adebunmi Gbadebo, Jennifer Ling Datchuk, Ehren Tool, and Maia Chao—each using clay to address personal healing journeys, from fertility struggles to military trauma. The exhibition includes interactive elements like communal clay for visitors and is part of a research project in partnership with the University of Pennsylvania Center for Neuroaesthetics, Jefferson University Art Therapy Department, and Drexel University Art Psychotherapy team, collecting data on the show's impact on wellness.

Rachael Mayne Unveils Powerful New Solo Exhibition 'A Letter To Them' — Presented With Turua Gallery - Scoop

Auckland-based artist Rachael Mayne is set to debut her latest solo exhibition, 'A Letter To Them,' presented by Turua Gallery at a special offsite location in Newmarket. The collection features large-scale, impressionistic floral paintings that represent a creative evolution for Mayne, who has seen her previous three exhibitions sell out on their opening nights. This show marks a shift toward greater artistic risk and scale, with no presales available to the public ahead of the March 13 opening.

Surrey Heights Dementia Care Centre Partners with Local School For Dementia Friendly Art Exhibition Visit

Residents of Surrey Heights Dementia Care Centre, part of CHD Living, visited a dementia-friendly art exhibition and sculpture trail hosted by King Edward School, Witley, in partnership with appART. Wellbeing Coordinator Karen accompanied residents on short walks to the school, where they engaged with artworks including Beatles-themed pieces and a tiger sculpture. One resident, Nick, was encouraged to apply to exhibit his own work at next year's event, while another resident, Karen, who had previously declined outings, participated calmly and enthusiastically.