Remembering James Hayward, LA’s Adored Cowboy Painter

Abstract painter James Hayward, known for his monochromatic oil and wax impasto works, died last week at age 82. A legendary figure in the LA art scene, Hayward was equally celebrated for his magnetic personality, ribald humor, and storytelling. He rose to prominence in 1977 when included in the group show "Less is More" at Sidney Janis Gallery in New York, and was admired by art-world giants such as Dave Hickey, Chris Burden, Nancy Rubins, Ed Moses, and Mike Kelley. Hayward also taught at colleges across the country, including a guest seminar at the University of Southern California, and was a longtime supporter of the LA contemporary art magazine Artillery.

The Major Exhibitions at LUMA Arles in France: Zaha Hadid, Gerhard Richter and Patti Smith

Le grandi mostre al LUMA di Arles in Francia: Zaha Hadid, Gerhard Richter e Patti Smith

LUMA Arles in France will launch a new exhibition cycle on May 1, 2026, followed by a second series starting July 4. The program, presented by CEO Mustapha Bouhayati and artistic director Vassilis Oikonomopoulos, includes a major show of Gerhard Richter's "Overpainted Photographs" in the Frank Gehry-designed tower, a Zaha Hadid retrospective titled "I Think There Should Be No End to Experimentation" marking the tenth anniversary of her death, and a centennial celebration of the influential art magazine Cahiers d'Art. The exhibitions aim to bridge visual arts with music, performance, and live events, bringing together voices from diverse geographies and disciplines.

Monopol verlost 5 × 2 Tickets für Graciela Iturbide bei C/O Berlin

German art magazine Monopol is giving away 5 × 2 tickets for the retrospective exhibition "Graciela Iturbide: Eyes to Fly With" at C/O Berlin. The article describes Iturbide's career, including her iconic photograph "Mujer ángel" (Angel Woman) taken in the Sonora Desert while living with the Seri people, and her long-term documentary projects on Mexican cultural practices, such as the Zapotec community in Oaxaca and images like "Nuestra Señora de las Iguanas." Iturbide, born in Mexico City in 1942, began her photography career in the late 1960s as an assistant to Manuel Álvarez Bravo.

May 2026 Opportunities: Open Calls, Residencies, and Grants for Artists

Colossal's May 2026 opportunities roundup lists multiple open calls, residencies, and grants for artists worldwide. Featured opportunities include the Scenerium 2026 Art Award (deadline May 7), the Hopper Prize offering $4,500 and $1,000 artist grants (deadline May 12), and the SaveArtSpace Billboard Art Open Call curated by Gigi Chen (deadline May 7). Other listings include the YICCA Art Prize, CIFRA Award, Cass Art Prize for the U.K. and Ireland, Sunshine Coast National Art Prize in Australia, an opportunity to get published in Artistonish magazine, and the Abbey Mural Prize.

Monopol Gives Away 5 x 2 Tickets for Photo Exhibition at Museum Rietberg

Monopol verlost 5 × 2 Tickets für Foto-Ausstellung im Museum Rietberg

The Museum Rietberg in Zurich is presenting the exhibition "Fast ein Paradies" (Almost a Paradise), which critically examines colonial-era photography as an instrument of power. The show juxtaposes historical photographs with contemporary artworks that recontextualize this material, featuring artists like Sasha Huber, Sammy Baloji, Raphaël Barontini, and Andrea Chung, who intervene in the archival images to challenge colonial narratives and restore agency to the subjects.

MARILYN BOROR BOR, SEBA CALFUQUEO, JULIETH MORALES. PERFORMANCE Y DISIDENCIAS

On April 18, 2026, the performance cycle "Atravesar el lago" (Crossing the Lake) took place in open spaces of Casa del Lago UNAM in Chapultepec Park, curated by Adonay Bermúdez. Artists Marilyn Boror Bor, Seba Calfuqueo, and Julieth Morales activated performances that destabilize dominant knowledge frameworks and confront narratives imposed by colonial modernity. Boror Bor's "Lo que el cemento no puede cubrir" turned the body into a living archive summoning ancestral memories; Calfuqueo's "Guardo mis semillas para el futuro" opened fissures in imposed borders; and Morales's "Enchumbarnos: Cuerpo, Norma y Territorio. Ritual para dos cuerpos" configured a threshold of listening and transformation. The article includes a curatorial text fragment exploring water as a dissident force, drawing on Silvia Rivera Cusicanqui's thought.