Abstract painter James Hayward, known for his monochromatic oil and wax impasto works, died last week at age 82. A legendary figure in the LA art scene, Hayward was equally celebrated for his magnetic personality, ribald humor, and storytelling. He rose to prominence in 1977 when included in the group show "Less is More" at Sidney Janis Gallery in New York, and was admired by art-world giants such as Dave Hickey, Chris Burden, Nancy Rubins, Ed Moses, and Mike Kelley. Hayward also taught at colleges across the country, including a guest seminar at the University of Southern California, and was a longtime supporter of the LA contemporary art magazine Artillery.
Hayward's death marks the loss of a beloved and influential figure in American abstract and Minimalist painting. His signature thick, gooey compositions—which he insisted be called "monochromatic abstractions" rather than "frosting" paintings—represent a distinctive contribution to postwar art. Beyond his work, Hayward's outsized personality and deep connections within the LA art community made him a cherished mentor and friend to many artists, critics, and students. His legacy endures through his paintings, his 2010 book "Indiscretions," and the countless stories he shared.