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Cecily Brown: ‘I was too shy to talk to all these super cool kids like Sarah Lucas and Damien Hirst’

Cecily Brown is preparing for her first major museum exhibition in her native London at the Serpentine Gallery, titled 'Picture Making'. The show features new and old paintings, monotypes, and drawings inspired by Kensington Gardens, marking a significant return for the artist who left for New York in the 1990s. Despite her commercial success with Gagosian and inclusion in major museums, she expresses nervousness about the critical reception.

7 New Art Books to Step Into Spring

Artnet News has curated a selection of seven significant new art book releases for the spring season, highlighting diverse subjects from historical archives to contemporary memoirs. Featured titles include a deep dive into Frida Kahlo’s private sanctuary, 'Casa Roja,' authored by her descendants; a curatorial history of Hong Kong’s avant-garde art scene by Oscar Ho Hing-kay; and a vibrant exploration of color in contemporary art featuring works by Yayoi Kusama and Tomás Saraceno.

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A new exhibition titled "Presence in Absence: The Art of BTS Chapter 2" opens at Taxa Seoul on June 21, featuring 20 fan artists from around the world whose works celebrate the K-pop group BTS. Curated by Jieun Seo and Yvette Wohn of 25th Hour Collective, the show includes artworks created between 2022 and 2025, a period when BTS members were fulfilling mandatory military service, leading fans to channel their devotion into creative expression. The exhibition highlights diverse styles and media, from solo portraits to surreal scenes, reflecting the global reach of BTS fandom.

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Günther Uecker, the German postwar artist known for hammering nails into canvases to create abstract works, died at age 95. His death was announced by his New York gallery, Lévy Gorvy Dayan, after he had been hospitalized in Düsseldorf. Uecker was a core member of the avant-garde ZERO group, founded in 1957 by Otto Piene and Heinz Mack, and his nail-based abstractions—applied to surfaces from canvases to lightboxes and TV sets—defined his practice from the 1950s onward. He participated in major exhibitions including Documenta and MoMA's 1965 "The Responsive Eye," and continued working daily in his Düsseldorf studio into his 90s.

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The article explores the distinction between Modern and contemporary art, explaining that Modern art emerged in the late 19th century as a reaction to classical art and the Industrial Revolution, with movements like Impressionism, Cubism, Futurism, and Surrealism redefining painting in response to photography. Contemporary art, by contrast, is a reaction to Modern art, with its start debated between World War II and the 1960s-70s consumerist era, encompassing diverse mediums such as sculpture, street art, and performance art, exemplified by artists like Jeff Koons, Banksy, and Yoko Ono.

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Sperone Westwater, a pioneering New York gallery that launched artists like Bruce Nauman, Richard Long, and Francesco Clemente, will close on December 31 after 50 years. Co-founders Angela Westwater and Gian Enzo Sperone are pursuing separate endeavors. The gallery’s final show is a current exhibition for Long, and it will still participate in Art Basel Miami Beach next month. Founded in 1975 in SoHo, the gallery was known for championing Neo-Expressionism and transavanguardia, and later diversified its roster with artists like Joana Choumali and Gamaliel Rodriguez. Its eight-story Bowery building, designed by Norman Foster, faces an uncertain future.

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ARTnews has announced the nominees for the 2025 ARTnews Awards, which honor excellence in art at US institutions and galleries. The awards, now in their second year, feature six categories: Emerging Artist, Established Artist, Lifetime Achievement, Best Thematic Museum Exhibition, Best Gallery Group Show, and a newly introduced Best Historical Artist category. The jury includes five top US curators and two ARTnews editors, with winners to be celebrated in November.

maria helena vieira da silva venice retrospective 1234747463

A major survey of Portuguese French artist Maria Helena Vieira da Silva (1908–92) is on view at the Peggy Guggenheim Collection in Venice through September 15, before traveling to the Guggenheim Bilbao. The exhibition highlights her maze-like abstractions, which feature vibrant tile-like squares and interwoven lines, and includes works from her World War II–era figurative period, such as *The Disaster* (1942). The show follows a traveling exhibition in Marseille and Dijon (2022–2023) and her inclusion in the Centre Pompidou’s 2021 “Women in Abstraction” exhibition, signaling a resurgence of interest in her work.

Art Movements: Frieze Partners With ... the Whitney?

Frieze New York announced a partnership with major New York cultural institutions, including the Whitney Museum of American Art and Dia Art Foundation, to present performances and exhibitions timed with its May fair. The Whitney will show Jonathan González's "Body Configurations," while Dia will display David Lamelas's video work. This initiative explicitly aims to extend the fair's presence beyond its commercial venue into established museums.

Art Movements: Look Who’s Headed to Perrotin Gallery

The French mega-gallery Perrotin has added sculptor Alma Allen to its roster. Allen previously caused controversy by accepting a nomination to represent the United States at the Venice Biennale under the Trump administration's State Department, a decision that led his former galleries to drop him. The article also notes other industry news, including Keisha Scarville winning the Brooklyn Museum's UOVO Prize and Marina Abramović creating an inflatable installation for New York's Balloon Museum.

In Venice, Arthur Jafa and Richard Prince Ask: What Is Appropriate to Appropriate?

Arthur Jafa and Richard Prince are showing their work together in a joint exhibition titled "Helter Skelter" at the Fondazione Prada in Venice. Curated by Nancy Spector, the show explores the artists' shared practice of appropriation, a connection that began when Prince attended the debut of Jafa's video work AGHDRA (2021) and later deepened through conversations about race, property, and self-authorization. Jafa has long admired Prince's approach, calling him "the blackest white artist I know," and the exhibition pairs their works to examine how appropriation functions differently for a Black artist versus a white artist.

Canadian Masterworks Lead Heffel’s Spring Sales

Heffel Fine Art Auction House will hold its Spring Auction on May 21, 2026, featuring two sessions: Post-War & Contemporary Art and Old Master, Impressionist, & Modern Art. The sale, held in Toronto and online, includes works by Canadian masters such as Alex Colville, Jean-Paul Riopelle, Guido Molinari, and E.J. Hughes, with top estimates reaching up to $1.75 million CAD for Hughes' 'Coastal Boats Near Sidney, BC'.

Art Movements: New Museum Names Its First Artist Studio Residents

The New Museum has named Yun Choi, Alison Kuo, and Korakrit Arunanondchai as the first artists-in-residence for its new Artist Studio, a 730-square-foot space created by the museum's OMA-designed expansion. The residencies will run from spring 2025 through winter 2027, with each artist developing new work, onsite exhibitions, and public programs. Separately, Forge Project announced its 2026 fellows—six Indigenous artists including Jay Bellis, Heidi Brandow, and Tiare Ribeaux—who will each receive $25,000 and a three-week residency. In other news, the Robert Therrien Estate has left Gagosian for David Zwirner Gallery, Laurel Nakadate won the Maud Morgan Prize, and Frieze New York revealed a staff uniform designed by artist Reika Takebayashi.

Art Movements: Michelle Millar Fisher Heads to Cooper Hewitt

Michelle Millar Fisher, formerly curator of Contemporary Decorative Arts at the Museum of Fine Arts, Boston, has been appointed chief curator at the Cooper Hewitt, Smithsonian Design Museum in Manhattan. She succeeds Matilda McQuaid, who is retiring after 24 years. Separately, the Getty Foundation awarded $1.8 million in grants to eight institutions through its Black Visual Arts Archive initiative, supporting the processing of historical records related to Black art. Other notable appointments include Jamie Blosser as curator of the Loeb Fellowship at Harvard Graduate School of Design, Graham C. Boettcher as director and CEO of the Norman Rockwell Museum, and Susan Fisher Sterling's retirement from the National Museum of Women in Arts. Artist Nora Turato also unveiled a humorous billboard near the High Line reading 'GIVE US MOM!!!'.

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The Van Gogh Museum has acquired Henri Matisse's 1905 painting *Olive Grove in Collioure* to illustrate Vincent van Gogh's influence on modern art. The work, painted 15 years after Van Gogh's death, shows Matisse's adoption of van Gogh's expressive, anti-naturalistic color and brushwork. The museum pairs it with van Gogh's *Trees in the Garden of the Asylum* (1889) to highlight how Matisse transformed van Gogh's reed-pen drawing techniques into his own Fauvist style. Matisse first encountered van Gogh's work in 1897 through Australian painter John Russell, who gave him a van Gogh drawing that Matisse hung in his Paris apartment alongside works by Cézanne and Gauguin.

Art Movements: Dozens Laid Off at Artnet and Artsy

Digital art giants Artnet and Artsy have implemented significant layoffs following their recent merger under the investment firm Beowolff Capital. The cuts, which occurred on April 16, impacted dozens of employees across both organizations, including senior editorial staff such as Sarah Cascone and Eileen Kinsella. The restructuring follows a reported 12% revenue decline for Artnet in early 2025 and involves the shutdown of Artnet's German entity as the two companies consolidate into a single team led by CEO Jeffrey Yin.

From Agnès Varda to Giuseppe Penone, the strange passion of artists for potatoes deciphered in Aubenas

D’Agnès Varda à Giuseppe Penone, l’étrange passion des artistes pour les patates décryptée à Aubenas

The article explores the exhibition "Des patates" at Le Château – Centre d'Art Contemporain et du Patrimoine in Aubenas, France, which celebrates the humble potato as an artistic subject. It highlights how filmmaker and visual artist Agnès Varda turned potatoes into art with her 2003 Venice Biennale project "Patatutopia," dressing as a potato and scattering 700 kilos of tubers, inspired by her documentary *Les Glaneurs et la glaneuse*. The show also features works by Giuseppe Penone, Michel Blazy, Valérie Geissbühler Pacheco, and Lucas Chanoine, all using potatoes to explore themes of consumption, waste, colonialism, and the cycle of life.

Art Movements: Meet The Met's New Photography Curator

The Metropolitan Museum of Art has appointed Oluremi C. Onabanjo as its new curator of photographs, bringing her expertise in African and Black diasporic histories from MoMA. This announcement leads a series of industry shifts, including Melissa Chiu’s move from the Hirshhorn to direct the Guggenheim, and the relocation of the influential gallery 47 Canal to Chelsea. Additionally, the New York Foundation for the Arts distributed nearly $500,000 in grants to 129 artists and organizations in Queens.

Exhibition | William Turnbull, 'Origins (1946–1959)' at Karma, Chelsea, New York, United States

Scottish artist William Turnbull (1922–2012) is the subject of a new exhibition titled 'Origins (1946–1959)' at Karma gallery in Chelsea, New York. The show surveys Turnbull's early career, focusing on the transformative period after World War II when he moved between Surrealist Paris and Abstract Expressionist New York. It features key works such as the sculpture 'Horse' (1946), inspired by a Parthenon marble at the British Museum, and 'Playground (Game)' (1949), reflecting his interest in phenomenology and movement. The exhibition traces his evolution from an illustrator and Slade School student to a sculptor and painter who engaged elemental forms like the horse, standing figure, and human head.

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The article reviews "Legacies: Asian American Art Movements in New York City," an exhibition at 80WSE in New York, curated by Howie Chen, Jayne Cole Southard, and christina ong, running from September 11 to December 20, 2024. Billed as the first institutional survey of Asian American artists in New York City, the show features 90 artists and spans the period from 1969 to 2001, centering on three key organizations: Godzilla: Asian American Art Network, the Basement Workshop, and the Asian American Arts Centre. The exhibition highlights how many of these artists did not solely make work about their race, complicating the link between identity and art, and includes lesser-known pieces such as David Diao's 1974 painting "Odd Man Out" and a provocative 1985 photograph by Hanh Thi Pham.

Van Gogh Museum Explores the Artist's Obsession with Yellow

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The Van Gogh Museum in Amsterdam has launched a major exhibition centered on Vincent van Gogh’s profound obsession with the color yellow. The show explores how the artist utilized the hue—from the 'pale sulfur' of his Arles landscapes to his iconic sunflowers and the famous Yellow House—as a symbol of life-giving sunshine and modernity. Beyond Van Gogh’s own masterpieces, the exhibition features works by 19th- and 20th-century masters like Wassily Kandinsky and Hilma af Klint, as well as a contemporary light installation by Olafur Eliasson.

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The article traces the history of plein air painting, beginning with French painter Pierre Henri de Valenciennes in the 1780s, who created one of the earliest known outdoor oil sketches on the banks of the river Rance in Brittany. It follows the evolution of the practice through British painter John Constable, the Barbizon school in France, and the revolutionary impact of John G. Rand's invention of the paint tube in 1841, which enabled artists like Claude Monet and Pierre-Auguste Renoir to capture light and atmosphere with unprecedented accuracy.

Who was Hilma? Af Klint exhibition to highlight exclusion of women from abstract art

The Swedish artist Hilma af Klint is receiving her first major solo exhibition in France, organized by the Grand Palais and the Pompidou Centre. The show focuses on her "Paintings for the Temple," a series of groundbreaking abstract works created years before male peers like Wassily Kandinsky and Piet Mondrian claimed to have invented the movement. Af Klint, a mystic who believed she was guided by higher spirits, famously ordered her work to be hidden for 20 years after her death, convinced the world was not yet ready for her vision.

A Preview of Museum Exhibitions Opening in North Texas this Fall

A roundup of fall 2025 museum exhibitions in North Texas highlights shows at the Crow Museum of Asian Art, the Nasher Sculpture Center, the Meadows Museum, and the Dallas Museum of Art. Key exhibitions include "Groundbreakers: Post-War Japan and Korea" at the Crow Museum, featuring Mono-ha, Dansaekhwa, and Gutai movements alongside contemporary artists Do Ho Suh and Tatsuo Miyajima; a major Antony Gormley survey at the Nasher Sculpture Center, his first U.S. museum retrospective; "Roaming Mexico: Laura Wilson" and a companion show of Manuel Álvarez Bravo at the Meadows Museum; and two Dallas Museum of Art exhibitions—"Creatures and Captives: Painted Textiles of the Ancient Andes" and "Constellations: Contemporary Jewelry." The New York Academy of Art also presents its Chubb Fellows and Friends at Green Family Art Foundation.

Pioneering Brazilian artist Lygia Pape's estate is now represented by Mendes Wood DM

Mendes Wood DM now represents the estate of pioneering Brazilian artist Lygia Pape (1927-2004), a central figure in the Concrete and Neo-Concrete art movements. The gallery, founded by Pedro Mendes, Felipe Dmab, and Matthew Wood, operates spaces in São Paulo, Brussels, Paris, and New York. It plans a career-spanning exhibition of Pape's work in São Paulo in April 2026, coinciding with SP-Arte and her centenary year, and will bring works to Art Basel in Paris this October. Pape's first retrospective in France, 'Tisser l'espace (Weaving Space),' opens next week at the Pinault Collection's Bourse de Commerce in Paris, running from 10 September to 23 February 2026.

Chicago Art Movements Over The Years, From the Monster Roster to the Modern Moment

Chicago’s art history is defined by a series of indigenous movements that prioritized visceral, existential expression over commercial appeal. The article traces this lineage back to the late 1940s with the emergence of the Monster Roster, a group of artists including Leon Golub and Dominick Di Meo who returned from World War II to produce agonistic work. This movement was catalyzed by institutional resistance at the School of the Art Institute of Chicago, leading to the creation of the independent Momentum Exhibitions which bypassed conservative juried systems.

Pilar Crespi on the art-world friendships that have inspired her collection, and how to spend five days in Miami

Pilar Crespi, a Miami-based philanthropist and former fashion executive, discusses her art collection and Miami recommendations in an interview with The Art Newspaper. She recounts buying her first artwork—an oil painting by Tano Festa—while living in Rome, and her most recent acquisitions include works by Sidival Fila and Yoan Capote. Crespi also shares her regret over not purchasing a Jean-Michel Basquiat painting at a Christie's auction 30 years ago, and names a Caravaggio from the Galleria Borghese and Jackson Pollock's *Two* as her dream museum pieces.

Holly Stevenson – interview

London-based ceramic artist Holly Stevenson discusses her recent and upcoming projects in an interview with Studio International. She had a joint exhibition, "A Hyena Wore My Face Last Night," at C+N Gallery Canepaneri in Milan, with works titled after Leonora Carrington's short story "The Debutante," and a solo exhibition, "Tracing the Irretraceable," at the Freud Museum in London in collaboration with the Jane McAdam Freud Estate. Stevenson reflects on the resurgence of surrealism, particularly feminist perspectives, and the influence of psychoanalysis on her work, noting coincidental timing with a major Carrington exhibition at Palazzo Reali in Milan.

Thaddaeus Ropac opens its first gallery in Milan.

Thaddaeus Ropac opened its first gallery in Milan on September 20, 2025, located in the neoclassical Palazzo Belgioioso near Via Monte Napoleone. The inaugural exhibition, “L’aurora viene,” features works by Georg Baselitz and Lucio Fontana. The 280-square-meter space is the mega-gallery’s seventh location worldwide. Elena Bonanno di Linguaglossa, a veteran with experience at Lévy Gorvy Dayan, Fondazione Pastificio Cerere, and Blain|Southern, will lead the Milan branch.

​​​​Art Movements: Curators Named for El Museo's Latine Art Survey

El Museo del Barrio has announced the curatorial team for the 2027 edition of La Trienal, its landmark survey of Latine contemporary art. The show will be organized by Susanna V. Temkin, interim chief curator at the museum; Zuna Maza, assistant curator; and guest curator Kaitlin Garcia-Maestas, formerly of Socrates Sculpture Park. In other biennial news, Amanda Carneiro and Raphael Fonseca were named chief curators of the 37th Bienal de São Paulo, the jury of the 61st Venice Biennale resigned after omitting Russia and Israel from awards consideration, and Marcello Dantas was appointed senior curator of the Vancouver Biennale. Hedwig Fijen will step down as director of Manifesta, with Emilia van Lynden and Catherine Nichols taking over in a new co-leadership model. Janne Sirén will resign as director of the Buffalo AKG Art Museum, Kate Kraczon was named chief curator at the Montclair Art Museum, and Charlie White was appointed dean of WashU’s Sam Fox School of Design & Visual Arts. Marina Abramović has designed wine labels for the Ornellaia estate, with limited-edition bottles to be auctioned by Bonhams to benefit the Guggenheim Pop exhibition.