The Contemporary Jewish Museum in San Francisco has announced plans to sell its iconic Daniel Libeskind-designed building in the Yerba Buena Gardens neighborhood. The institution has been closed to the public since December 2024, drastically reduced its staff and budget, and aims to use the sale to stabilize its finances, reduce debt, and ensure its long-term survival.
Staff at Goldsmiths, University of London, have voted to take industrial action in response to a massive restructuring plan aimed at saving £22 million by 2027. The University and College Union (UCU) reports that the 'Future Goldsmiths' initiative will lead to significant redundancies for both professional services and academic staff. Tensions have escalated following revelations that the institution spent over £14 million on private consultants and legal fees related to previous restructuring efforts while simultaneously cutting jobs.
La belle renaissance du [mac] à Marseille
The [mac] (Musée d’Art Contemporain) in Marseille is undergoing a significant revival following years of stagnation and underfunding. Under the new leadership of Stéphanie Airaud, who was appointed in 2023, the museum has completed major renovations including updated storage facilities, a new rooftop terrace, and a reorganized gallery layout. The institution is leveraging its impressive but previously underutilized collection of over 1,000 works—featuring masters like Basquiat, Klein, and Saint Phalle—while actively working to correct historical gender imbalances and strengthen ties to Mediterranean contemporary art.
Author Dave Eggers and artist JD Beltran have launched Art + Water, a new initiative located at Pier 29 in San Francisco designed to bypass the traditional art school model. The program seeks to resurrect the historical artist-apprentice and atelier systems, providing students with practical skills and studio space without the prohibitive costs of modern higher education. By partnering with the Port of San Francisco and the Community Arts Stabilization Trust, the founders aim to revitalize the city's waterfront while offering a sustainable alternative to the current debt-heavy academic landscape.
The École Van der Kelen-Logelain, a unique and mythologized painting school in Brussels founded in 1892, continues to operate under strict, traditional methods. Students endure a rigorous six-month winter course, adhering to rules like mandatory white lab coats, silence, and no phones, to master specialized decorative painting skills, most notably the art of trompe l'oeil, or illusionistic painting.
Helen Legg has been named the new artistic director of the Royal Academy of Arts in London, starting in June. She joins from Tate Liverpool, where she served as director since 2018, and brings prior leadership experience from Spike Island in Bristol and curatorial work at Ikon Gallery in Birmingham.
The Trump administration's National Endowment for the Humanities awarded a $2 million grant to a small art school in Queens with only three full-time employees. This grant was part of a new pattern of large, handpicked awards, a significant departure from the agency's typical grant-making process which historically avoided such large sums to very small institutions.
« 100 % L’Expo » : 5 jeunes talents qui font l’art d’aujourd’hui à La Villette
The Grande Halle de La Villette in Paris is hosting "100% L’Expo," a major showcase featuring emerging talents from art schools across France. Curated by Inès Geoffroy, this year’s edition highlights a diverse range of multidisciplinary installations focusing on themes of living ecosystems, diasporic memories, and new spiritualities. Notable participants include Zoé Saudrais, whose work blends activism with ceramics and textiles, and Joséphine Berthou, who presents a tense, two-screen video installation exploring social aggression.
Quel avenir pour les centres d’art ?
The article examines the uncertain future of contemporary art centers in France, a category that encompasses vastly different institutions from major venues like the Palais de Tokyo to smaller regional spaces. These non-collecting institutions, dedicated to exhibiting emerging artists and experimentation, face fragility due to heavy reliance on local government funding and difficulty proving their utility to elected officials. Their core mission is further challenged by more robust regional contemporary art funds (Fracs), which have greater resources for similar goals of exhibiting ultra-contemporary art and cultural democratization.
The Islamabad Art Gallery has launched 'Souch Say Saqafat Tak,' a landmark exhibition showcasing the debut works of recent art school graduates from across Pakistan. Curated by Raheel Arshad in collaboration with Khyal Art Space, the show features a diverse array of mediums including digital glitches, traditional calligraphy, and abstract portraiture. The opening event drew significant cultural figures, including writer Irfan Ahmed Urfi and photographer Mobeen Ansari, highlighting a collective effort to bridge the gap between academic training and professional practice.
Virginia Commonwealth University's School of the Arts (VCUarts) is presenting its 2026 Master of Fine Arts Thesis Exhibition in two parts at the Institute for Contemporary Art in Richmond. The exhibition showcases the culminating work of 28 MFA candidates across disciplines including Craft/Material Studies, Graphic Design, Painting + Printmaking, and Sculpture + Extended Media, curated by Egbert Vongmalaithong of the ICA and guest curator Taylor Jasper from the Walker Art Center.
Grackle Art Gallery is set to host "Blank," a group exhibition curated by the artist duo Kickpigeon Kids. Featuring works from students and affiliates of The Alternative Art School, the show explores the conceptual theme of blankness as a site of limitless potential and unsaid narratives. The curators, Cosmo Jones and Max Marshall, employ an experimental approach by integrating the artists' works with found objects and ephemera to create a singular, immersive installation.
The Whitefield Art Collective has launched its ninth annual edition in Bengaluru, transforming the VR Bengaluru mall into a sprawling public art gallery. This year's festival, themed around 'Sustain,' features over 100 artworks including sculptures, paintings, and installations created by both established artists and students from prestigious institutions like the Government College of Fine Arts and the Karnataka Chitrakala Parishath. The event includes a diverse program of photography workshops, live painting, and musical performances, anchored by a signature 'Wearable Art' fashion show.