The Studio Museum in Harlem has selected Derriann Pharr, Simonette Quamina, and Taylor Simmons as its 2026 Artists-in-Residence. This cohort will be the first to work in the museum's new Bruce Llewellyn Artist in Residence Center, with their residency running from March 15 to October 15, culminating in an exhibition and publication funded by the Glenstone Foundation.
The Barclays Center arena in Brooklyn has launched a multi-year public art initiative called 'Brooklyn Art Encounters.' The program includes a new artist-in-residence component, with Paul Pfeiffer as the inaugural resident, and will feature digital art broadcasts, major new commissions by artists like Sarah Sze, Rashid Johnson, Mark Bradford, and Kambui Olujimi, and a series of public installations on the arena's plaza and in its entrances.
A new documentary titled "Maintenance Artist," directed by Toby Perl Freilich, premiered at the Tribeca Film Festival this month. The film follows Mierle Laderman Ukeles, the longtime unpaid artist-in-residence with New York City's Department of Sanitation, as she reflects on her career. It traces her journey from graduate student at Pratt Institute to pioneering maintenance art, including her Queens Museum retrospective and international projects elevating everyday workers. The documentary features interviews with art historians, curators, and city officials, and highlights Ukeles's iconic performances, such as shaking hands with every sanitation worker over 11 months.
New York University has appointed Alison Weaver as the next director of its Grey Art Museum, effective May 26. Weaver, who has served as founding executive director of the Moody Center for the Arts at Rice University since 2015, succeeds Lynn Gumpert, who retired last year after leading the museum since 1997. At Rice, Weaver oversaw the completion of a new building for the Moody Center, launched an artist-in-residence program, curated over 25 exhibitions, and expanded the university's art holdings. She previously taught art history at the City University of New York and served as director of affiliate museums at the Guggenheim Museum, overseeing its outposts in Bilbao, Venice, Berlin, and Las Vegas.
Elizabeth Peyton's New York solo debut with David Zwirner, titled "Elizabeth Peyton: mountains in my heart (the death of Sarpedon)," opened at the gallery's West 19th Street space. The exhibition features Peyton's small-scale figurative paintings, including a new work inspired by the death of Sarpedon from the Iliad, rendered after a 19th-century painting by Henri-Léopold Lévy. Peyton, who has been an artist-in-residence at the Louvre since 2023, continues her practice of drawing from pop culture, historical figures, and personal acquaintances, with subjects ranging from musician Cameron Winter to philosopher Simone Weil.
The Studio Museum in Harlem reopened its newly rebuilt, seven-story space on 125th Street after nearly eight years without a permanent home. A press preview on November 6, 2025, showcased the $300 million, 82,000-square-foot building designed by Adjaye Associates with Cooper Robertson, which more than doubles the museum's exhibition space. The public reopening is set for November 15 with a free community celebration. Inaugural exhibitions include "From Now: A Collection in Context," works by over 100 alumni of the artist-in-residence program, and a solo show of Tom Lloyd, whose work was featured in the museum's first exhibition in 1968. The building features a grand staircase, a cantilevered auditorium called the "Stoop," a roof terrace, and prominent works by David Hammons and Glenn Ligon.
Adam Levine, director and CEO of the Toledo Museum of Art, has transformed the Ohio institution into a model for digital adaptation. Over five years, he grew the operating budget from $15 million to $23 million, expanded the endowment by $90 million, and launched TMA Labs, an in-house consultancy focused on data, Web3, AI, and emerging technologies. The museum has acquired digital artworks including NFTs and digital numismatics, established a digital artist-in-residence program, and opened the exhibition "Infinite Images," which traces the history of computer and digital art. Levine, one of the youngest museum directors in the U.S. at 38, discussed these initiatives in an interview with ARTnews.
KAWS (Brian Donnelly) has been named Uniqlo's first-ever artist-in-residence, tasked with expanding the brand's "Art for All" philosophy. He will curate art events across Uniqlo stores worldwide and collaborate with the company's museum partners, including the Museum of Modern Art in New York, Tate Modern, the Louvre, and the Museum of Fine Arts, Boston. His first collection with Uniqlo is scheduled for Fall/Winter 2025.
The Studio Museum in Harlem will open its new building on Saturday, November 15, with a Community Day celebration, after being closed since 2018. Designed by Adjaye Associates, the 82,000-square-foot, seven-story structure features 14,000 square feet of exhibition space, expanded studios for its Artist-in-Residence program, and dedicated education areas. The reopening includes four exhibitions, two site-specific commissions, and reinstallations of iconic works, including a survey of Tom Lloyd, the subject of the museum's first exhibition in 1968. The museum has also updated its hours and admission policies, offering free entry on Sundays.
A new documentary titled "Maintenance Artist" (2025) traces the decades-long practice of Mierle Laderman Ukeles, a pioneering artist who focused on marginal, unpaid, and feminine labor. The film covers her career from her 1969 "CARE" manifesto, through her role as artist-in-residence at the New York City Department of Sanitation, to her first retrospective at the Queens Museum in 2017. It highlights her critique of art-world gender biases and her efforts to recognize discounted labor in all fields.
The Cantor Arts Center at Stanford University has opened a new iteration of its Archive Rooms series, featuring two concurrent exhibitions: "Archive Room: Ester Hernandez" and "Archive Room: Ruth Asawa." The Hernandez exhibition showcases seldom-exhibited artwork, ephemera, writing, and family photographs from the artist's archive, including her iconic print "Sun Mad" (1982) addressing pesticide contamination, alongside materials documenting her community-based practice and activism. The Asawa exhibition highlights her arts advocacy through teaching materials, photographs, and projects from the Alvarado School Arts Workshop, an artist-in-residence program she co-founded in 1968 that operated in 50 San Francisco public schools.
Hyperallergic has published its monthly list of opportunities for artists, writers, and art workers, featuring a curated selection of upcoming deadlines for residencies, fellowships, grants, and open calls. The list includes programs from institutions like the Banff Centre for Arts and Creativity, the Center for Craft, the Tulsa Artist Fellowship, and Light Work, offering financial support, studio space, and community.
New York's Showplace is hosting its Important Fine Art and Design Auction on May 14, 2026, featuring 145 lots that span Old Masters to contemporary works. Key highlights include Yayoi Kusama's *Infinity Nets* (1995, est. $100,000–$200,000), Otis Kwame Kye Quaicoe's *Yellow Fanny Pack* (2021, est. $12,000–$18,000), Alexander Calder's *Paradis* (1976, est. $60,000–$80,000), Henri Martin's *L'Eglise de Labastide-du-Vert* (est. $60,000–$80,000), and Milton Avery's *Untitled (Winter Landscape Scene)* (est. $20,000–$40,000). The auction brings together blue-chip names like Warhol, Kusama, and Calder alongside emerging artists.
This monthly roundup highlights a diverse range of professional opportunities for artists and designers scheduled for April 2026. Key listings include the Earth 2026 Art Awards, which offers global promotion and Artsy exposure, and The Hopper Prize, which provides grants totaling $13,000. Other notable calls include the Glen Arbor Arts Center’s "American Tree" exhibition, the fiber-focused "Fiber Forward" open call for women and non-binary artists, and the prestigious Fleurieu Biennale Art Prize in Australia.
NEXTpittsburgh's monthly art roundup highlights a packed schedule of openings and events in Pittsburgh from late January through May. Key shows include the Pittsburgh Cultural Trust Downtown Gallery Crawl on Jan. 30, featuring artists like Ben Schonberger and Stamatina Gregory; "Stuck in Saṃsāra" (Feb. 6–March 22), a group exhibition of 10 Asian American & Pacific Island artists curated by Brent Nakamoto; and "Lewis Hine Pictures America" (Feb. 21–May 17) at the Frick Museum & Gardens, showcasing the documentary photographer's iconic images of American workers. Additional exhibitions span ceramics, hand-colored photographs, and community shows at venues such as Concept Art Gallery, Bottom Feeder Books, and the John A. Hermann Memorial Art Museum.
Danielle McKinney's first solo museum exhibition in the United States, 'Danielle McKinney: Tell Me More,' has opened at the Rose Art Museum at Brandeis University in Waltham, Massachusetts. The show features 13 intimately scaled paintings created between 2021 and 2025, depicting Black women in dimly lit domestic interiors—lounging, reading, or smoking—often nude or in robes, with saturated colors and cinematic compositions. McKinney, born in Montgomery, Alabama, and based in Jersey City, began her career as a photographer and earned an MFA from Parsons School of Design before turning to painting in 2020 during the pandemic. The exhibition is curated by Gannit Ankori, the museum's director and chief curator, and runs from August 20, 2025, to January 4, 2026.
The June 2025 edition of Culture Type's 'The Month in Black Art' roundup reports multiple developments: the Detroit Institute of Arts acquired Tiff Massey's installation 'Baby Bling' (2023) for its reimagined Modern and Contemporary galleries opening in 2026; Aperture magazine released a summer issue guest-edited by Tanisha C. Ford focusing on Black style and fashion; Different Leaf, a cannabis culture journal, relaunched with guest editors Nick Cave and Bob Faust; and Sean Kelly Gallery announced representation of artist Lindsay Adams in collaboration with PATRON Gallery. The article also notes updates on the Studio Museum in Harlem, a shakeup at the Afro Brazil Museum, new Art Basel Awards, and Suzanne Jackson's exhibition at SFMOMA.
The Rose Art Museum in Waltham, Massachusetts, will present "Danielle Mckinney: Tell Me More," the painter's first solo museum exhibition in the United States, running from August 20, 2025, to January 4, 2026. Curated by Dr. Gannit Ankori, the show features thirteen intimate paintings, including two new works, that explore the interior lives of Black women, reimagining art-historical motifs like the odalisque through a contemporary, empowered lens. The exhibition coincides with Mckinney's 2025 Ruth Ann and Nathan Perlmutter Artist-in-Residence Award at the Rose.
The non-profit organization Earshot, founded by artist Lawrence Abu Hamdan, has been awarded a three-year studio bursary at London's Gasworks. The bursary, backed by Spanish patron Mercedes Vilardell, provides an annual stipend and covers monthly rent for a studio space at the south London exhibition and residency space. Earshot uses sound in the defense of human and environmental rights, and the residency gives it a platform to operate independently after an incubation period with Forensic Architecture. Abu Hamdan and Earshot will also take over the Barbican Centre this autumn for an event titled Repercussions, featuring installations, performances, screenings, and live music.
Colossal's monthly list for April 2026 details numerous open calls, grants, and residencies for artists worldwide. Key opportunities include the Earth 2026 Art Awards, the Hopper Prize grants totaling $13,000, and the Fleurieu Biennale Art Prize in Australia, alongside calls for fiber art, gallery exhibitions, and magazine publications.
The Fabric Workshop and Museum (FVM) in Philadelphia has opened "Some American Dreams," an exhibition marking the 250th anniversary of the U.S. Declaration of Independence. Curated by Hilde Nelson, FVM curatorial fellow, the show features 27 works by 20 artists created during the museum's Artist-in-Residence Program over four decades. The exhibition includes pieces in furniture, sculpture, textiles, clothing, video, and photography, and is on view until June 14, 2026. In an interview with My Modern Met, Nelson discusses her curatorial approach, which poses the question, "What if 'America' is not one project, but many?" and explores how these multiple Americas are affirmed, resisted, or remade through the artworks.
The Studio Museum in Harlem reopened in November 2025 after a seven-year reconstruction, unveiling a new building designed by Adjaye Associates and Cooper Robertson that incorporates architectural elements of Harlem, such as masonry-framed windows and a staircase evoking brownstone stoops. The reopening featured a major exhibition highlighting alumni from its renowned artist-in-residence program, which began in 1968 with Tom Lloyd as the first recipient. Founded by Charles E. Innis and a coalition of artists, activists, and philanthropists, the museum has long served as a nexus for artists of African descent, expanding the canon of Black art during the civil rights and Black Power movements.
The Studio Museum in Harlem, founded in 1968 in a rented loft above a liquor store, will open its first purpose-built 82,000-square-foot building on West 125th Street this fall, following a landmark $300 million capital campaign led by director and chief curator Thelma Golden. Designed by Adjaye Associates with Cooper Robertson, the new facility doubles the exhibition and studio space and includes dedicated areas for performance, education, and public programs. The museum, which has operated without a permanent space since 2018, has been a pioneering platform for artists of African descent, launching the careers of figures like David Hammons, Kerry James Marshall, Glenn Ligon, and Simone Leigh through its groundbreaking exhibitions and artist-in-residence program.
The Atlanta Art Fair returned for its second edition from September 25-28, 2024, at Pullman Yards in the Kirkwood neighborhood, produced by events firm AMP. The fair hosted 75 local, national, and international galleries and arts organizations, drawing around 3,500 attendees to its VIP preview and opening night. Exhibitors and organizers were more acclimated to the space than in the debut year, with a more relaxed and confident atmosphere. The fair highlighted Atlanta's unique cultural identity, emphasizing friendliness, community engagement, and a slower, less pretentious pace compared to art fairs in New York or Los Angeles.
Curator, collector, and artistic director Andrea von Goetz founded Sommer Frische Kunst in 2011 as a humble artist-led retreat in Bad Gastein, Austria, housed in the historic Kraftwerk am Wasserfall building. Over 15 years, the initiative has grown from a small artist-in-residence program into an internationally recognized contemporary art festival at 1,000 meters above sea level, featuring major exhibitions, public art projects, and its own art fair, art:badgastein. The 2025 anniversary is marked by a reunion exhibition titled "Welcome back!" co-curated with Dr. Silvie Aigner.
The Studio Museum in Harlem officially opens its purpose-built new home on West 125th Street on November 15, 2025, marking the first time the institution has had a building designed specifically for its program. Designed by Adjaye Associates with architect Pascale Sablan, the 82,000-square-foot museum features a double-height street-level window, a 'reverse stoop' entrance, expanded exhibition and public spaces, artist-in-residence studios, and a roof terrace. The facade uses dark-grey precast concrete and bronze-toned glass to reference Harlem's masonry architecture while signaling a refined contemporary presence.
Brendan Fernandes, a Chicago-based visual and performing artist, has created an evolving dance work titled *Score for the Murphy Auditorium* as part of his nearly year-long exhibition *In the Round* at the Driehaus Museum's newly acquired Murphy Auditorium. The piece features seven dancers moving around a 12-sided mirrored bench, with choreography inspired by the 1960s Judson Dance Theater, and includes textile works from the Fabric Workshop and Museum and a sound installation by Alex Inglizian. The auditorium, built in 1926 and designated a Chicago landmark in 2024, underwent renovation after being acquired by the Driehaus Museum in 2022.
PROJECT LOOP, a new POC and queer-owned gallery and open-studio residency space, opens in Hoxton, London on April 26, 2025. The inaugural exhibition features works by Emmanuel Awuni and Fungai Benhura, and Ruby Dickson will initiate the artist-in-residence programme. The space is co-directed by Alïn-Sitoé Diallo and aims to challenge traditional gallery models by integrating a live-in residency with an exhibition space.
This article compiles a list of open calls, residencies, and grants for artists and photographers with deadlines in late 2025 and early 2026. Opportunities include the Rotterdam Photo 2026 open call themed 'Echoes of Silence—War in the Artist’s Soul,' offering exhibition space in multiple European cities; the Innovate Grant awarding $1,800 each to one visual artist and one photographer; the Ah Haa School for the Arts' HAHA 2026 immersive installation opportunity; Decagon Gallery's Sanctuary open call with cash prizes; the Biafarin Awards providing $4,000 CAD in grants plus global exposure; PeepSpace's exhibition proposal call; and All About Photo's Nature Photography Contest.
The Studio Museum in Harlem reopened its newly renovated space in Harlem on November 15, 2025, marking a new chapter for the 57-year-old institution. The article highlights archival gems from the museum's history, including the 1969 exhibition "Harlem Artists 69," which featured over 100 works by 53 local Black artists, and the long-running Artist-in-Residence program launched in 1969. These moments underscore the museum's role in championing Black artistic innovation and community engagement, supported by partnerships with Columbia University and local nonprofits.