Maurizio Cattelan Opens Up About Sin, Silence, and Stealing: ‘I’m Guilty Too’

Italian artist Maurizio Cattelan directed the Renaissance Society’s annual benefit gala, titled "The Silent Party!", held at the Chicago Athletic Club during the week of Expo Chicago. The event subverted traditional gala expectations by requiring guests to remain silent for two hours, communicating only via handwritten notes while navigating a labyrinth of performances. The evening featured contributions from artists including Jacob Ryan Renolds, Davide Balula, and Isabelle Frances McGuire, culminating in a dinner that raised approximately $600,000 for the non-profit institution.

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Museums worldwide are urgently searching for new financial models as government funding declines, wealthy patrons pull back, and corporate sponsors face pressure. A global study published in January by the International Research Alliance on Public Funding for Museums found that in 37 percent of responding countries, 71 to 100 percent of museums now receive most funding from private sources. Institutions are exploring endowments, new revenue streams, and collaborative approaches, with the Louvre becoming the first French museum to create an endowment fund in 2009, raising €175 million. The $85 trillion Great Wealth Transfer offers hope, but next-generation donors prioritize transparency and meaningful engagement over prestige.

Sinners, Maurizio Cattelan Is Taking Confession

Maurizio Cattelan has launched a participatory artwork and sales campaign titled 'The Confessional,' where people can call a hotline to submit their sins for his consideration. Selected participants will be invited to a livestreamed event on April 23 where Cattelan, acting as a priest, will absolve them. The project is tied to the re-release of his controversial 1999 sculpture 'La Nona Ora,' a miniature wax figure of Pope John Paul II struck by a meteorite.

End of investment art? Why the bottom of the market is flourishing

The art market in 2024 saw an aggregate 12% decline in sales to an estimated $57.5bn, driven by a slowdown at the ultra-premium end, according to the Art Basel and UBS Art Market Report and Artprice. However, the lower end of the market is flourishing: auction sales of works under $5,000 grew 7%, dealers with turnover under $250,000 reported a 17% increase, and sales of works under $20,000 reached record levels. Online platforms like Avant Arte, which sold $23m in print and sculpture editions (up 53% year-on-year), are key drivers, attracting younger and first-time collectors with affordable, editioned works.

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Maurizio Cattelan has partnered with the online art platform Avant Arte for a project centered on a new sculptural self-portrait titled *We Are The Revolution* (2025), which references Joseph Beuys's felt suit. The work lampoons the self-importance of contemporary art while reflecting on the artist's evolving role. Limited to 1,000 resin editions priced at €1,500 each, the release involves a randomized draw and a scavenger hunt in New York, Amsterdam, and London, where sculptures will be hidden in market stalls, bodegas, and an antiques dealership from September 30 to October 7. Prices range from $0.99 to €9,999 depending on location.

The Art Diary April 2026 – Revd Jonathan Evens

The April 2026 Art Diary highlights a global trend of exhibitions exploring the intersection of spirituality, art, and the environment. Key highlights include a new scholarly essay by Hassan Vawda reinterpreting the Kettle’s Yard collection through the religious beliefs of its founders, Jim and Helen Ede, and a major group exhibition at ICA LA titled 'Speaking in Tongues.' The latter features indigenous and diasporic artists from the Global South who utilize art as a conduit for the sacred, ritual, and ecstatic expression.

Maurizio Cattelan opens a hotline to absolve us of our sins via WhatsApp

Maurizio Cattelan ouvre une hotline pour nous absoudre de nos péchés par WhatsApp

Italian provocateur Maurizio Cattelan has launched "The Confessional," an international hotline allowing participants to confess their sins via WhatsApp, SMS, or voice notes from April 2 to April 22, 2026. This participatory performance culminates in a livestream on April 23, where Cattelan will personally grant absolution to selected participants. The project coincides with the release of a limited edition of 666 miniature replicas of his infamous 1999 sculpture, "La Nona Ora," which depicts Pope John Paul II being struck by a meteorite.

Lee Ufan donates eight paintings to Dia Art Foundation

Korean artist Lee Ufan, a key figure in the Mono-ha movement, has donated eight paintings from the 1970s to the 1990s to the Dia Art Foundation in New York. The works, from his From Point, From Line, and With Winds series, will be featured in a spring 2026 exhibition at Dia Beacon alongside sculptural installations already in the foundation's collection. Lee is also collaborating with Avant Arte on a limited-edition print release to support Dia's programming.

Here's how Maurizio Cattelan's telephone confessions ended up

Ecco come sono finite le confessioni al telefono di Maurizio Cattelan

Maurizio Cattelan has launched a new performance project called "Hotline," a telephone confessional service running from April 2 to 22, where anyone could call a toll-free number or send a WhatsApp voice message to confess their sins directly to the artist. On April 23, Cattelan responded in a live-streamed event, symbolically absolving selected participants. The project coincides with the release of limited-edition reproductions of his iconic 1999 work "La Nona Ora" (depicting Pope John Paul II struck by a meteorite), sold through Avant Arte in an edition of 666 miniature resin sculptures priced at €2,310 each, with some given as gifts to participants.