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Nightlife scenes and local lore abound at Nada Miami's busy opening

At the VIP preview of Nada Miami, dealers reported brisk sales of paintings, with galleries like Hawkins Headquarters, Shrine, Burnaway, the Locker Room, and Baker—Hall showing works by artists including Jackson Markovic, Angela China, Alex Hutton, Clare Torina, Eric Diehl, and Thomas Bils. Nightlife themes were prominent, with Markovic's fluorescent nightclub photographs and Raffi Kalenderian's painting of Mac's Club Deuce dive bar. The Pérez Art Museum Miami acquired works by Bils, Sheroanawe Hakihiiwe, and Pallavi Sen through its Nada Acquisition Gift programme.

Jamie Robertson’s soft heat at Houston Center for Photography, Houston

Jamie Robertson’s solo exhibition, "soft heat," at the Houston Center for Photography presents a series of infrared photographs documenting Southern wetlands, including Caddo Lake and the Great Dismal Swamp. Using archival pigment prints and a zine titled "Alligatorwatergreen," Robertson utilizes thermosensational imagery to transform dense marshlands into ethereal, snow-like landscapes. The work incorporates archival figures, such as a liberated formerly enslaved man named Osman, to highlight the historical role of swamps as sites of maroonage and Black resistance.

Calls for Artists: May 2026

Burnaway's May 2026 Calls for Artists roundup lists multiple opportunities with deadlines in early May. These include the Joan Mitchell Center's call for figurative works, the Michael P. Smith Fund for Documentary Photography for Gulf Coast photographers, the Center for Craft Teaching Artist Cohort offering $10,000 grants to mid-career craft artists, the Hopper Prize grants totaling $13,000, residencies at The Studios of Key West and Trillium Arts, and the National Performance Network Creation & Development Fund. Each opportunity has specific eligibility, fees, and deadlines ranging from May 3 to May 18, 2026.

Unbound Narratives: Embodied Language at Atlanta Contemporary, Atlanta

The Atlanta Contemporary is presenting the group exhibition 'Unbound Narratives: Embodied Language,' curated by Karen Comer Lowe. It features works by artists February James, Bethany Collins, Gabi Madrid, and a’driane nieves across film, painting, and mixed media, focusing on how each translates personal and embodied experience into visual and linguistic forms. Key pieces include nieves's monumental painting on grief and rage, Collins's text-based interrogation of racial identity, James's debut stop-motion film exploring stillness, and Madrid's inscribed headboards addressing healing and cultural memory.

‘Sweet Lilly-Marie’ by Marlos E’van – A Burnaway Artist Edition

Burnaway has launched its fourth Artist Edition, a limited-run t-shirt titled 'Sweet Lilly-Marie' created by artist Marlos E'van. The design is inspired by a character from the film *La Strada* and represents themes of family, innocence, and joy during chaotic times. Preorders are open until April 10, with shirts being hand-printed in Nashville and shipped in late April.

Raheleh Filsoofi’s Deep Listening and Raheleh Filsoofi and Reza Filsoofi’s Listening: The Fourth String at the Ismaili Center, Houston, TX

Raheleh Filsoofi and Reza Filsoofi presented a collaborative sound performance titled *Listening: The Fourth String* at the Ismaili Center in Houston on April 11, 2026, alongside a participatory installation of the *ShahTár* (شهتار), a large Persian rug fitted with two four-string instruments. The performance featured Houston musicians Will Adams, Tom Carter, Parham Daighighi, Laura Dykes, Ruthie Langston, Gabriel Martinez, and Firuz Shukrikhudoev, blending improvisational music, poetry, and vocals. Audience members were invited to touch their own bodies and eventually join the stage, fostering an immersive, embodied experience.

Room 412 in Birmingham, Alabama

Chandler Jones founded Room 412, a small, appointment-only gallery in a Birmingham, Alabama loft, in March 2022. The space functions as an intimate, immersive exhibition environment, described as a cross between a gallery and a mystical hotel room, designed to showcase Alabama artists and foster community connection. Jones, a musician, was motivated by a desire to create a visually and energetically compelling gathering place after being inspired by the historic Chelsea Hotel in New York.

Blue Moon Cocoon at Abroms-Engel Institute for the Visual Arts at University of Alabama, Birmingham

Texas-based artist Virginia L. Montgomery's solo exhibition 'Blue Moon Cocoon' opened at the Abroms-Engel Institute for the Visual Arts at the University of Alabama at Birmingham. The show features a multi-channel video installation and sculptural works centered on the artist's bond with luna moths, which she began raising during the 2020 pandemic, exploring themes of interspecies connection and cosmic curiosity through a distinctive visual aesthetic.

Calls for Artists: April 2026

Multiple open calls for artists and grants have been announced for April 2026 deadlines. The 2027 Creative Capital Open Call offers unrestricted project grants up to $50,000 for artists across all 50 states, while also selecting recipients for the new State of the Art Prize, which grants $10,000 to one artist from each state and territory. Delfina Foundation, in partnership with the Jorge M. Pérez Collection, is offering four fully funded residencies for Latin American and Caribbean artists, with two spots available in this round. The Ogden Museum of Southern Art is accepting submissions for its Louisiana Contemporary 2026 statewide juried exhibition, and the Handweaver’s Guild of America has issued calls for entries for its Convergence 2026 fiber art exhibitions.

In the Studio with Harley Burns

Asheville-based artist Harley Burns discusses their transition from a career in public health to a full-time painting practice centered on trans and gender-nonconforming identity in the American South. The interview focuses on Burns's triptych "Buttoning Back Up" (2025), which translates a vulnerable public performance of chest-binding into a series of oil paintings that explore the hypervisibility and invisibility of non-binary bodies.

Clutch City Craft at Houston Center for Contemporary Craft, Houston

The Houston Center for Contemporary Craft (HCCC) has opened the exhibition 'Clutch City Craft,' which explores the craft traditions and material cultures that define Houston. The show features a diverse range of making practices, from mosaic street signs and cowboy boot making to fiber artists involved in aerospace design, framing the city's creative density as an extension of its industrial identity.

Origins of Black Carnival Society: The Story of the Illinois Clubs at The Presbytère, New Orleans

An exhibition titled 'Origins of New Orleans Black Carnival Society: The Story of the Illinois Clubs' has opened at The Presbytère in New Orleans. It chronicles the history of The Original Illinois Club, the first Black Carnival club and the first to host a debutante cotillion, and coincides with the centennial of its offshoot, the Young Men Illinois Club. The show features regalia, gowns, photographs, and historical artifacts, including a segregated 'White Section' sign from the Municipal Auditorium.

In the Studio with Jevon Brown

Artist Jevon Brown, a Miamian of Bahamian, Jamaican, and Black Southern descent, discusses his multidisciplinary practice in an interview conducted in his Miami Beach apartment and studio. Brown works across textiles, silkscreen printing, fashion, and photography to explore cultural identity, belonging, queerness, and history. He describes how memories of Miami sunsets, family members like his uncle (a sneakerhead and hat collector), and ancestral references inform his creative process. Key works discussed include the "HAIREtage" series (2025), which uses materials like burlap and raffia to connect contemporary streetwear culture with African and Caribbean spirituality, and his inclusion in the exhibition "Material, Material World" at David Castillo Gallery.

Silvia Heyden: Weaving Notes & Nature at the Nasher Museum of Art at Duke University

The Nasher Museum of Art at Duke University has opened the exhibition 'Silvia Heyden: Weaving Notes & Nature,' celebrating the rhythmic tapestries of Swiss-born artist Silvia Heyden (1927–2015). The show features works from her first solo exhibition at Duke over five decades ago, alongside key experimental pieces from the 1960s and 70s, reconnecting her legacy to the Durham campus that shaped her artistic voice.

Pond Gallery in Fayetteville, Arkansas

Pond Gallery, a new artist-run exhibition space, has opened in the basement of a former flower shop on the downtown square in Fayetteville, Arkansas. Founded in May 2024 by artist-friends Taylor Loftin, Ty Barnes, and Christian Schultz, the gallery operates on a DIY model, with the founders handling construction, curation, and rent. Its programming, including recent shows by Akeylah Imani Wellington and Natalie Conway, focuses on creating a communal hub for local artists.

Auudi Dorsey: Self Esteem and 2D Surrealism

Artist Auudi Dorsey's recent exhibition, 'What's Left, Never Left,' at the Jonathan Carver Moore gallery in San Francisco, focuses on Black leisure and collective joy through paintings of Lincoln Beach in New Orleans. The works, which depict Black families and community members, use a surrealist visual vernacular to archive and celebrate Southern Black experiences and the building of self-esteem.

In the Studio with Garnet Goldman

Artist Garnet Goldman discusses her intricate, hand-cut paper works in an interview, detailing her shift from painting to paper cutting after a creative hiatus. She describes her intuitive process, where pieces begin with a single shape and evolve into complex compositions of flora, hair, and symbolic figures that blend folk tradition and personal mythology.