fog fair san francisco komal shah

At the opening of San Francisco's FOG Design and Art fair, prominent collector Komal Shah navigated the crowded aisles, stopping to chat with a who's who of the Bay Area art scene, including FOG founder Stanlee Gatti, ICA San Francisco director Ali Gass, and SFMOMA director Christopher Bedford. Shah, known for her collection focused on women artists, was scouting works with a handwritten list, considering pieces by Ruth Asawa and Joan Brown, though she passed on a $425,000 Asawa sculpture. The fair's gala serves as a fundraiser for SFMOMA, and Shah's collection is currently on view at the Berkeley Art Museum and Pacific Film Archive in the exhibition "Making Their Mark: Works from the Shah Garg Collection."

Japan's Art Market Growth and Asian Art News

japans art market growth asian art news

Japan’s art market demonstrated remarkable resilience in 2024, growing by 2% to reach $692 million despite a 12% contraction in the global art market. A government-commissioned report by economist Clare McAndrew revealed that the Japanese market is characterized by high-volume, lower-value transactions, with 93% of sales occurring at price points under $10,000 and dealers accounting for the vast majority of trade.

arrival hotel art fair change the game

A new art fair called Arrival made its debut at the Tourists hotel in North Adams, Massachusetts, featuring 36 exhibitors and attracting curators, collectors, and artists from across the country. The fair, which closed June 15, offered an intimate format with world-class art, deep conversation, and a relaxed atmosphere that included swimming between sales, set against the backdrop of cultural attractions like Mass MOCA, the Clark Art Institute, and the Williams College Museum of Art.

Exhibitions Coming to North Texas Museums this Summer

Museums across the Dallas-Fort Worth area have announced their summer exhibitions, including a range of shows from Western art that influenced Hollywood to immersive installations and historical surveys. The Sid Richardson Museum in Fort Worth debuted "The Cinematic West: The Art That Made the Movies," which explores how artists like Frederic Remington and Charles Russell shaped early silent Western films through paintings, sculptures, and ephemera. The Dallas Museum of Art reopened its popular Yayoi Kusama infinity room, "All the Eternal Love I Have for the Pumpkins," while the Nasher Sculpture Center opened "Generations: 150 Years of Sculpture," featuring 50 works from its permanent collection. The Amon Carter Museum of American Art is opening "East of the Pacific: Making Histories of Asian American Art" alongside a Richard Avedon exhibition.

The Incredible Story of Edmonia Lewis, America’s First Black and Indigenous International Art Star

The Peabody Essex Museum has launched "Edmonia Lewis: Said in Stone," the first-ever retrospective dedicated to the 19th-century sculptor who was the first Black and Indigenous American artist to achieve international fame. Curated by Shawnya L. Harris and Jeffrey Richmond-Moll, the exhibition is the culmination of seven years of research and detective work to locate surviving marble sculptures and archival fragments. The show tracks her journey from her early life as "Wildfire" to her education at Oberlin College and her eventual professional success in Boston and Rome.

In a Show at Stanford, Miljohn Ruperto Trolls the Death Drive of AI Guys

Artist Miljohn Ruperto's exhibition at Stanford's Cantor Arts Center features works that critically engage with AI and technology. His piece *Fathoms (Tartarapelagic)* uses AI to generate images of deep-sea creatures from the Clarion-Clipperton Zone, while highlighting that mining the minerals essential for that same AI technology is destroying their real-world habitats.

iris cantor collector philanthropist dead met museum

Iris Cantor, the prolific art collector and philanthropist whose patronage transformed major American institutions, has died at the age of 95 in Palm Beach, Florida. Alongside her late husband, B. Gerald Cantor, she amassed one of the world's most significant private collections of Auguste Rodin sculptures, eventually donating hundreds of works to museums including the Metropolitan Museum of Art and the Brooklyn Museum. Her death marks the end of an era for a donor whose name is synonymous with some of the most prominent gallery spaces and wings in the United States.

mable auguste rodin sculpture despair auction rouillac

A small marble sculpture by Auguste Rodin, titled *Despair (Le Désespoir)* (1892), that had been missing since 1906 was rediscovered and sold at auction for €860,000 ($1 million). The 11-inch figure of a seated woman was initially thought to be a copy but was authenticated by the Comité Rodin after a months-long investigation by auctioneers Aymeric and Philippe Rouillac. The sale took place on June 8 as part of the 37th Garden Party Auction at Château de Villandry in France.

pacita abad archives stanford university

Stanford University's libraries and Cantor Arts Center have acquired the archives of Filipina American artist Pacita Abad, who died in 2004 at age 58. The 120-foot-long collection, a gift from her estate managed by her husband Jack Garrity, includes correspondence with artists like Faith Ringgold, photographs from her childhood in Manila, and materials from her global travels and exhibitions. The acquisition comes with a donation to support processing, and is seen as a homecoming for Abad, who left the Philippines in 1969 after student protests and later settled in the Bay Area, where she studied and began her art career.

8 Must-See Museum Shows Celebrating Overlooked Women Artists

This article highlights eight museum exhibitions scheduled for fall 2025 that focus on historically overlooked women artists. Featured shows include "Nancy Elizabeth Prophet: I Will Not Bend an Inch" at Spelman College, "Toshiko Takaezu: Worlds Within" at the Chazen Museum of Art, and "Edmonia Lewis: Indelible Impressions" at the Cantor Arts Center, among others. Each exhibition aims to bring renewed attention to artists who faced racial and gender barriers, such as Afro-Indigenous sculptor Nancy Elizabeth Prophet, ceramicist Toshiko Takaezu, and 19th-century sculptor Edmonia Lewis.

Exhibition spotlights civic engagement of artists

The Cantor Arts Center at Stanford University has opened a new iteration of its Archive Rooms series, featuring two concurrent exhibitions: "Archive Room: Ester Hernandez" and "Archive Room: Ruth Asawa." The Hernandez exhibition showcases seldom-exhibited artwork, ephemera, writing, and family photographs from the artist's archive, including her iconic print "Sun Mad" (1982) addressing pesticide contamination, alongside materials documenting her community-based practice and activism. The Asawa exhibition highlights her arts advocacy through teaching materials, photographs, and projects from the Alvarado School Arts Workshop, an artist-in-residence program she co-founded in 1968 that operated in 50 San Francisco public schools.

Closures Can’t Dim the Spark: 9 Unmissable Bay Area Art Shows This October

The article highlights nine must-see art exhibitions in the Bay Area for October, despite recent gallery closures like KADIST and Gallery 16. Key shows include the Museum of the African Diaspora's twin exhibitions 'Continuum' and 'Unbound' for its 20th anniversary, Drew Villanueva's first solo exhibition at Good Mother Studio inside Ikea, Jim Melchert's retrospective at di Rosa Center for Contemporary Art, and Mills College Art Museum's '100 Years of Creative Visions'. The programming is anchored by the second edition of Nexus, a Bay Area art week spotlighting Black voices and bridging regional divides.

These 16 Artists Are the Biggest at U.S. Museums Right Now

This article presents a quarterly analysis of which living artists are most featured in temporary exhibitions across U.S. museums during September 2025. The author ranks artists based on the number and type of shows they appear in, prioritizing career retrospectives, dedicated exhibitions, and special commissions. The list is dominated by Black and Indigenous artists whose work addresses racism, colonialism, and nature, with Jeffrey Gibson topping the chart due to his Met facade commission, Broad show, and Venice Biennale U.S. Pavilion recreation. Other prominent artists include Firelei Báez, Rashid Johnson, Anila Quayyum Agha, and Ai Weiwei, the only non-U.S.-based artist on the list.

10 Art Shows to See This Fall

This article previews ten art exhibitions opening in the San Francisco Bay Area during fall 2025. Highlights include "Object Oriented" at BAMPFA, focusing on artists' interpretations of everyday objects; "Super Flex: Powered by Alter Egos and Shadow Selves," a festival in Chinatown curated by Candace Huey, Taraneh Hemami, and Theo Lau; solo shows by Laura Figa and Fran Herndon at Et al.; Julio César Morales's "My America" at Gallery Wendi Norris, featuring a sound installation with Mexican Institute of Sound; and "Art of Manga" at the de Young Museum, showcasing original drawings by 11 manga artists including Taniguchi Jiro and Takahashi Rumiko.

Asian galleries move westward: their growing presence and influence in New York

Hong Kong-based gallery Kiang Malingue is opening a new outpost on the Lower East Side of New York on May 9, joining a wave of Asian galleries expanding into the city. The 3,500 sq. ft space at 50 Eldridge Street, formerly an artist's studio, will debut with a solo show by Japanese artist Hiroka Yamashita titled 'The Lights from the Deep Mountains.' Other recent arrivals include Manila's Silverlens (Chelsea, 2022), Taipei's Nunu Fine Art (Lower East Side, 2023), Hong Kong's Alisan Fine Arts (Upper East Side, 2023), and Shanghai's Bank (Lower East Side, March 2025).

Groundbreaker Private Tour of the Spirit House Contemporary Art Exhibition at UW's Henry Gallery [SOLD OUT]

On January 8, 2026, Asia Society Seattle will host a private tour of the exhibition "Spirit House" at the Henry Art Gallery at the University of Washington, led by Associate Curator Swagato Chakravorty. The event is invite-only for the society's Advisory Council, Corporate Members, Groundbreaker and Innovator members, and donors. The exhibition, organized by the Cantor Arts Center at Stanford University, features 34 contemporary artists of Asian descent exploring themes of life, death, spirituality, and diaspora through works that engage with spirit houses and ancestral connections.

What’s new this season at Stanford art museums

Stanford University's Cantor Arts Center and the Anderson Collection are opening a diverse slate of exhibitions for fall and winter. Highlights include "Shahzia Sikander: Collective Behavior," the first major solo show of the museum's Asian American Art Initiative, featuring 44 works spanning the Pakistani-American artist's 30-year career, including mosaics, paintings, sculptures, and a digital animation. The Anderson Collection presents Alteronce Gumby's first West Coast museum exhibition, showcasing nine mixed-media works that use paint, glass, and semi-precious stones to create cosmic perspectives. Other shows include "Edmonia Lewis: Indelible Impressions" and "Cunning Folk: Witchcraft, Magic and Occult Knowledge."

13 Art Exhibitions You Don’t Want To Miss This Fall

This fall, galleries and museums across the United States are presenting a series of exhibitions centered on Black life, ranging from historic pioneers to contemporary voices. Highlights include Athi-Patra Ruga's immersive installation 'Lord, I gotta keep on (movin')' at the Leslie-Lohman Museum of Art, which imagines a queer Black nation called Azania; 'Edmonia Lewis: Indelible Impressions' at Stanford's Cantor Arts Center, showcasing the 19th-century sculptor's Neoclassical works; and 'Data Consciousness: Reframing Blackness in Contemporary Print' in New York, inspired by W. E. B. Du Bois's data visualizations. Other notable shows include 'A Taste of Beauty' at the Crocker Art Museum, featuring carved African spoons, and the reopening of the Studio Museum in Harlem, alongside the global energy of Art Basel Miami Beach.

At the Amon Carter Museum, two exhibitions explore the American West

Two concurrent exhibitions at the Amon Carter Museum of American Art in Fort Worth explore the American West from distinct perspectives. "Richard Avedon at the Carter" marks the 40th anniversary of Avedon's landmark 1985 series "In the American West," featuring 124 unflinching portraits of working-class subjects like oilfield workers and ranchers, alongside archival photographs by Laura Wilson that show the project's human side. Across the hall, "East of the Pacific: Making Histories of Asian American Art" presents 48 works from the Cantor Arts Center at Stanford University, spanning from the 1849 gold rush to the present, highlighting Asian American artists including Bernice Bing, Roger Shimomura, Chiura Obata, and Toshiko Takaezu.

Stanford University acquires Filipina American artist Pacita Abad’s archive

Stanford University has acquired the archives of Filipina American artist Pacita Abad, a gift from the Pacita Abad Art Estate that also includes funding to catalog 120 linear feet of archival materials—photographs, correspondence, exhibition records, and personal artifacts. The archive will be stewarded by Stanford University Libraries' Bowes Art and Architecture Library in collaboration with the Cantor Arts Center, and is expected to be available to students and scholars within a year. The acquisition follows Abad's posthumous traveling retrospective that opened at the Walker Art Center in 2023, which brought her prolific 32-year practice to the attention of U.S. institutions.

New Amon Carter Museum exhibitions spotlight distinct views of the American West

The Amon Carter Museum of American Art in Fort Worth is opening two new exhibitions on May 18: “Richard Avedon at the Carter” and “East of the Pacific: Making Histories of Asian American Art.” The Avedon show marks the 40th anniversary of the museum’s original 1985 presentation of his “In the American West” series, featuring 40 portraits alongside archival photographs by Laura Wilson. The second exhibition explores Asian American influence on the West Coast, reframing the U.S. as east of the Pacific.

What’s new this spring at the Cantor Arts Center

The Cantor Arts Center at Stanford University has launched two major exhibitions that challenge traditional perceptions of nature and craft. 'Animal, Vegetable, nor Mineral' features the multimedia work of Miljohn Ruperto, utilizing virtual reality, sculpture, and animation to critique how humans categorize and expand into both physical and digital landscapes. Simultaneously, 'Jeremy Frey: Woven' presents over 30 intricate baskets by the MacArthur Fellow and Passamaquoddy artist, marking the final and only West Coast stop for this career-spanning survey.