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First-ever oil painting depicting an artist at work to star in female Old Master exhibition

The first-ever exhibition dedicated to Catharina van Hemessen, Europe's most important early female painter, will open at the Snijders&Rockox House in Antwerp (15 October 2026 – 31 January 2027) before traveling to the National Gallery in London (4 March – 30 May 2027). The show will reunite most of her surviving works for the first time in nearly 500 years, including her groundbreaking 1548 self-portrait at the Kunstmuseum Basel, which is the earliest known self-portrait by a female artist and the earliest surviving oil painting depicting an artist at work. Archival research on her family is underway, and the exhibition will also feature works by her father, Jan Sanders van Hemessen.

The Big Review | The reopening and rehang of the Sainsbury Wing, National Gallery, London ★★★★★

The National Gallery in London has reopened its Sainsbury Wing after a renovation led by architect Annabelle Selldorf, designed to create a more welcoming entrance. The wing, originally designed by Robert Venturi and Denise Scott Brown in 1991, now features a transformed ground floor with double-height spaces, improved lighting, and a new piazza linking to Trafalgar Square. The reopening coincides with the gallery's bicentenary and a major collection rehang titled "C C Land: the Wonder of Art," sponsored by a Hong Kong property developer. Old favorites like the chapel-like space for Piero della Francesca's works are restored, and new commissions, including Richard Long's "Mud Sun," greet visitors.

Holbein drawings go back on show at Kunstmuseum Basel after almost 20 years

The Kunstmuseum Basel has reinstalled a collection of extremely fragile Hans Holbein drawings in a dedicated gallery as part of a major rehang of its 14th- to 19th-century galleries. The works, mostly preparatory studies by the Northern Renaissance painter, have not been publicly displayed for nearly 20 years and are so light-sensitive that the gallery's lighting system activates only when visitors enter. The museum's director, Elena Filipovic, notes that the drawings entered the collection in 1661 and have been kept undercover since the 1980s, last appearing in a major Holbein exhibition in 2006.