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jenny saville get under the skin 2728049

Jenny Saville, the British painter known for her monumental depictions of flesh, is the subject of her first major U.S. museum exhibition, "Jenny Saville: The Anatomy of Painting," now on view at the Modern Art Museum of Fort Worth, Texas. The show, which previously opened at London's National Portrait Gallery in June, brings together 45 works from across her career, including charcoal drawings and large-scale oil paintings. In a rare interview, Saville discusses seeing older works like *Plan* again and how the Fort Worth museum's architecture suits her largest canvases. The exhibition runs through January 2026, ahead of a major 2026 showcase in Venice.

Fort Worth Museum Only U.S. Venue to Host Major Jenny Saville Retrospective

The Modern Art Museum of Fort Worth has announced it will be the only U.S. venue to host the touring retrospective "Jenny Saville: The Anatomy of Painting," honoring the English artist known for revitalizing figurative art in the 1990s. Organized by the National Portrait Gallery in London, the exhibition opens October 12, 2025, and runs through January 18, 2026, featuring nearly 50 works spanning Saville's career from her student days at the Glasgow School of Art to recent abstracted portraits. The show includes monumental oil paintings, charcoal drawings, and a new series, accompanied by a publication with contributions from curators and critics.

The flesh artist: Jenny Saville returns to the spotlight with a US$2.7m drawing and major London retrospective

British figurative painter Jenny Saville has returned to the spotlight with a new auction record and a major retrospective. Her charcoal drawing *Mirror* (2011-12) sold for £2.11 million (US$2.7 million) at Sotheby’s London, setting a record for a work on paper by the artist. The sale coincides with *Jenny Saville: The Anatomy of Painting*, a retrospective at London’s National Portrait Gallery running through 7 September, which features 45 works tracing her evolution from early oil paintings to recent charcoals.

With a new exhibition, Fondation Beyeler celebrates the 60-year career of Vija Celmins

Fondation Beyeler in Switzerland is hosting a comprehensive solo exhibition celebrating the 60-year career of Latvian-born American artist Vija Celmins. The show spans her evolution from early paintings of everyday objects and war imagery to her signature meticulous pencil and charcoal drawings of spiderwebs, night skies, ocean waves, and cosmic expanses. Celmins, who fled World War II as a child and later settled in the US, describes her preference for pencil as "dense yet precise," and the exhibition includes a selection of her sculptures as well.

Robert Longo: Angels of the Maelstrom | Pace Gallery | Art in Tokyo

Robert Longo, the New York-based artist known for monumental charcoal drawings, returns to Japan after thirty years with the solo exhibition 'Angels of the Maelstrom' at Pace Gallery Tokyo, on view until June 17. The show presents recent drawings and sculptures that juxtapose allegorical images of crashing waves, whales, tigers, and peonies with portraits of 20th-century American icons, centered on a large-scale depiction of Japanese baseball star Shohei Ohtani titled *Untitled (American Samurai)*, which Longo frames as a symbol of cultural convergence.

‘A love letter to drawing’

Harvard Art Museums has opened a fall exhibition titled “Sketch, Shade, Smudge: Drawing from Gray to Black,” featuring around 120 works from the 19th to 21st centuries by artists including Pablo Picasso, John Singer Sargent, Edgar Degas, Piet Mondrian, and Georges Seurat. The show focuses on drawings in chalk, charcoal, graphite, and crayon, curated by conservator Penley Knipe and curator Miriam Stewart, who spent over a year selecting rarely seen pieces from the museum’s collection. Highlights include a fragile Degas charcoal drawing, “After the Bath, Woman Drying Herself,” which underwent conservation treatment, and a display of materials such as a box of vine charcoal owned by Sargent. The exhibition also features videos of the curators experimenting with historical techniques, like erasing with bread, and includes a hands-on drawing area styled after a 19th-century academic studio.

In ‘A Natural History of the Studio,’ Many William Kentridges Add Up to One

William Kentridge's latest exhibition, 'A Natural History of the Studio,' at Hauser & Wirth in New York presents over 70 drawings from his nine-part film series 'Self-Portrait as a Coffee-Pot,' alongside new sculptures. The works, created during the pandemic, explore self-portraiture through charcoal, pastel, and collage, often featuring doppelgängers that argue and disagree, reflecting the artist's engagement with theater and the materiality of his forms.

A natural history of the studio

William Kentridge presents his first exhibition with Hauser & Wirth in New York, titled "A natural history of the studio." The show features his acclaimed episodic film series "Self-portrait as a coffee-pot" (completed in 2024) alongside over seventy works on paper and sculptures. Spanning two floors at 542 West 22nd Street and extending to the gallery's 18th Street location, the exhibition includes charcoal drawings used in the film's animation, Paper procession sculptures, and the animated video "Fugitive words" (2024). The installation, designed by longtime collaborator Sabine Theunissen, evokes Kentridge's Johannesburg studio environment.

Exhibition | Anna Park, 'Hot Honey' at Lehmann Maupin, London, United Kingdom

Anna Park makes her United Kingdom solo debut at Lehmann Maupin London with 'Hot Honey,' an exhibition of large-scale charcoal works running from April 30 to May 30. The show features Park’s signature fractured, cinematic compositions that explore female archetypes like the 'vixen' and the 'bombshell.' For the first time, the artist introduces shaped supports that turn her drawings into sculptural reliefs, alongside restrained passages of color that heighten the psychological intensity of her social critiques.

Adrian Ghenie: Roman Campagna | Exhibition review

Adrian Ghenie's exhibition "Roman Campagna" at a Paris gallery presents a series of paintings and charcoal drawings that subvert the romantic cliché of an artist's transformative encounter with Rome. Ghenie populates landscapes inspired by the Appian Way with grotesque, alien-headed figures hunched over smartphones, urinating on monuments, or weeping at sunsets, using brown and grey tones punctuated by bright colors. The works reference Francis Bacon and William S. Burroughs, and include direct allusions to Bacon's reinterpretation of van Gogh's self-portrait, as well as a copy of a Pompeii mosaic. The show also features large charcoal drawings on paper that reveal Ghenie's process of constructing his contemporary, alienated figures.

A Roma una mostra celebra il leggendario scenografo e costumista Dante Ferretti

A new exhibition titled "Dante Ferretti. Con i miei occhi" has opened at the Musei di San Salvatore in Lauro in Rome, celebrating the legendary Italian set designer and costume designer Dante Ferretti. Curated by Raffaele Curi, the show runs until July 19, 2026, and features a collection of Ferretti's sketches, charcoal drawings, and collages that served as the foundational visual ideas for films by directors including Pier Paolo Pasolini, Martin Scorsese, Federico Fellini, and Tim Burton. The exhibition presents these preparatory works not merely as production tools but as autonomous works of art, tracing Ferretti's visual genealogy from Renaissance painters like Piero della Francesca and Caravaggio to contemporary cinema.

Art and Design seniors exhibit their work at Krannert Art Museum

More than 100 seniors from the School of Art and Design at the University of Illinois Urbana-Champaign will showcase their final projects at Krannert Art Museum from May 9 to May 16. The Bachelor of Fine Arts Exhibition features work across all disciplines, including art education, art history, graphic design, industrial design, and studio art. Graphic design students Rinnell Borges and Natalie Mora created the exhibition's branding and catalog under the theme "Myth of Originality," drawing inspiration from fellow students' work and university archives. Individual projects include Borges's syrup packaging concept, Mora's communication guide for Latino communities, Caroline Dorion's charcoal drawings of draped female figures, and Sylvie Leyerle's children's book about her adoption from China.

In upcoming thesis exhibition, Bates senior studio art students each have a seat At the Table

Eleven graduating studio art and visual culture students at Bates College are preparing to debut their year-long thesis projects in the professional exhibition "At the Table." Opening April 17 at the Bates Museum of Art, the show features a diverse range of media including charcoal drawing, photography, and sculpture. The students have spent two semesters transitioning from theoretical research and material exploration to the physical production and professional framing of their works under the guidance of faculty and museum staff.

Portland artist Ami Maki debuts body-positive ‘Obese Landscapes’ exhibit at Multnomah Arts Center

Portland-based artist Ami Maki has unveiled her latest exhibition, "Obese Landscapes," at the Multnomah Arts Center. The showcase features eight large-scale charcoal drawings, some reaching seven feet in height, that draw visual parallels between the human form and natural topographies like rolling hills and rock formations. By utilizing earth tones and monumental scale, Maki seeks to reframe bodies often marginalized by societal beauty standards as majestic, natural environments.

Senior artists explore censorship, AI and transformation in the capstone exhibition

Shippensburg University senior art students presented their capstone exhibition at the Huber Art Center, featuring works in printmaking, digital art, ceramics, and charcoal drawings. Artists Luke Lindvall, Gerald Pratt, Kaylee Will, Alayna Mandich, and Lily Bramucci explored themes including censorship, artificial intelligence, horror, and personal transformation. Lindvall pushed printmaking onto unconventional surfaces like skateboards and furniture, Pratt addressed over-censorship in politics, Will warned against over-reliance on technology and AI in raising children, Mandich used horror imagery to examine beauty, and Bramucci connected pit-fired ceramics to life choices and hardship.

Final Touches: BA Art Exhibition

Southwestern University’s Sarofim Fine Arts Gallery recently debuted the Spring 2026 B.A. Senior Art Exhibition, showcasing the final projects of seven graduating Fine Arts majors. The exhibition features a diverse range of media and themes, including Christopher Bowers’ historical-fantastical landscapes, Sophie Kinkade’s Y2K-inspired "spill art," and Trinidad Laurenzi’s exploration of Catholic iconography and body horror. Other featured artists include Maeve Lloyd, Aris Morgan, Grace Sapienza, and Isa Wilson, whose works span sculpture, anime-influenced illustration, and charcoal drawings addressing mental health.

Mount Wachusett Community College hosts 40th art exhibition

Mount Wachusett Community College (MWCC) held its 40th Annual Regional Exhibition of High School Art in the East Wing Gallery, featuring works from students at eight area high schools. The exhibition displayed ceramics, paintings, drawings, and mixed media, with 10 students receiving cash awards for outstanding artistic achievement. The college also highlighted its expanding art program, driven by free community college initiatives, and its community outreach through the Summer Art Program for Youth and free public exhibitions.

Portrait adds a dusting of mystery to exhibition in Bishop Auckland

A mystery portrait has prompted a public appeal in County Durham as a major new exhibition celebrating miner-artist Tom McGuinness opens at Bishop Auckland’s Mining Art Gallery. Visitors are being asked to help identify an unknown man depicted in a 1963 charcoal drawing, *Portrait of an Unknown Man*, now on display as part of *Tom McGuinness: Out of the Darkness*, which marks the centenary of the artist’s birth and runs throughout 2026. McGuinness, born in Witton Park, worked in the mines for nearly four decades, and his art captures the physical and emotional realities of mining life. The portrait was initially thought to depict the artist’s father-in-law, but his daughter Corinne Aspel has challenged that assumption, noting clear differences in facial features.

“ Where Arts Flourish, Culture Blossoms”: Renowned Film Director and Artist B. Narsing Rao at ‘Charcoal...

A charcoal art exhibition titled "Charcoal Stories" by young prodigy Ricky Tej from Nagarkurnool district was inaugurated at Lamakaan in Hyderabad. Renowned film director and artist B. Narsing Rao attended as Chief Guest, praising Tej's realistic charcoal drawings and mythological themes. Other speakers included journalist Sri Venkateshwar Rao, editorial cartoonist Sri Narsim, and Group-1 Officer Ms. Sahithi, who emphasized the importance of encouraging artistic talents alongside academics. The exhibition was organized by BALACHELIMI children's magazine and remains open to the public until 6pm on April 26, 2025.

Young Artists Take Center Stage At Rutland Gallery Exhibit

The Greater Rutland Central Supervisory Union recently launched its third annual student art celebration at the Vermont State University Castleton Bank Gallery. The exhibition showcases a diverse array of creative works—including paintings, charcoal drawings, pottery, and photography—produced by students ranging from pre-K through high school. The opening reception also integrated live musical performances by local students, creating a multi-disciplinary showcase of regional youth talent.