elephant sculptures migrate to art basel miami beach 2579113

A herd of 100 life-size elephant sculptures, handcrafted by 200 Indigenous artisans from South India, has arrived at Art Basel Miami Beach as part of "The Great Elephant Migration," a global public art and conservation project. The sculptures are made from lantana camara, an invasive plant, and are modeled after individual elephants from the Nilgiri Biosphere Reserve. Organized by Ruth Ganesh and the Coexistence Collective, the installation aims to promote coexistence between humans and wildlife, with proceeds from sculpture sales funding 22 conservation NGOs. The elephants have toured the U.S., appearing in Newport, Rhode Island, Manhattan's Meatpacking District, and now Miami Beach, where they have drawn enthusiastic crowds—and even a reported incident of a couple having sex on one of the sculptures, prompting police patrols.

100 massive elephant sculptures beverly hills 2669384

The Great Elephant Migration, a public art project featuring 100 life-size elephant sculptures, has concluded its cross-country journey in Beverly Hills, California. The sculptures, crafted by Indigenous artisans of the Coexistence Collective in India from the invasive lantana camara weed, represent real elephants from the Nilgiri Biosphere Reserve and the Sheldrick Wildlife Trust. The herd traveled 5,000 miles via electric trucks, making stops in Newport, New York, Miami, Houston, Jackson Hole, and Montana, before arriving at Beverly Gardens Park. The artworks are for sale, with prices ranging from $8,000 to $22,000, and sales have exceeded $3 million, with proceeds supporting 22 conservation NGOs.

Marcello Dantas Named Curator of 2027–29 Vancouver Biennale

The Vancouver Biennale has appointed Brazilian artist and documentary filmmaker Marcello Dantas as senior curator for its 2027–29 edition. Dantas, currently art director at the immersive museum Ster Ik in Tulum, Mexico, recently cocurated the 2024 iteration of Saudi Arabia's Desert X AlUla with Maya El Khalil. He has previously organized exhibitions for artists including Ai Weiwei, Anish Kapoor, Shirin Neshat, and Bill Viola, and curated a project by Vik Muniz for the 2013–15 Vancouver Biennale. Dantas plans to shape the event by addressing the city's corporate real estate development alongside its First Nations and colonial history, exploring themes of displacement and belonging.

Artist’s Choice: Arthur Jafa—Less Is Morbid

Arthur Jafa has curated a new exhibition at the Museum of Modern Art (MoMA) as part of the museum's ongoing Artist's Choice series. Titled "Less Is Morbid," the show runs through July 5 and features over 80 objects selected from MoMA's collection. Jafa, an artist and filmmaker known for his emotionally charged collages and installations, brings together works by figures such as Jean-Michel Basquiat, Cy Twombly, Lygia Clark, Roy DeCarava, Piet Mondrian, and Lutisha Pettway. The exhibition challenges binary oppositions like minimalist/maximalist and sparse/dense, and critiques the historical hierarchies that have governed art institutions.

Exhibition | GaHee PARK, 'Half-Looking, Half-Seen' at Perrotin, New York, United States

Perrotin New York presents 'Half-Looking, Half-Seen', a special exhibition of new paintings by GaHee Park, featuring still lifes and portraits set within seascapes and landscapes that explore psychological dynamics of perception and coexistence. The show precedes Park's first institutional solo exhibition in the United States, opening in August 2026 at the Yerba Buena Center for the Arts in San Francisco. Works such as 'Seafood Heaven', 'Wetland at Dusk', and 'Creeping Shadow' depict ambiguous scenes where figures, animals, and natural elements blur boundaries between perceiving and being perceived, with influences including Joan Jonas's performance art.

From monumental scroll paintings to metaphorical breasts: five works to see at Art SG

The article highlights five standout works at Art SG, the Singapore art fair. Featured artists include Pinaree Sanpitak, whose hand-blown glass sculpture *Stacked Offering I* (2024-25) continues her exploration of breasts as metaphors for womanhood and spirituality; Jakkai Siributr, whose textile work *CG20* (2023) repurposes discarded uniforms from Thailand's struggling tourism workers into a tapestry of healing; Citra Sasmita, whose installation *Timur Merah Project XI: Bedtime Story* (2023-24) centers female protagonists in Balinese mythological scrolls; and Ayesha Singh, whose wall reliefs from the *Evolution* series trace Indian architectural motifs. Prices range from around $5,000 to $40,000, with works shown by galleries including Ames Yavuz, Flowers Gallery, Yeo Workshop, and Nature Morte.

Making Art Between Light and Darkness. It Happens in a Show in Veneto at Arzignano

Fare arte tra luce e buio. Succede in una mostra in Veneto ad Arzignano

The group exhibition "L’ombra delle lucciole" (The Shadow of the Fireflies) is on view at the Atipografia gallery in Arzignano, Veneto. Curated by Alfonso Cariolato and Luigi de Marzi, it features works by Mats Bergquist, Marco Tirelli, Silvia Inselvini, and Loes van Roozendaal, all exploring the tension and coexistence between light and darkness through diverse painting techniques.

How Gretchen Andrew’s AI art is revealing the societal scars of ‘facetuning’

Gretchen Andrew, a former Silicon Valley software engineer turned artist, has created a series titled "Facetune Portraits: Universal Beauty" that critiques unattainable beauty standards perpetuated by social media and AI. Using images of Miss World contestants, she employs the apps Facetune and Body Tune to digitally alter the photos, then works with creative robotics company Matr Labs to produce oil paintings. An oil paint printer creates the original image, and an XY-axis drawing robot adds brushstrokes based on discrepancies between the original and AI-modified versions, resulting in unsettling portraits that highlight the 'scars' of digital manipulation. The series won the Acquisition Award at Untitled Art Miami Beach and has been shown at Hope 93 gallery in London and Heft Gallery in New York, with a major institutional acquisition pending.

John Hitchcock’s sonic and cultural rhythms

The New Britain Museum of American Art in Connecticut will present "John Hitchcock: We are Defined by the Beat" from May 16 to November 29, 2026, marking the artist's first mid-career retrospective. John Hitchcock, an enrolled member of the Kiowa Tribe of Oklahoma with Comanche and Northern European ancestry, has spent over three decades transforming the sonic and cultural rhythms of his homeland into a distinct visual language. The exhibition explores his integration of visual and sonic forms across printmaking, neon, textiles, sound, video, and installation, featuring series such as "Flatlander" (2011-18), "Bury the Hatchet" (2019-2020), "Blanket Songs" (2022-2023), "Soundscapes" (2021-2024), and "Celebration" (2025). Hitchcock's work pays homage to his ancestors, confronts histories of Indigenous displacement and trauma, and celebrates community, resilience, and survival, drawing on the sounds and landscapes of his ancestral home in Medicine Park, Oklahoma.

OSCAR SANTILLAN TO REPRESENT ECUADOR AT THE 61ST VENICE BIENNALE

Ecuador has selected artist Oscar Santillán to represent the nation at the 61st Venice Biennale in 2026. Curated by Manuela Moscoso and organized by the Museum of Anthropological and Contemporary Art (MAAC), the pavilion will feature a collaboration between Santillán and the collective Tawna. The exhibition, titled after the collective, will explore Andean-Amazonian contexts through a dialogue on territory, indigenous knowledge systems, and coexistence.

The Cosmic Entanglements and Inner Transformations of ‘Metamorphosis’.

Isaac Julien has created a new site-responsive film installation titled 'All That Changes You. Metamorphosis' at The Cosmic House in London. The work, which features protagonists Lilith and Naomi, explores themes of transformation, cosmology, and interdependence through a non-linear narrative that moves from Californian redwoods to Renaissance interiors, using the postmodern architecture as an active participant in the dialogue.

‘We need to rethink’: new exhibition revisits an Israeli conceptual art project, 53 years on

A new exhibition at the Givat Haviva Art Gallery in northern Israel revisits a landmark 1972 conceptual art project called Metzer-Meiser, which took place along the seamline between Kibbutz Metzer and the Arab village Meiser. The original project involved four Israeli artists—Dov Or-Ner, Moshe Gershuni, Avital Geva, and Micha Ullman—who created actions exploring Jewish-Arab coexistence, including burying personal items, parcelling land, scattering books, and exchanging soil between the two communities. The contemporary exhibition, "Metzer-Meiser: Take 2," co-curated by Anat Lidror and Tali Tamir, includes two of the original artists (Geva and Ullman) alongside ten contemporary Jewish and Palestinian artists, responding to the original project's themes of connection, fear, and trust.

Interview with Nina Wakeford of the Swiss Pavilion at the 2026 Venice Biennale

Intervista a Nina Wakeford del Padiglione Svizzero alla Biennale di Venezia 2026

Nina Wakeford, artist and curator of the Swiss Pavilion at the 2026 Venice Biennale, discusses the pavilion's project "The Unfinished Business of Living Together." The exhibition draws on two Swiss television broadcasts from 1978 and 1984—Telearena and Agora—in which gay, lesbian, and trans individuals spoke on national television. Rather than treating these as historical artifacts, Wakeford and her team (Gianmaria Andreetta, Luca Beeler, Miriam Laura Leonardi, Lithic Alliance, and Yul Tomatala) reactivate them as points of tension, creating a multimedia environment that explores unresolved issues of coexistence, visibility, and social difference.

Il Padiglione Italia alla Biennale? “Deve essere uno spazio di possibilità”. Intervista alla curatrice

The article announces Chiara Camoni's project "Con te con tutto" for the Italian Pavilion at the 61st Venice Biennale in 2026, curated by Cecilia Canziani. The project emphasizes relational and communal practices, rejecting the identity-driven rhetoric of national representation. It stems from a fifteen-year dialogue between artist and curator, incorporating workshops, shared readings, and collaborative works like "La Giusta Misura." The pavilion is conceived as an ecosystem of artworks, texts, and activations rather than a linear exhibition, with a catalog designed as a critical reader.

Pi Li appointed founding director of Shenzhen’s Róng Museum, set to open 2027

Pi Li, former head of art at Hong Kong's Tai Kwun, has been appointed the founding director of the new Róng Museum in Shenzhen. The museum, focusing on 20th and 21st-century global creative practices across visual art, design, performance, architecture, and digital media, is scheduled to open in the second half of 2027 as part of the M80 lifestyle complex.

Venice Biennale performances confront war and climate fears

At the 2026 Venice Biennale, visitors encountered provocative performances and installations addressing war, climate anxiety, and human coexistence. Highlights include a naked performer acting as a human bell clapper in Florentina Holzinger's "Seaworld Venice" at the Austrian Pavilion, lifelike baby dolls in Ei Arakawa-Nash's caregiving-focused work at the Japanese Pavilion, and drone-powered flying carpets in Moldova's pavilion that transform symbols of war into tools of peace. The Nordic Pavilion also presented surreal installations exploring coexistence and environmental fears.

MONITOR YIN YANG ARGENTINA ARRIVES AT THE VENICE BIENNALE WITH AN OPEN CARTOGRAPHY

The Argentine Pavilion at the 61st Venice Biennale will feature a site-specific installation titled "Monitor Yin Yang" by artist Matías Duville. Curated by Josefina Barcia, the work uses salt and charcoal to create an unstable, walkable landscape that explores the coexistence of opposing forces such as light and shadow, waste and energy. The installation includes a sound composition developed with Centolla Society and Alvise Vidolin, integrating real-time environmental data from Venice. Duville's project was selected from 69 proposals in an open competition organized by Argentina's Ministry of Foreign Affairs, National Secretariat of Culture, and the Argentine Investment and Trade Agency.

THE UNFINISHED BUSINESS OF LIVING TOGETHER AT THE SWISS PAVILION

The Swiss Arts Council Pro Helvetia has selected the project "The Unfinished Business of Living Together" to represent Switzerland at the 2026 Venice Biennale. Conceived by Gianmaria Andreetta, Luca Beeler, and artist Nina Wakeford, the exhibition utilizes archival television broadcasts from the 1970s and 80s to explore the history of LGBTQ+ visibility and social coexistence. The installation will feature a spatialized video production and garden interventions that reactivate historical media moments to examine how social norms dictate public discourse.

A Roma un evento per indagare le relazioni tra scienza e moda. Intervista alla curatrice Dobrila Denegri

From May 13 to 15, 2026, the MACRO – Museo d’Arte Contemporanea di Roma will host "Science Fashion," an event curated by Dobrila Denegri that explores the intersections of fashion, science, and new technologies. The program brings together international researchers and practitioners in experimental fashion to discuss urgent issues such as climate emergency, energy, and interspecies coexistence. It is part of the broader multi-year initiative "Experiments in Fashion and Art," launched in 2024 with "Critical Fashion," and involves collaborations with NABA, Sapienza University of Rome, and UnitelmaSapienza.

Il Padiglione della Natura alla Biennale di Venezia. Ovvero due gabbiani che mettono in crisi il patriarcato

At the 2026 Venice Biennale, two seagulls built a nest in front of the Polish Pavilion in the Giardini. Organizers chose to protect the nest with a small fence and a sign, turning it into an unofficial "Nature Pavilion." The birds share incubation duties equally, drawing large crowds who pause to watch their cooperative behavior amid the Biennale's intense geopolitical tensions, including protests against the Russian Pavilion, pro-Palestinian actions, and debates over Israel's cultural role.

New dates, new venue, and a new theme: Here is what the Moncalieri emerging photography festival will look like

Nuove date, nuova sede e nuovo tema. Ecco come sarà il festival di fotografia emergente di Moncalieri

Liquida Photofestival has announced the details for its fifth edition, scheduled to take place from April 17 to 19, 2026. The independent festival dedicated to emerging contemporary photography is moving to a new venue at the Real Collegio Carlo Alberto in Moncalieri, near Turin. Under the artistic direction of Laura Tota, the upcoming edition will center on the theme "Learning and Unlearning – (re)writing the rules," featuring a program of exhibitions, talks, and publishing events built primarily through open calls.

Miranda Lee and the Ethics of Attention

Curator Miranda Lee is redefining the presentation of digital and physical art by prioritizing "spatial practice" and the ethics of attention over the art world's typical demand for speed and novelty. Through major projects like RECRAFTED and the MULT Island virtual platform, Lee designs exhibition layouts and digital environments that incorporate "pause points," encouraging viewers to linger and reflect rather than succumb to frictionless scrolling. Her work spans physical galleries in Shanghai and London, as well as immersive virtual spaces, consistently focusing on how identity is staged across different environments.

Yearlong Great Elephant Migration ends in Beverly Hills

The Great Elephant Migration, a yearlong public art exhibition featuring a herd of life-sized elephant sculptures, has concluded its journey in Beverly Hills. The installation, which traveled across the United States, aimed to raise awareness about elephant conservation and human-wildlife coexistence.

Robert Zhao Renhui: After Control @ Kyoto City University of Arts Gallery @KCUA

ロバート・ザオ・レンフイ「アフター・コントロール」@ 京都市立芸術大学ギャラリー@KCUA

The Kyoto City University of Arts Gallery @KCUA is hosting a solo exhibition by Singaporean artist Robert Zhao Renhui titled "After Control" (アフター・コントロール), running from May 16 to July 12, 2026. The exhibition presents works from Zhao's long-term projects on Christmas Island, Singapore, Tokyo, Hampi (India), and Phuket (Thailand), exploring environments shaped by human intervention and the complex interplay between nature and artificiality. Zhao, known for his participation in major international exhibitions including the Thailand Biennale Phuket 2025, the 60th Venice Biennale (2024), and the Gwangju Biennale (2023), uses photography, video, and installation to critically examine how ecosystems transform under human control.