Christie's will offer three major paintings by Gerhard Richter in its March evening sales in London and Hong Kong. The London sale on March 5 features the 1984 photo-painting 'Schober (Haybarn)', estimated at £6 million, and a 1991 'Abstraktes Bild' abstract work, estimated at £4.5-6.5 million. The Hong Kong sale on March 27 will offer a larger 1991 'Abstraktes Bild', estimated at HK$78-98 million ($10-13 million), coinciding with Art Basel Hong Kong.
The 30th edition of miart opened its doors at the Allianz MiCo convention center in Milan, marking a significant milestone for Italy’s premier international modern and contemporary art fair. As the city continues its ascent as a global art capital, the 2026 fair attracted a diverse continental crowd of collectors and professionals ahead of the upcoming Venice Biennale.
Independent curator Brice Arsène Yonkeu has organized "Ever So Present II: Between Home and Elsewhere," the second installment of a two-part exhibition at Gagosian's Park & 75 space in New York. The show features four emerging artists of African descent—including Emma Prempeh and Josèfa Ntjam—whose works in painting, photomontage, and assemblage explore themes of diaspora, memory, migration, and belonging. Yonkeu is the first curator invited to participate in dot.ateliers' new residency program, a foundation and exhibition space launched by Ghanaian painter Amoako Boafo in Accra in 2023. The exhibition expands on questions raised in the first iteration held in Accra, asking what remains "ever so present" in diasporic art across borders and cultures.
Artist Alvaro Barrington has created a vibrant haulage truck titled "Labor Day Parade ’91" (2026) as his contribution to the 61st Venice Biennale, part of the exhibition "In Minor Keys." The truck, decorated with scenes linked to his background and art historical references, was driven from London to Venice on an epic road trip across Europe. It is now parked in the Giardini next to the Austrian pavilion, with its front tyres punctured to prevent movement. During the preview, the work was admired by artist Julie Mehretu and Dia Art Foundation director Jessica Morgan.
American painter Joan Semmel is debuting a dual-continent exhibition titled "Continuities," presented simultaneously at Xavier Hufkens in Brussels and Alexander Gray Associates in New York. The show features recent large-scale paintings, including works like "Here I Am" (2025) and "Red Breast" (2025), which utilize saturated hues and layered compositions to explore the artist's own aging body from her own perspective. By presenting related works across two cities, the exhibition mirrors the internal logic of Semmel’s paintings, which often employ doubling and shifting imagery to represent the body as a site of active presence.
Upsilon Gallery, founded by German-Argentine dealer Marcelo Zimmler, will open its first continental European location in Milan on November 18. The 200-square-meter space is situated near Via Monte Napoleone in the Quadrilatero fashion district, joining a wave of international galleries—including Thaddaeus Ropac, Cardi Gallery, and Robilant + Voena—that are betting on Milan's potential to become a global art capital. The inaugural exhibition features four canvases from Osvaldo Mariscotti's Valley series, with a bilingual catalogue edited by critics David Ebony and Alex Grimley, and coincides with twin shows in Upsilon's London and New York outposts.
Europe is set to host a series of major exhibitions in 2026 that bridge the cultural divide between the East and West. Key highlights include a massive Yayoi Kusama retrospective at the Stedelijk Museum in Amsterdam, a showcase of Thai royal haute couture and Pierre Balmain’s designs at the Musée des Arts Décoratifs in Paris, and an exploration of ancient Korean gold at the Musée Guimet. Additionally, the Victoria and Albert Museum in London will partner with Australia’s QAGOMA for a large-scale survey of contemporary art from Asia and the Pacific.
In 1986, divers recovered ancient fragments from a lake in Longford County, Ireland, which were later identified as the Lough Kinale Book Shrine, the largest and oldest book shrine in Ireland. After a 39-year conservation process at the National Museum of Ireland (NMI), the 9th-century oak and bronze container is now on public display. The shrine, featuring intricate metalwork, snake-head hinges, and a permanently sealed interior, was reconstructed using photogrammetry and 3D modeling. It is part of the NMI exhibition "Words on the Wave," which showcases over 100 early medieval artifacts, including manuscripts on loan from the Abbey Library of St. Gall in Switzerland.
The Great Baddow Hoard, the largest recorded collection of ancient gold coins in the U.K., has been acquired by the Museum of Chelmsford five years after its discovery. Unearthed by metal detectorist Shane Wood on private land in Great Baddow, Essex, the hoard comprises 933 gold coins and fragments dating to 60–20 B.C.E. The museum secured the £300,050 ($400,590) trove with major funding from the National Lottery Heritage Fund and smaller contributions from other organizations. Wood was convicted in 2021 for failing to declare the treasure under the Treasure Act 1996, and the reward was paid to the landowner instead.
Marcel, a new restaurant, opened on April 17 in the lower level of Sotheby’s new home at the Marcel Breuer building on the Upper East Side. Designed by Roman and Williams in partnership with the auction house, the space features walnut-paneled walls, an open kitchen, and a pâtisserie. Chef Marie-Aude Rose, who also oversees La Mercerie downtown, created a “continental” menu rooted in French technique but influenced by Breuer’s Hungarian heritage, with dishes like chicken paprikash and lobster bisque with turmeric and ginger. The wine list comes from Sotheby’s own collection, allowing guests to purchase bottles they enjoy during their meal.
Valentina Akerman and her husband, artist Joe Bradley, founded Galerie Sardine in Amagansett last summer, operating out of an 18th-century farmhouse. The gallery's debut season includes residencies and exhibitions with artists such as Jean Prounis, Julian Kent, Joline Kwakkenbos, Tenki Hiramatsu, and Nate Lowman, along with special events like a Beni Rugs residency and garden dinners. Akerman also curated a Sardine program at Le Consortium Museum in Dijon, France, while Bradley shows new work at David Zwirner's London gallery.
Whistle gallery in Seoul presents "언니 언니(unni)," a group exhibition curated by the collective Secret Asian Man. The show features a diverse roster of contemporary artists including Dongho Kang, Muyeong Kim, Young Joon Kwak, Kang Seung Lee, Grim Park, Isaac Chong Wai, and Carrie Yamaoka. The exhibition is a collaborative effort involving works and support from both Whistle and the Los Angeles-based gallery Commonwealth and Council.
The National Museum of African Art, part of the Smithsonian Institution, has opened "Here: Pride and Belonging in African Art," its first major exhibition dedicated to African LGBTQ+ art. Featuring 60 works by artists from over a dozen countries across Africa and its diaspora, the show includes paintings, sculptures, textiles, photography, film, and video. Co-curated by Serubiri Moses and Kevin D. Dumouchelle, the exhibition highlights collaboration, joy, and lived experience, with artists such as Zanele Muholi, Toyin Ojih Odutola, Rotimi Fani-Kayode, Jim Chuchu, Ṣọlá Olúlòde, and Leilah Babirye. Originally scheduled to open in May 2025 to coincide with WorldPride in Washington, the exhibition was postponed to January 2026 due to a Smithsonian budget situation, but ultimately opened as planned.
The Museum of Contemporary Art (MCA) in Chicago is presenting "Yoko Ono: Music of the Mind," a major retrospective of the artist's work that runs from October 18, 2025, to February 22, 2026. The exhibition features over 200 works spanning Ono's career, including interactive installations like "Wish Trees" and "Mend Piece," as well as iconic performances such as "Cut Piece." The show, which originated at the Tate Modern in London and will travel to The Broad in Los Angeles, highlights Ono's role in the Fluxus movement and her pioneering use of instruction-based art, film, and mixed media. The article also notes Ono's connection to Chicago through her permanent public sculpture "Sky Landing" in Jackson Park.
Perrotin gallery in New York presents 'Collective Hallcinations', an exhibition of new works by Brooklyn-based artist Nick Doyle. The show features wall-mounted denim collages and an immersive installation of a psychic parlor, including Doyle's first use of artificial intelligence. The works explore the fraught relationship between land and technology, progress and destruction, using denim as a material that evokes Americana, capitalism, and masculinity. The centerpiece, 'Mirror, Mirror', is a denim-clad structure housing an AI avatar named Ava, who offers sardonic commentary on the American dream and the digital frontier.
A new book titled *Jewish Country Houses*, edited by Juliet Carey and Abigail Green, explores the history of approximately 1,000 country estates built or remodeled by wealthy Jewish families across Great Britain and Continental Europe from the French Revolution until World War II. These houses, such as Waddesdon Manor and Château de Champs-sur-Marne, served as symbols of social arrival and assimilation, blending eclectic architectural styles with art collections from European auction houses. The volume, published by Profile and Brandeis University Press in association with the National Trust, features contributions from an international team of historians and curators, with photographs by Hélène Binet, and includes case studies of a dozen houses now open to the public.
Wallace Chan returns to the Venice Biennale for the fourth time with 'Vessels of Other Worlds', a two-city exhibition opening at the Chapel of Santa Maria della Pietà in Venice on 8 May 2026 and continuing at the Long Museum West Bund in Shanghai from 18 July, coinciding with the artist's 70th birthday. Curated by James Putnam, the project features large-scale titanium sculptures that explore material transformation, perception, and metaphysical space, including a live video link between the two venues and an inhabitable mirrored sculpture at the Long Museum.
U.S. officials formally returned 337 looted antiquities, archival materials, and artworks to Italy during a ceremony at Rome’s La Marmora barracks. The objects, spanning from the Villanovan era (900–700 B.C.E.) through the Hellenistic period (323–31 B.C.E.), include Etruscan, Greek, Italic, and Egyptian artifacts. The repatriation was coordinated by Italy’s Carabinieri Command for the Protection of Cultural Heritage, the U.S. Federal Bureau of Investigation, the Department of Homeland Security, and the office of Manhattan District Attorney Alvin Bragg Jr. Key items include a marble head of Alexander the Great, a bronze sculpture from Herculaneum, and Egyptian basalt sculptures. Some 221 objects were recovered via the Manhattan DA, while the remaining 116 were secured with help from Christie’s.
Amélie du Chalard, a bi-continental art collector and gallery owner, discusses her lifelong journey with art in an interview with CULTURED. Starting her collection at age 16 through family tradition, she founded her eponymous gallery in Paris in 2015 and later expanded to New York. Her collection and gallery blend design objects with fine art, embracing what she calls 'haptic minimalism'—a tactile, gentle aesthetic. She shares her sourcing process, including using the Drouot auction app and Artsy, and recounts tracking down a piece first seen in a 14th-century palace.
Aileen Murphy at Deborah Schamoni
Aileen Murphy has opened a solo exhibition titled "We must go under the wallpaper" at the Deborah Schamoni gallery in Munich. The show, running from January 9 through March 21, 2026, features new works by the artist, documented extensively with twenty installation photographs.
Brussels Airlines has announced a major traveling exhibition called AfriConnections, dedicated to contemporary African art, set to launch in 2026. The exhibition will tour museums and cultural venues in Kinshasa, Abidjan, Yaoundé, and Dakar before arriving in Brussels, featuring fifteen artists from across Africa whose works are drawn from the Ifitry artist residency collection. Admission will be free to maximize public access.
Artist Beata May will present her solo exhibition 'Où est Vénus? – Where is Venus' at Espace 22 in Monaco from 9th to 22nd August, organized by Unchained.Art. The two-week pop-up is curated by Christina Hiltscher, with the first week featuring May's solo works, including the piece 'Icon III', and the second week expanding to include six additional international artists responding to May's central question.
Continental, the premium tire manufacturer, has commissioned WOA Studio, a creative studio founded by Davide Carioni and Giuliana Pajola, to create an immersive sound installation titled "The Sound of Premium" for the Fuorisalone design festival in Milan. Presented at BASE Milano, the installation transforms urban noise pollution into a three-part sonic journey—chaos, harmony, and quiet—using seventeen audio-luminous elements that abstract the city soundscape. The experience is designed to show how noise can be mitigated rather than eliminated, with sound data derived from real urban recordings, particularly tire rolling noise.
Artist Joanna Tam's solo exhibition "when blue meets blue" opened at the 25/8 Art Gallery on April 13, 2026. The show, presented in partnership with the Harvard Square Business Association and Intercontinental Management, features photographic works and installations exploring the ocean and sky as motifs tied to migration, memory, and the complex duality of nature. Tam, who grew up in Hong Kong and moved to the US, draws from personal experience to create a space for meditation on comfort, freedom, trauma, and tension.
Artist Ben Schumacher opened a solo exhibition titled "I was a teenage victim of the scarlet withholding" at the gallery zaza' in Milan. The show ran from February 18 to March 28, 2026, and was documented with 14 images on Contemporary Art Daily.
The Goethe-Institut Sudan, in collaboration with the Humboldt Forum Berlin, presents 'Scattered Memories,' a transcontinental exhibition at the Goethe-Institut Kairo from 1 to 3 May 2026. The show features Sudanese artists working across collage, film, music, performance, food, and storytelling to explore themes of loss, remembrance, and cultural memory. Public programs include discussions, guided tours, and a traditional coffee corner, transforming the exhibition into a space for communal gathering and exchange.
The Crowsnest Pass Public Art Gallery has issued an open call for its Annual Juried Summer Exhibition, titled "Sight and Sound." This year’s theme celebrates the 100th anniversary of the Crowsnest Pass Community Orchestra by inviting artists to explore the intersection of visual art and music. Submissions are open to all artists until May 31, with a jury selecting approximately 16 participants based on originality, composition, and thematic relevance.
An exhibition titled "The Traveling Gallery of the Intercontinental Biennial of the Native American, Indigenous or Millenarian Art and Culture" is on display at The Alluvion in Traverse City, Michigan, through August 31, 2025. Featuring over 100 works from around the world, the show highlights indigenous artists from South and North America, including local Traverse City artists Paul Sinclair and Janelle Dahlberg, as well as St. Ignace artist Darryl Brown. Highlights include a portrait of Geronimo by Anderson Jahir Colcha Viñan and large oil-on-canvas rainforest paintings by Ana Piaguaje of Ecuador. The exhibition is produced and directed by Jorge Iván Cevallos and was brought to the venue by curator Jessica Kooiman Parker.