The Cy Twombly Foundation is presenting six rarely seen early works by Robert Rauschenberg at Gagosian's new Upper East Side gallery in New York. The exhibition includes a fragile 1950 assemblage of twigs and glass, a cyanotype made with his then-wife Susan Weil, a 'Black Painting' from around 1952, and a 1961 assemblage, offering a unique glimpse into a period of the artist's output that he largely destroyed.
Artist Christian Marclay is interviewed at Berlin's Neue Nationalgalerie ahead of his exhibition "The Clock," a 24-hour single-channel video installation that runs through January 25, 2026. The artwork is a meticulously edited collage of film clips, each showing a timepiece or time-related action, synchronized in real-time so that the film's time matches the viewer's actual time. Marclay discusses his long-standing interest in time, the project's origins in the early 2000s, and his process of deconstructing and linking found footage, emphasizing the crucial role of sound in smoothing transitions.
The article profiles three emerging artists to watch in 2026: Lebanese artist Dala Nasser, who creates politically charged works using materials like salted water and cyanotypes; Chinese-born, Berkeley-based artist Connie Zheng, whose work maps plantation economies and resource extractivism through painterly and symbolic compositions; and New York-based artist Nina Hartmann, who creates resin works inspired by DIY plaques and memorials, exploring hidden histories and Freemason symbolism. Each artist is highlighted for upcoming exhibitions or new series in 2026.
The Milwaukee Art Museum (MAM) will present “Permanent Drafts,” a major exhibition of over 40 recent works by Canadian artist Erin Shirreff, opening May 30. The show spans collage, photography, sculpture, and video, including site-specific installations and a new museum acquisition, “Paper sculpture” (2024). Shirreff, who began as a sculptor, uses photography to explore the gap between 2D representation and 3D objects, creating works that challenge how viewers perceive images and forms. Key pieces include the cyanotype collage “Inside times” (2020) and the sheet-metal installation “Drop” (2025).
Beaux Arts Magazine publishes a dossier on the pioneers of photography, marking the medium's 200th anniversary. The article profiles key figures such as Nicéphore Niépce, Louis Daguerre, Anna Atkins, Gustave Le Gray, Nadar, Eugène Atget, Girault de Prangey, Alfred Stieglitz, Julia Margaret Cameron, and Edward Steichen, highlighting their innovations in heliography, cyanotype, daguerreotype, and pictorialism. It also includes a focus on the oldest known photograph.
Artist Fran Siegel presents 'Arrábida' at Wilding Cran Gallery, a body of work developed during a Fulbright fellowship in Portugal. The exhibition features multi-panel compositions, cyanotypes, and drawings that investigate the botanical motifs of traditional Portuguese azulejo tiles. By layering organic plant impressions with rigid geometric patterns, Siegel explores how these ceramic surfaces function as a 'visual cartography' that encodes histories of trade, colonial expansion, and cultural identity.
Miami's Contemporary Art Modern Project (CAMP) Gallery has opened the seventh edition of its series program, titled “Women Pulling at The Threads of Social Discourse: Don’t be Absurd.” The group exhibition features dozens of artists who created circular, tondo-like fiber works inspired by absurdist philosophers and writers such as Albert Camus, Franz Kafka, Simone de Beauvoir, Samuel Beckett, and José Saramago. Works include RemiJin Camping's cyanotype in an embroidery hoop referencing Kafka's *The Metamorphosis* and Mychaelyn Michalec's hand-tufted wool piece *The Pietà and The Swan*. The show runs through December 20, 2025.
Easton's downtown art scene came alive during the May First Friday event, with multiple galleries opening their doors to the public. At the Zach Gallery inside the Prager Family Center for the Arts, a new exhibition of paintings by Paton Miller was curated by interior designer Jeffrey Parker. The TRA Gallery, run by the Talbot Arts Council, featured a photography show by Steve Waltrich, Mike Miller, and Maire McCardle. Troika Gallery, Easton's original fine art gallery, also participated, with artist Deborah Elville showing her work. Looking ahead, Zach Gallery announced a June 4 solo exhibition by Rhode Island artist Breath Day Wyndham titled "Gathering the Chesapeake," featuring cyanotypes created from flora and fauna collected from the Chesapeake Bay region.
The Albuquerque Museum is hosting a retrospective of Chicana artist Delilah Montoya, titled "Delilah Montoya: Activating Chicana Resistance." The exhibition's centerpiece is "Detention Nation," an immersive installation created in collaboration with the Sin Huellas Artist Collective that simulates the conditions of ICE detention centers. The work features cyanotype images of detainees on prison cots, chain-link fencing, and displays of meager government-issued personal items alongside the official National Detainee Handbook.
The Monterey Museum of Art is hosting "Landscape ReEnvisioned," a group exhibition featuring six contemporary photographers who move beyond traditional West Coast landscape traditions. Curated by Helaine Glick, the show presents works by Debra Achen, Tony Bellaver, Adrienne Defendi, Charlotte Schmid-Maybach, Brian Taylor, and Vincent James Waring. These artists utilize diverse mediums—including cyanotypes, gum bichromate prints, tapestries, and sculptures—to address the urgent realities of climate change, wildfires, and environmental degradation.
Artist Stuart Robertson presents "Through the Artist's Eye" at Bikaner House's Centre for Contemporary Arts in New Delhi, an exhibition born from a 15-month residency at Dr Shroff's Charity Eye Hospital. The show features cyanotypes, digital photos, bronze and iron sculptures, and multimedia collages that recreate how patients with cataracts, glaucoma, and other visual impairments perceive the world. Robertson worked with children experiencing sight for the first time, and all proceeds from sales benefit the hospital.
Artist Fritz Horstman has opened a solo exhibition titled 'Folded Worlds,' featuring his Folded Cyanotypes and a new series of Folded Palladiums. These camera-less photographic works are created by exposing folded, chemically coated paper to sunlight or UV light, resulting in abstract images that suggest crystalline landscapes and architectural forms.
Gallery Time & Space has unveiled 'Continuum: Artists Across Time and Space' at Venkatappa Art Gallery in Bengaluru, a large-scale exhibition featuring over 50 artists in a group show alongside solo presentations by SG Vasudev and Asit Poddar. The group exhibition explores metaphysical themes of consciousness, light, and love, bridging past and present through diverse mediums including cyanotypes, stoneware ceramics, and oil on canvas. Curator Renu George selected artists from the gallery's roster, highlighting both established and emerging talents.
The Kimball Art Center in Park City, Utah, has opened two new exhibitions, “Returning To Wonder” and “All Sketches Wish To Be Real,” featuring international and local artists. Among the featured artists is Alexandra Fuller, a multidisciplinary artist whose work includes cyanotypes of wildlife and who has ties to the Sundance Film Festival—her short film “Sister Wife” was accepted at the 2009 festival. The exhibitions also include works by Swiss artist Pipilotti Rist, American artist Lia Halloran, and Utah-based artist Antra Sinha. The center will host a series of public programs, including artist talks, workshops, and a book discussion, to engage the local community.
Artist Hillary Waters Fayle has developed a unique series titled 'Portraits of Place,' which utilizes foraged botanicals to create intricate cyanotypes. By collecting and drying seeds, petals, and foliage from specific locations like Grace Farms and Maymont Park, Fayle arranges them into symmetrical, mandala-like compositions on UV-sensitive paper. The resulting bright blue prints serve as a botanical record of a specific geography and moment in time.
British artist Stuart Robertson's solo exhibition 'Through The Artist’s Eye' at Bikaner House in Delhi showcases works created during an 18-month residency at Dr Shroff’s Charity Eye Hospital in Daryaganj. The show features photography, drawings, bronze sculptures, and cyanotype prints capturing the daily life of the hospital, its patients, staff, and the surrounding Chandni Chowk neighborhood. Robertson initially sold two watercolor works to a Delhi-based eye surgeon, donated the earnings to the hospital, and was subsequently invited to become an artist-in-residence.
An exhibition titled 'Through the Artist’s Eye: A Century of Sight and Service at Dr. Shroff’s Charity Eye Hospital' opened at Bikaner House Centre for Contemporary Art in New Delhi on April 28, 2026. The show features works by British artist Stuart Robertson, created during an 18-month residency at Dr. Shroff’s Charity Eye Hospital, where he collaborated with medical staff, patients, and local communities in Daryaganj and Old Delhi. Curated by Ashish Sahoo and Zaarya Chaudhari, the exhibition includes monochromatic photography, drawings, bronze sculptures, and cyanotypes that explore the relationship between art and healthcare, perception, and the ethics of representation. It runs until May 3, 2026, and is supported by the Eicher Group Foundation.
The Arts Center at Duck Creek in Springs presents two concurrent exhibitions opening May 9 through June 14. 'Residual Light' is a group show curated by Galina Kurlat and Andrea Cote, featuring eight female artists working with alternative photographic processes and camera-less techniques. 'What the Garden Remembers' is a solo exhibition by Avani Patel, displaying paintings and drawings that explore memory, ecology, and nature. Both exhibitions include opening receptions, artist talks, and a cyanotype demonstration.
The San Bernardino County Museum presents 'Evidence of Us,' a new exhibition by artist E. Tyler Burton, running from May 9 through September 6. The show features sculptures, projections, textile installations, cyanotypes, and participatory elements that explore the material record of contemporary life, using everyday items like plastic bottles, clothing, and packaging as artifacts. An opening reception will be held on May 9 from 3–6 p.m.
British artist Stuart Robertson is set to debut a comprehensive new body of work at Bikaner House in New Delhi in April 2026. The exhibition, titled “Through The Artist’s Eye,” is the culmination of an 18-month residency at Dr Shroff’s Charity Eye Hospital in Daryaganj. Spanning photography, drawing, bronze sculpture, and cyanotypes, the collection documents the daily life, medical precision, and quiet compassion within one of India’s most prominent charitable medical institutions.
Daniel King, an Air Force veteran and lens-based artist who once concealed his military service for a decade, is serving as juror for the 2025 Ohio Veterans and Military Art Exhibition at the Ohio Arts Council's Riffe Gallery in Columbus. The show features 37 works by 23 artists, selected by King to highlight the complex, often overlooked stories veterans tell through creative expression. King, who leads workshops through the Central Ohio VA Medical Center's veteran artist initiative, uses photography and proto-photographic techniques like cyanotypes and pinhole cameras in his own practice.
Contemporary photographers are increasingly rejecting traditional cameras in favor of alternative, camera-less techniques such as photograms, cyanotypes, and chemigrams. These artists draw inspiration from early scientific experiments with light-sensitive materials, like those of Johann Heinrich Schulze and Thomas Wedgwood, who created temporary images using silver nitrate and sunlight before photography was formally invented.
The ArtCentre of Plano has opened "Art With Impact," a juried exhibition featuring 70 Texas artists selected from over 200 submissions. The show fills the Saigling House in Downtown Plano with works spanning watercolor, metal sculpture, photography, mixed media, and cyanotype. Highlights include Best in Show awarded to Plano artist Jennifer Gillen for her watercolor "A Burst of Tulip," chosen by juror Kristin Rivas of Samuel Lynne Galleries. Executive Director Suzy Jones notes the exhibition reflects growing momentum in Plano's arts community.
The AIPAD Photography Show, a major fair dedicated to fine art photography, took a refreshing turn by emphasizing craft and handmade processes. The event featured a notable shift away from purely digital and commercial photography, highlighting works that incorporate traditional techniques such as cyanotypes, photogravures, and hand-applied color. Galleries presented pieces that blurred the line between photography and other media, including mixed-media works and artist books, reflecting a growing interest in the tactile and artisanal aspects of the medium.