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teamLab in Abu Dhabi, Christine Sun Kim and Thomas Mader, Vermeer’s final painting?—podcast

The article covers three major art stories: the opening of Christine Sun Kim and Thomas Mader's exhibition "1880 THAT" at the Wellcome Collection in London, which explores the 1880 Milan Conference that banned sign language in Deaf education; the launch of a new teamLab museum in Abu Dhabi's Saadiyat Cultural District; and new conservation findings on Johannes Vermeer's "Young Woman seated at a Virginal" (1670-75), which may be his final painting, with 17th-century pollution helping to date the work.

Bogna Burska and Daniel Kotowski on Representing Poland at the 61st Venice Biennale

Bogna Burska and Daniel Kotowski, representing Poland at the 61st Venice Biennale, plan to exhibit a project inspired by the Choir in Motion (a phonic/sign-language ensemble of hearing and Deaf people), underwater role reversals, and whale communication. Their work explores alternate forms of communication, Deaf Gain, and the retrieval of voices—both human and non-human—aligning with the Biennale's theme "In Minor Keys." The Polish pavilion is located in the Giardini.

Walker Art Center Exhibition Breaks Down Sound Barriers

The Walker Art Center, in collaboration with the Whitney Museum of American Art, presents "All Day All Night," a survey of the past 15 years of work by Berlin-based deaf artist Christine Sun Kim. The exhibition, on view until August 30, spans three galleries and includes drawings, videos, participatory pieces, and site-specific installations such as charcoal music notes on floors and stairwells. Kim's early works from the 2010s explore sound waves and Deaf culture, while later pieces incorporate her experiences as a mother and partner, using infographics and ASL-inspired imagery to challenge assumptions about spoken versus signed language.

Baby dolls, whale songs and swimming in urine: The Venice Biennale’s must-see national pavilions

The 61st Venice Biennale, themed 'In Minor Keys' by late curator Koyo Kouoh, has been marked by political protests against Russia and Israel's participation, pavilion closures, and threats to funding. Despite this tense atmosphere, several national pavilions quietly embody Kouoh's vision of nurture, intimacy, and reflection. Highlights include the Japan Pavilion's 'Grass Babies, Moon Babies' by Ei Arakawa-Nash, where visitors carry and care for baby dolls, and the Polish Pavilion's 'Liquid Tongues' by Bogna Burska and Daniel Kotowski, an immersive sound installation exploring Deaf culture and marginalized communication.

Art exhibit honors Maine’s Deaf community, victims of Lewiston shootings - Portland Press Herald

An exhibition titled “Unspoken Resilience: Healing from the Lewiston Shooting Two Years In” is on view at the University of New England Art Gallery in Portland, Maine. Co-curated by Michelle Ames and Meryl Troop, the show features work by deaf artists and craftspeople alongside color photographs of Lewiston by Michael Kolster. It was created in response to the October 2023 mass shooting at Schemengees Bar & Grille in Lewiston, which killed 18 people, four of whom were deaf. Ames, co-director of deaf services at Disability Rights Maine, was frustrated by the lack of ASL interpreters in media coverage and helped organize community support. The exhibition includes pieces that explore Deaf culture, healing, and the concept of De’VIA (Deaf View/Image Art), a term defined in 1989 by deaf artists to express the Deaf experience through high contrast, intense colors, and symbolic imagery.

UNE Art Gallery show honors Deaf community and victims of the Lewiston shootings

An art exhibition titled "Unspoken Resilience: Healing from the Lewiston Shootings Two Years In" will open at the University of New England Art Gallery in Portland on September 25, 2025, coinciding with Deaf Culture Week. Co-curated by Michelle Ames and Meryl Troop, the show features works by deaf artists and artisans, alongside photographs by Michael Kolster documenting Lewiston, Maine, where a mass shooting in 2023 killed 18 people and injured 13. Four of the victims were deaf, and two other deaf individuals were injured, making this the only mass shooting in U.S. history to disproportionately impact the Deaf community. The exhibition runs through February 7, 2026, and includes contributions from American Sign Language interpreters.