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Megamurals, Guerrilla Girls and something rotten in the Oval Office – the week in art

The Guardian's weekly art roundup highlights several exhibitions, including Wilhelm Sasnal's politically charged paintings at Sadie Coles HQ in London, a Joan Eardley retrospective in Edinburgh, and a Guerrilla Girls show in East Sussex. It also reports on Art UK's digitization of over 6,700 UK murals, the theft of Impressionist paintings from an Italian museum, and the discovery of a stolen ancient gold helmet.

Massive Cache of 42,000 Pottery Shards Reveals Daily Life in Ancient Egypt

Archaeologists from the University of Tübingen and the Egyptian Ministry of Tourism and Antiquities have unearthed a massive collection of over 42,000 inscribed pottery shards, known as ostraca, at the ancient site of Athribis. The shards, dating from the 3rd century B.C.E. to the 11th century C.E., contain tax receipts, religious texts, school exercises, and personal notes written in Demotic, Greek, Hieratic, Coptic, and Arabic scripts, offering an unprecedented window into the daily lives of ordinary people.

GALLERY: Creepy crawlies and plant characters at Okotoks Art Gallery

The Okotoks Art Gallery recently launched two solo exhibitions by artists Neil McClelland and Beany Dootjes, marked by an opening reception on April 11. McClelland’s exhibition, "Earthly Delights," utilizes a multi-layered process of photography, digitization, and painting to personify plants as characters. In the adjacent small gallery, Dootjes presents "Ruin & Reclamation: Re-iterated," featuring oversized sculptures of insects like lice and bed bugs meticulously crafted from repurposed men’s business attire.

Caravaggio and Rubens works destroyed by fire in Second World War are brought back to (digital) life

The Gemäldegalerie in Berlin has completed the digitization of its high-resolution glass-negative archive, which documents hundreds of Old Master paintings destroyed in a fire at the end of the Second World War. The collection includes lost works by Caravaggio, Peter Paul Rubens, Anthony van Dyck, and Paolo Veronese, which were stored in a flak tower for protection and burned in May 1945.

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Nigel Peverett, a former staffer in the British Museum’s prints and drawings department, stole over 350 artworks during his tenure in the 1970s and 80s. The thefts, detailed in Barnaby Phillips’s upcoming book 'The African Kingdom of Gold', involved Peverett smuggling prints out of the museum, altering them with razors to remove catalog numbers, and selling them at London’s Portobello Road market. Although he was caught in 1992 with 35 prints in his possession, nearly 100 items remain unrecovered.

The remarkable man who made Art UK possible | Letter

Fred Hohler, the founder of the Public Catalogue Foundation, is the pivotal figure behind the Art UK project, which has successfully digitized over one million UK public art entries. The letter writer, Prof Robin Simon, expresses astonishment that a recent article on Art UK's milestone failed to credit Hohler's foundational work.

Russia's winter bombardment puts strain on Ukrainian museum workers

UNESCO has expressed serious concern over recent Russian attacks damaging cultural heritage sites in Ukrainian cities including Odesa, Lviv, and Kyiv. The winter bombardment has targeted power grids and infrastructure, complicating the work of museums and cultural institutions. The Kyiv-Pechersk Lavra, a World Heritage Site, suffered its first military damage since WWII, and the historic center of Odesa, already on UNESCO's endangered list, saw its Holy Dormition Monastery severely hit.

AstaGuru: An Eminent Digital Auction for the Elite

AstaGuru, an Indian online auction house founded in 2008, has established itself as a leading digital platform for modern and contemporary art, antiques, sports memorabilia, fine silverware, and writing instruments. The company achieved a world record with a ₹17.75 crore bid for a Tyeb Mehta painting in 2017 and boasts a 93% lot sale ratio, auctioning works by notable artists such as Ramkinkar Baij, Krishen Khanna, and Nandalal Bose. Led by directors Tushar Sethi and Vickram Sethi, the platform offers secure bidding, physical previews in Mumbai, and services including consultation, restoration, and valuation.

Sculptor Sahar Khoury, Collection Exhibition at the Manetti Shrem Museum Offer New Views of California Art

Two exhibitions opening in January at the Jan Shrem and Maria Manetti Shrem Museum of Art at UC Davis explore themes of cultural origins, legacy, and preservation in California art. "Sahar Khoury: Weights & Measures" (Jan. 7–June 20) is the Bay Area sculptor's largest solo show to date, featuring works in ceramics, metal, papier-mâché, and found objects that interrogate value systems, personal and political symbols, and site sensitivity. The emotional centerpiece, "The Elephant in the Room," evokes ruins and marketplaces of North Africa and Southwest Asia. Concurrently, "Backstory: Digitizing the Museum Collection" (Jan. 21–May 2) turns the museum into a working digitization lab, displaying signature works from UC Davis’ Fine Art Collection while revealing the process of preserving art for posterity.

huge library of ashurbanipal 2709162

The British Museum houses the Library of Ashurbanipal, a collection of approximately 30,000 cuneiform tablets from the Assyrian Empire, discovered in the 19th century. Created by King Ashurbanipal (r. 669–631 BCE), the library contains texts on astronomy, medicine, history, and literature, including the Epic of Gilgamesh. The tablets survived a fire set by invading Babylonians and Medes, which hardened them. Recent excavations in Nineveh have uncovered more tablets and a 20-foot-tall winged bull statue, while the British Museum's Ashurbanipal Library Project, now led by curator Jon Taylor, focuses on digitizing and studying medical texts.

Artist Helina Metaferia infuses solo exhibit 'Syntropy' with research and activism

Artist Helina Metaferia presents her solo exhibition 'Syntropy' at Praise Shadows Art Gallery in Brookline, Massachusetts, on view through December 20. The show features her mixed media collages, including a self-portrait titled 'Enthroned (I am an institution; I am an altar; I am an artwork in/of/for progress),' which marks her first self-portrait in years. The exhibition is part of her ongoing socially engaged project 'By Way of Revolution,' which explores the history of activism and civil rights through workshops, performance, and archival research. Metaferia, an Ethiopian American interdisciplinary artist, teaches at Brown University and previously exhibited at the Museum of Fine Arts, Boston.